Without quite going right back over the same kind of territory that I covered in my original Let’s Discover of these folks, I say again that I loved me some sugartrap, and while 340.29m/s isn’t a 1:1 there, they’re still in the same musical tradition, which is to say idolcore from that glorious 2014-17(?) period when the synths were as heavy as the percussion and the shark hadn’t quite been jumped just yet. Yes, of course some groups were better than others in the first place, and the ones that did rise from the chika morass to make something more of themselves than a handful of CD-Rs and hundreds if not thousands of stilted cheki usually did so on the backs of bigger funding and a running start, but to me idolcore (and I specifically mean this exact flavor of idolcore) is and will always be the sound of Getting Into Idol.
Not a whole lot of groups are still doing it, though, is the point. There are a few, for sure, but even the remnants of acts from that era have either moved on musically or moved up, if you get my meaning. Idol’s a business, after all, and even the most meager of amateur friends-on-a-lark acts would probably prefer to do things that people want to see and hear. And that, for me, is part of the charm of the idolcore die-hards — they’re like Saxon or (gods help us all) Whitesnake in that they could stop at any time, but there are still enough fans to support them that there’s really no reason to change.
This post was supposed to be more of a celebration of 340.29m/s and the release of the record and I went and turned it into a backhanded celebration of commitment. So let’s re-tool real quick-like and actually listen to the dang record! Which those of you who nodded at any point in the preceding two paragraphs will probably like a whole lot if you haven’t already given it several spins! But I think you’ll agree with me that, while the sound is a certain kind of nostalgic, it’s also fresh and good. Continue reading
Whoops! We here on Team Homicidols are obviously supporters of Codomomental, including and especially the artists employed therein. It is therefore an all-time embarrassment when we, uh, kind of forget to do something with a Codomomental release because *brain fart*. It’s only been a week but what with various other goings on it does feel a little bit more. So here we go.
Hey! Remember how Codomomental debuted two projects in the past six or so months, and one of them is clearly further along than the other for they have two singles and a whole-ass album out, and that one is TOKYO TEFUTEFU? You do — cool. So yeah, that album’s out now, and therefore the boss was obliged to drop an MV to support the release, and to my complete lack of surprise it was for their best song to date, and … here you go!
So the other day, doop-dee-doop and all that, I see that one of my all-time anti-favorite acts in idol had a new MV. Should I write about it? I thought. Should I see what it’s like before making a call on that? That seemed wise. But then again, the artist in question, most easily referred to in their preferred shorthand — that is, SHINGEKI — you almost always know exactly what you’re getting, the only questions being left to the finer details. And so I thought, ah, let’s just Weekender that stuff again, nobody will miss it. BUT, friends, a different kind of realization struck me. See, it’s been some time since SHINGEKI came into our lives, and there have no doubt been hundreds of you whose journey into idol started after that and potentially even after this website stopped automatically posting every dang thing they did, so:
I decided that maybe, maybe just this time, I could try to fulfill the purpose of this website and put some context to the … I actually don’t know how to describe the way I usually respond to and consider SHINGEKI stuff. It’s almost always enjoyable if you can put away particular expectations other than “expect anything”; it’s almost always “good” in the sense that whichever musical elements they’re randomly slamming together sound nice and even sometimes tie together well; nonetheless, could I be accused of disparagement when it comes to SHINGEKI, something that would rise above light, good-natured teasing perhaps all the way to outright mockery? It’s all on the table, folks. But this post isn’t to recapitulate past observances, it’s to give those of you who either don’t know this wild-ass project or have only encountered it in snips and/or my backhanded remarks a chance to experience it in all its glory and then make your own judgements.
So. New single: Continue reading
Man, you guys remember Jekyll x Hyde? Or Jekyll and Hyde or & or however you want to style it. Management-san seems to like “x” these days, so that’s fine. But man, remember them? I wouldn’t be mad if you didn’t — I know that my last actual post about them was two full years ago, so unless you’re familiar thanks to some sporadic Weekender appearances, we certainly haven’t done much to bring them to your attention.
Now, I imagine that a few things have probably happened in, like, two years’ time, but frankly I got a bad back anymore, my days of diving deep into the Internet for random idol unit membership past info are in the past, so let’s just presume that membership=changed and maybe a fan or two can fill in the gaps. What clearly has not changed is that Jekyll x Hyde is one of the most reliably interestingly units in the game — musically, that is, and of course they are; they’re from Nagoya — and a recent spate of Papermaiden sort of re-discovering them for herself got me thinking that maybe it’s time for a refresher post.
