I’ve just always wanted to title a post this, thanks Lui
The new PIGGS single hits stores in a few days, and mid-last week they released the second MV from it (first), and it’s still not the title track, so that leaves a great deal of hope in there being yet another video coming our way. But for the whole reason that I got a NIN vibe before even listening to the thing, here’s “Piggy”:
I think I figured out a pattern when it comes to BiSH in their “officially a big deal” era — the more seriously a release is treated by the group, the higher the likelihood that it might actually be kind of butt. Take for example Letters from last year. Yes, it did very literally top the charts; on the other hand, the only sentiment I got from fans in this particular circle was that the record was a disappointment. A win for WACK and Avex for sure, maybe less so for us. But when the announcement about GOiNG TO DESTRUCTiON landed a few weeks ago, I got a truly giddy feeling: Here was the BiSH that I love most, on the one hand playing into their old chaos merchants persona while also taking the same to a ridiculous level as a send-up of the self-serious approaches they’ve more recently taken to some of their bigger releases:
If you’d genuinely like to know the original title of this post, please see the footer
Definitely didn’t expect to get another ASP MV so in the wake of their debut album (now more than a full month old), but gift horses and mouths and all that, so of course I joined many among you in excitedly clicking that link when it dropped yesterday. And then, like many among you, I watched first in confusion and then rapt horror! Oh, and the song is a delicious and powerful anthem that I think we’re only going to grow to appreciate more and more over time!
I meant what I said and all, but damn if it doesn’t feel like a stretch to try to build some kind of halfway-useful commentary around every little thing that every dang idol project does all the time. Sometimes a thing is just a thing! A song can just be a song and taken on its own merits without tortured references to other acts; sometimes an MV is just a fun and creative multimedia way to get more content out to the world (and maybe earn a bit of money from views). And really, MAD JAMIE here is still in that growth phase when Uncle Moneybags behind them is going to make things happen anyway, what else do we need to talk about?
Actually two things: I can totally see this song being quirky-cult-summer-single popular in like 1999, and also I have this somewhat uncomfortable remembrance of DEEP GIRL all of a sudden. Let’s pretend that didn’t happen and instead congratulate MAD JAMIE on doing another thing in a likeable way!
Enjoy this promo clip as well:
Imagine having to debut as an idol during pandemic lockdowns. Idoling, as an industry, was unsurprisingly able to adapt to full-time virtual performances and lots of livestreams and the like, but those things are all much easier when you’re an act that people know about. Something with fans, like. Much less true for something that has been building toward a first public appearance but hasn’t so much as stepped onto a stage with an audience yet! Obviously a lot of units went on hiatus basically before they even officially launched; others went ahead and did what they could and made the most of it, and frankly those feel like the ones that made the smart decision.
This does bring us to AKIARIM, yes, who had a debut pretty much just as things were starting to go completely haywire but stuck it out and made it work after hitting the pause button and re-debuting in the summer after things had settled down a bit. Hence the anniversary tour and various other festivities all happening now! Among them: Continue reading
We’re a little late in delivering here due to wires getting crossed, but, even almost a full week after its release, the latest akugi MV can really only be summed up by the above-referenced statement by our very own Daemon. And uh:
Doop-dee-doop, scrolling through Twitter, looking to connect with something interesting in idol … Hello, what’s this?
You’ve got to be kidding me. Continue reading
The WAGAMAMA RAKIA glow-up has really been something to behold, hasn’t it? I would say that the group was always interesting, albeit kind of lost amid a ton of competition in their early years, but they did seem to be moving in the right direction by 2018. Then they add MIRI, start to shift their sound a little bit, and then last year’s WAGAMAMARAKIA effectively sealed them as major breakouts. And now look at them compared to this — Minami and Rin are still there from the beginning, but it’s effectively a completely different group doing different things and still just way the hell interesting and doing musical stuff that seems just a step beyond the cutting edge compared to their peers.
The SUPERIORITY EP has a certain victory-lap kind of feel to it in that regard. WAGAMAMARAKIA was the hey-look-at-us, and now here’s the follow-up, five more songs from guest writers that have this much more “street”* feel to them, doubling down on rapping and rocking and idoling all in equal measure — it seems like half of all new units anymore try to work in some raps no matter how incongruous, and while Wagamama may not have been the first, they did seem to emerge as the best practitioners.
The MV for the record’s lead, “JOKER”, hit this morning, and … yeah, really, you just have to experience it: Continue reading
This post is entirely about doing three things:
- Posting about PassCode, which we don’t get to do enough
- Enjoying a PassCode album, as we haven’t had a new one in a while
- Spreading the gospel and hooking in some people who maybe aren’t as familiar
Anyway, let the title describe it for you. I almost always pass on live records from big idol gigs, the exception to date being the OG Red Night/Black Night Babymetal recordings. There’s just only so much time and unfathomable amounts of music to fill it with, and I may love idol but I also love a lot of other things; if I wanted to listen to off-quality recordings of people who for the most part aren’t particularly good singers in the first place, I’d invite my friends over for DIY karaoke again. Continue reading
The first EP from Codomomental newbies akugi, Playplay, seems to be hitting the stores in Japan as we speak, and that means that it’s time to show us why we should buy the thing, and that means an MV, and frankly it’s been too dang long since we saw akugi do their thing, so let’s just right in:
Zenkimi guest spot!