So I don’t know where all of the good idol stuff went over the past several days*, you guys, but I’m kind of thankful for the moment’s peace. I told myself even yesterday that maybe I should just let the week ride itself out and only feel like I need to respond at all if something genuinely cool and big happens.**
Well, the best thing happened, and we finally got a look at the post-HAMIDASYSTEM project of the former members of HAMIDASYSTEM, who are not at all the new and current HAMIDASYSTEM, but are veterans of maybe the coolest, most creative, impossible-to-overrate multimedia art project to have ever struck idol. Specifically, we get music and some light visuals!
That was the fastest smashing of the Subscribe button in my over-enthusiastic history
So a lifetime ago (Saturday), a buzz swelled up and over the wota scene like
Is … is that a kazoo?
Yeah, folks were popping off about these girls the other day, and for good reason — we get our share of punk idols, but not many who sound like the second coming of punk rock itself with idol as an incidental feature. If I didn’t know any better (time travel isn’t real!), I’d swear that I already own some of their music on a compilation CD somewhere. Continue reading →
So funny story, I apparently started to blog this post almost two entire months ago, saved it in 90 percent-complete form on a day when I clearly thought “ah ha, I will complete this over lunch at work, I am very smart.” And then the joke was on me, because here I am two months later finding it in my drafts queue while looking for something else! Yippee!
Anyway! You may or may not have encountered Dooshite Tomodachi GA inainoka in your idol travels. That would be appropriate, as they’ve been around for long enough to be a regular on plenty of well-populated idol bills, and I’m pretty sure that their pre-debut was noticed and discussed. What caught my eye, though, wasn’t so much that as the fact that the group includes Urara from senritsumelodious and the Original and Only Adopt-an-Idol Poroporo Baroque, and if there’s an idol in the business who’s cursed, it’s Urara.
I don’t mean to alarm anybody, but what with the Best of 2018 only recently put to bed and 2019 still more than a week off, I feel like I already have my favorite debut for next year figured out. Yes, it’s raymay, the uijin sister group that got a heck of a treatment in the Weekender because of the way they’d been teasing out their debut MV ahead of their Christmas Eve live debut with their big sisters. That’s the kind of thing that gets a Maniac to notice!
Of course, it’s the music that matters, and it’s to the music that we now turn. What does raymay have for us as an official kick-off?
Not that long ago, maybe a week or so, some scuttlebutt opened up in the Idolverse. One could write that sentence for just about any day on the calendar, but in this case I refer to a bubbles of interest around a new project from the same team as uijin, who you may recall as great-ass idols who exist at permanent arm’s length from anybody who doesn’t go to their many, many lives. Great, but sad! Naturally, of course, the discussion turned toward what this new sister unit will sound like — more of the big sister’s “neo Tokyo” take, or maybe something bent more(!) toward electronica, or brutal slam*, or … or what? Now we know!
2018 has been a banner year for idol debuts, at least in the chika scene and among those whose sound could best be described as “rock-inspired.” At one point near the end of the spring debut season, it was like new units doing cool things were falling out of the trees. I could not have approved more. The only problem, especially now as the year draws to a close and especially as the Homicidols Best Of 2018 timeline shuts the door literally tomorrow, is that I’m terrified of missing out of somebody who warrants real-deal attention.
Take for example SKIRMISH, who are the entire point of this post! They debuted less than a month ago and are already responsible for one of my favorite tracks of the last couple of months: Continue reading →
Now that they’ve officially debuted, one could forgive Marionet for going into the usual routine of doing lots of gigs and even performing new songs but not really putting things out into the digital world for broader distribution, seeing as how the crux of idol always falls to the live experience. But no! There’s yet another new song, and it is good and it makes me feel like, of all the good new things moving around in idol these days, this one might have some staying power.
Just a nice, mature song. And, as I mentioned, they debuted the other day; here’s a live clip, even:
Well if this isn’t a pleasant surprise — after graduating all of their original members post a final show right here in the good ol’ USA, Candye Syrup is back. Or, more accurately, a unit called Candye Syrup is back, because these are totally new Candye Syrup members:
<from left to right> ♡Soku Shian – Cyan Blue ♡Chiro Chiroru – Lolipop Purple ♡Choco Reito – Crazy Pink ♡Yume Miichan – Chocolat Mint
The official debut show of the second phase is scheduled on Feb 20th 2019. However, we are going to start ”pre debut shows" from Dec 9th 2018. pic.twitter.com/9vp5L5qkqz
We are preparing the new songs and costumes for the debut show. The superb members from the first phase are all graduated and we are launching the second phase from the scratch. We will do our best to create it better than ever. Thank you very much for your continued support!