So if you’re unfamiliar but you have a passing familiarity with foundational texts in English-language science fiction, you have probably sussed out that the group has some kind of tie to duality. And you’re right! They have a light side (Jekyll Mode) and dark side (Hyde Mode) and frankly they’re both just fine, so let’s survey some recent stuff. Continue reading
“Oh neat,” said I somewhat aloud as I looked at the tweet from Himegami CRISIS with a YouTube link in it, “a YouTube link from Himegami CRISIS!” Click, open, confirm: Yes, new video! What else is on their Tw–
Oh. Continue reading
I’m still fighting through the mini ‘rona you apparently get when this double-dose vaccine built with the intention of stopping a previously unstoppable — heretofore unknown! — virus in its tracks, so forgive the shortposting, but also the title says it all. You sometimes just don’t have anything more useful to say than to point at the thing and tell other people to go look at it. I’d have preferred that NEO JAPONISM have dropped this when I was both available and hale, but as it stands I was none of those things and now the last thing I want to do is put thought into a post. So:
Also, I apparently missed Hina going with blue hair
I mean, cool song and all, but it’s actually the video that I love best. I’m split between whether it’s innocently the most idol thing in existence — determination! perseverance! togetherness! running! — or deliberately (and therefore less charmingly) so. Either way, it was exactly what I needed to see this morning. Go get those flags! May we all be inspired to metaphorically do the same things in our own lives.
Well color me happily surprised to see that WACK newest bowels-of-hell creation ANAL SEX PENiS decided to follow up the post-April Fool’s reveal of members’ crania last week with some music that better fits the, um, talent. Not that we didn’t all love hearing Jun and his friends half-key their way through a promising tune, of course, just that the recording felt like letting the cat halfway out of the bag, and then the photo reveal dropped all pretense of even having a bag in the first place.
Anyway, yeah, we now know that the members of ASP are not in fact weird bondage performers but are (probably) (mostly) (emphasis on the parentheses here) “normal” idols, and probably all women at that. The visuals are fairly clear! The voices here doubly so!
I do rather enjoy this “traditional” method of WACK reveal, from the playful mystery to the rollout with the kinds of songs that WACK traditionally specializes in, other than Kentacore:
That rocks faces, it does. The second song in the set is, of course, the OG recorded with actual members’ voices: Continue reading
One of the more enjoyable but oddly unsung (’round these parts) units in idol the past couple of years has been EIMIE. Granted, I missed a big chunk of their emergence last year, but in the intervening time it’s been interesting to watch what used to seem like a fairly straightforward rock unit turn into something more. And in their latest, “something more” seems to be a genre-less x-core monstrosity that I send to half the people I know with various emoji to accompany it and I get back a range of responses (most no worse than neutral!) also via emoji, and then somebody does the cry-laughing thing and outright says “WHAT THE HELL IS THAT”. My kind of track.
Anyway, the latest! Dropped in rough conjunction with their band-accompanied one-man a week and change ago, and really just all kinds of fun. I meant to share it much sooner, but it’s not too late! Consider it fresh and full of rapping and even references to an MC and also chunky and loud and heavy and I’m kind of in love with it. Continue reading
This is what I get for holding off for a couple of days to post about something new from an emerging unit — even if I try to close the loop fairly quickly (by my standards these days), there’s the risk that whatever is good and hot and new is going to be superseded by more new stuff. And so here we are with everybody’s favorite shut-in idols, Hikicomoteikoku, who over the weekend dropped a new song for us as just part of a whole package that apparently extends all the way into today.
Lyrics? Lyrics! Continue reading
All right, so now, what is this? Maybe the tenth post in 15 where I could again express puzzlement at the very sudden and surprisingly pervasive infiltration of loudol by hip-hop* influences, perhaps best expressed in this post. Idols who just an album ago were yelling and growling and headbanging during breakdowns are now trying out their rap chops in sometimes surprising soundscapes. Which, fine, tastes change and you gotta change with them. But imagine my surprise when chika loudol long-timers C-Style dropped a new one the other day: Continue reading