We’re almost through the Catching Up series! Just in case you hadn’t noticed that there was kind of a Catching Up series!
Today’s entry, and alas the only one I’m going to be able to manage, concerns the delightfully variable pop rock of Devil ANTHEM, who released a new single just the other day, and who of course had the original promo content for that out ahead of time, and I’m talking last week, when an MV was dropped and I caught it and queued it and then — record scratch! — today they went ahead and released an “audio” video for the B-side that’s frankly basically an MV in its own right and wowzers, I actually really enjoyed the hell out of it (the B side is the best side, after all), so I’m end-running my original Devil ANTHEM post to bring you the whole single in one shot, and in reverse order!
Dang you guys, I almost completely fanned on … like the 30th thing just this year that I would’ve missed. At least this time I pull victory from the jaws of defeat! As you may have discerned from the title of the post, this is about Devil ANTHEM, whose body of work is usually pretty enjoyable even at its least homi, but who can still really let it rip when the mood strikes. Do like I do and keep them at least on your medium list — if your short list is the stuff indispensable to your existence — so that any little reminder that they exist and do idol things is a prompt to go see what the latest of those things might be.
I feel like you need to be of a certain age, or at least a certain demographic profile within a potential intergenerational range of time, to appreciate a particular orientation toward high school. See, when I was in that phase of life, none of the old stereotypes taught to us by Saved by the Bell or John Hughes movies really held up — radically evolving metacultural forces and growing up in basically nowhere will do that, I guess — but that didn’t mean that people didn’t try to hew closer to certain notions, and especially those who had a foot on each side of the divide in eras. For instance, I had friends who definitely still looked at the world through a lens by which a “popular” person was, by definition, a rude snob with only a tiny handful of sycophantic bully friends; that this all flies in the face of any kind of logic was lost on them. These were the folks, though, for whom high school kicked the most ass, because they could place every instance or relationship into a predefined box and feel confident that the world had an explanation.
And what a world that lets you live in! A world where you and your friends could always start a band and go on to be at least Local Famous just by the power of hard work and spunkiness, where even the biggest jerk teachers secretly see the genius hidden inside you, where the late trend in lip sync videos was a regurgitation of a much cooler era when everybody wanted to be Ferris Bueller a full decade too late, or at least Parker Lewis. It’s a world of constant sunshine, pep rallies, falling in love with your first kiss and impromptu dance troupes with everybody being everybody else’s best friend.
I’m bad at following things that I like sometimes. This is admitted freely. There’s a lot of stuff! And in idol, a lot of what helps to separate things or make them stand out is whether I get a notification from YouTube as opposed to just about anything else, because YouTube means video, and I always brake for video.
Anyway, in this case, said notification spun me back around on Party Rockets GT from a month ago, when they capped their year-ending one-man with a nice set of announcements:
I’ve lately taken to playing the Ultimate Homicidol Playlist at the gym. Part of it is that I’m lazy in ways that would offend polite society and often don’t feel like going to the trouble of downloading new music; a more germane part, though, is that I’ve lately taken to a new cardio regimen that leaves me in lots of long, lonely, otherwise quiet bouts of activity with naught by my thoughts, so I may as well put on some video, you know? And what better than that woefully outdated, in-terrible-need-of-updating collection of the most exemplary things in almost a decade of loudol?
It’s a trip down Memory Lane, ultimately, getting to reacquaint with music and videos that I, once upon a smitten time, held lovingly in my hands while forming a mental model for what loud idol should look and sound like. Gnarly guitars and slinky synths and way too much percussion and hooks big enough to catch a tuna? Feed me, Seymour!
And so, when this new one from ASTROMATE popped up this morning (thanks Andrew!), I was perfectly situated to enjoy it for its greatest strengths and bask in its perhaps-inadvertent celebration of that legacy: Continue reading →
It’s a little hard to believe, but it still hasn’t been two full weeks since Yuigeddon, and still only a handful of days since probably the roughest idol moment in many Western wotas’ lives. People aren’t happy!
I’m all for recovery, though, and idol is one of those things, hair of the dog-style, that’s so crafted as to be exactly what you need when It turns south. Oshi’s graduating? You’re gonna need some more idol, friend, and pronto. Enter PINKYCASE, who released this MV yesterday practically with their hands out in invitation, urging those of us who are hurting to step into another world for a moment, a place where songs can be fun and upbeat and interesting, and nothing bad ever happens. It’s a good time!
It’s funny because they’re supposed to be emo! Well, if the emotion that you want me to feel is optimism, PINKYCASE, you hit the nail on the head. And I am relieved on this dark burden inside for at least a few more minutes.
Believe it or not, this site has a content strategy.* The original was written three years ago, give or take, and while yes it’s evolved over time, the general framework is still in place. The wild thing about strategies is that, like, they don’t work if you don’t follow them. They’re wonderful guiding documents when you need them, but remarkable pains in the butt when you’re short of time and/or capacity and everything starts to happen. Like when I commented the other day that, with TIF just a couple of weeks away, things would pick up? It’s happening!
So this is what digging out of a hole feels like. The double-edged sword is that the Panda Mic song that I’m about to show you is very fun and solid and like what might happen if you let Maison Book Girl write a punky little ditty for junior idols, so of course I’m going to want to show you that even if it weren’t necessarily tired to the content strategy, and it also is that:
In case you couldn’t tell from most of the most recent Weekenders, I’m a supporter of Devil ANTHEM. In case you couldn’t tell from most of the most recent Weekenders, they’ve moved beyond their earlier sounds to largely embrace an interesting EDM twist. This … this is usually the story of how an idol group becomes a Weekender regular and stops having normal posts about them appear. Funny how that works out.
The point, though, is that Devil ANTHEM also dropped a ton of material onto Soundcloud the other day, and I thought that it sounded like a good idea to take a spin through some of it.
Just the fact that this is tagged “JUNK POP” fills my heart with glee
Pro tip, friends: There are lots of ways to stumble over new idol stuff, but the most reliable will always be what other idols tweet about, especially when it’s groups promoting mixed shows. In this case, it was POPPING EMO that stood out in particular, because what a name. A few clicks later, and: Continue reading →
All right, let’s not do that time-wasting thing when it comes to reviews anymore; when new stuff, especially new stuff from particular featured idols and honorary community favorites of Homicidols.com. Minna no Kodomo-chan gave us Kabe no Nai Sekai (A World Without Walls) to listen to, to embrace, to punish ourselves for sins more imagined than real by driving kawaiicore grotesqueries directly into our dreams. If all we ever had to go on was the other day’s MV, one might think that this is a one-way trip to video game hell, but we also know that Everybody’s Children can get down in lots of different, weird, wonderfully loud ways. What would their first album deliver on?