Feeling really unmotivated, folks, but sometimes the best therapy to facing the idoling loss of two of the most important in it to you as one of your favorite groups disbands is to force-listen to and then share via your fancy idol website an ongoing mess of new material from a successor of the group one of those favorites founded almost a decade ago and then the other favorite joined a few years later. You know?
Yeah, I thought that the huge-ass Weekender Idol in Focus entry was timed well enough to sufficiently put a cap on this smorgasbord of individual track releases from CARRY LOOSE, but boy is my face red now! So let’s cope together with this new MV of theirs and listen to it all and download. Continue reading
Hey folks, a little bit of a somber one this time because Japan — you know, the place and culture that makes this stuff we love happen — is getting absolutely assaulted by Typhoon Hagibis and there was apparently an earthquake in more or less the same area at the same time. Short of a radioactive monster suddenly appearing, I don’t know if that situation could get more Japanese. Or worse, frankly. So do the #PrayforJapan thing if prayer’s what you do, or consider that there might be some need for aid in the coming days and what you can do to help. No, buying more cheki from Idol Underground probably ain’t it.
For everybody in a safe place now, though, it does you nor they nor us any good to dwell on bad things, and lookie here at all of these (mostly) good things. You know that idols are going to play a role in a the very least cheer up people affected by the typhoon, after all, so may they right now bring some cheer to you whether you need it or not. Also cheery? Playing the Fun and thinking about idol movies!
Yeah, go read it:
I had a happy thought this morning, gang, the kind of happy thought that only a person with a fancy idol website who goes on a short hiatus can really have. I was looking through the music I have saved to my phone and saw uijin’s last album there, and I got sad, for they are soon to leave us; then I went through my YouTube subscriptions and saw that their little sister group, raymay, had done a thing the other day, released a new digital single, and I got happy again. The mad brains behind this whole thing will continue to shower us with stuff!
And then, friends … then I listened, and I watched, and I cannot recommend more to you that you give this a few spins in a row, for it is magnificent:
Dang, a hell of a lot dropped in idol over the last 24 hours. We’ll have to skip or demote a good bit of it to truly focus on the good stuff, like the latest from the resurrected form of HAMIDASYSTEM, who continue to edge along without any big releases on the calendar, just this monthly series of one-offs. Given the source, this is completely okay: This whole family is at its best when it’s doing things completely on their own terms, so please do, say I.
Anyway, the new song:
I forgive it not quite clicking with me at first for the sake of that back half. Very nice stuff. I could hear Yanamyu doing something similar, only minus a lot of the atmospherics. And it’s significantly more interesting than most of what Spotify tries to feed me anymore, so there’s that!
You caan pick up from any of these sources:
Please don’t ever stop doing what you do, HAMIDASYSTEM.
Hey you guys! While I am not the Official Homicidols.com Banana Monkeys Correspondent, I am the Official Homicidols.com Editor in Chief When I Feel Like It, and in such a capacity it is sometimes necessary to fill in for the official correspondents. So it was yesterday when Kerrie exclaimed “something something Banamon something something” and then found other, more useful things to do with her time. I felt tht there was plenty to all that something something to warrant a Something, and so here we are.
So: Hey, check out this new song that Banamon did!
Yeah, I’m late to this party, so what. Hiatuses will do that to a person. But on the off chance that you weren’t yet aware that BURST GIRL — who I post in protest because what worth does this world have left in it anymore — made available a pair of previously unreleased tracks a couple of weeks ago, and I’m personally just now catching up and more than happy to drag you along with me:
I can understand why! These tracks are deliciously random by BURST standards, but also at the same time like peak BURST, a neat trick that only the truest masters of we-do-what-we-feel-like can accomplish, and so this is all okay by me. Continue reading
So Minna no Kodomo-chan are tottering into an uncertain future. This has been a savage year for graduations and disbandments, so it follows that we could toss a few more heartbreaks onto the proverbial woodchipper of our emotions and further dilute a scene that, in what feels like the blink of an eye, went from astonishingly diverse to increasingly monochromatic. Sucks.
But yes, we did lose HAMIDASYSTEM, only to gain a new HAMIDASYSTEM, and I’m going to put it out there that “Kizu no Oto” here is probably exactly the track that I needed to hear this morning:
All right, folks, BiS3 can’t possibly have revealed even more free new tracks from their upcoming re-re-debut album to preview and download, can they? That would be wild. They’d be practically giving the whole thing away for free at this point! What kind of wild-ass madman does that?
Oh, and yeah, they did it! Two more songs!
Let’s give these suckers a rip: Continue reading
This post, you guys, I’ll tell you: I started this the day the following MV (spoiler alert!) dropped, and wrote ~most of the~ post before being called off to something else. No big deal, I thought, I’ll wrap it up tomorrow. Days later I finally remembered what was up (such is life nowadays) and I was going to CYA and put the thing into the Weekender.
What stopped me?
It’s too damn good, that’s what.
So without too much further ado: JyuJyu, not at all still reeling from the hyper-contrived nontroversy with Chunpi, are releasing a new single, and doing so in collaboration with Tenma from URBANGARDE, which is a sentence that’s always a joy to write. Watch as styles collide less heinously than you might expect, and idols whose whole angle is being cursed and doomed rip off maybe the best song of the summer: Continue reading
Ah yes, another week is upon us, and BiS3 hasn’t formally debuted yet, nor has an official release hit record store shelves, so that can only mean one thing — probably! they’ll tease at least one more new song and give an update on when the suddenly-a-lot-more-interesting-than-most-people-I-think-expected-they’d-be group debuts.
This was a safe assumption! And between the teaser strategy and the soundscapes at play, among other things, it feels less like a BiS debut and more like, well, their original namesakes’ rise four years ago. I find this business decision smart and good because, efforts made to the contrary, the most BiS-like thing to debut from WACK since 2015 has been pre-major BiSH, so really, emulating that whole move is a-okay in my book. The evidence? As if it hasn’t been abundantly clear, this debut is coming with some really cool musical choices (ah, those liberal pinches of heaviness), including these two new ones, which include what for me is one of the most interesting tracks that any notable in idol has done this year: