Zenbu Kimi No Sei Da. may be on hiatus, but that hasn’t stopped Codomomental from working behind the scene in order to immortalize their biggest show to date. If you read last week’s weekender, you’ll see that they recently launched a crowdfunding campaign in order to release a blu-ray of the show, and they reached the goal necessary to carry out the project in less than a week! In order to celebrate, we’re offering you a highly personal account submitted for publication by Richimetal. Because I’m not great at timeliness, the editing process took a while, so I’m glad we have a topical opportunity to bring it to light. Please enjoy!
It’s been another busy week in Idol, but it’s about to get busier!
This weekender is, once again, put together by trustee procrastinator Papermaiden, because our overlord Daemon is busy doing what he should do, having fun with Tokyo Psychopath this weekend! On that note, if you are at Saboten Con, come meet us (him)! He is giving the Killer Side of Idol panel on Saturday, September 2 at 11:30.
A rare chance to discuss idols in person!
— Homicidols (@homicidols) August 31, 2023
We made it!! It has been a log journey, but we have finally arrived:
Here are the TOP TEN MUSIC VIDEOS EVER as chosen by the readers of Homicidols dot com via a long, convoluted process that has been covered in depth elsewhere.
As always, each MV is accompanied by commentary from one or more of the individuals who nominated it way back in May or June when we started this process and the Team. I’ll keep the pre-amble short though because what you really want to know is: WHO MADE THE TOP TEN?
The Homicidols community has been busy for the past couple of months. We first asked our readers to tell us their five favorite alt, indie and/or underground idol MV’s. We then compiled those entries into a massive list of 127 music videos and again asked our readers to rate each and every one on a scientific and rigorously valid Likert scale.
The results have now been compiled into this incontrovertible and statistically valid list of the 50 GREATEST IDOL MVs of ALL TIME (per the collective opinion of the Homicidols community).
We will present ten each week for the next (*counts on fingers*) five weeks with commentary from Team Homicidols and our readers on why they nominated the MV for consideration.
Here is my idol song top 10. I wish I had something witty to say to introduce my list, but I’ll bare my heart in each song’s description instead. I’d just like to say that with the exception of my top pick (somehow!), I have all these songs taking up precious space on my phone because I know I’ll never get sick of any of them. If I could get them into my body for easier listening, I would. That’s how committed I am to each item of this list.
Let’s get to it!
Welcome to our second installment of Reader’s Best! If you haven’t already, please check out Luna’s Top Ten in our inaugural post. Today we are featuring Melly’s picks, not just because they have fantastic taste, but also because they were the second person to complete the survey. We try to keep it simple around here. Let’s go, Melly!
Melly’s 10 Favorite Idol Songs
10. ASP, SAKEBE
We knew ahead of time that the April 3rd show at TOKYO DOME CITY HALL would be a big night for Zenbu Kimi no Sei da. Not only was it one of the largest one-man lives Zenkimi has ever attempted, but it also marked the final show and graduation of members, Yukinojou Oyatsu and Amanechi An.
When future music historians look back at the history of the genre the English-speaking world, for lack of a better term, generally refers to as “Alternative Idol”, the decade of 2010 to 2020 will be seen as foundational. Underground idol in Japan has been around since at least the late 90s, hard rock composers were penning songs for idol units in the mid 2000s, and indie idol has probably existed since the birth of the idol genre itself. However, it was the year 2010 when the momentum of disparate events would begin to coalesce and eventually define the broad genre we know and love today. That year’s creation and subsequent seismic success of BiS and BABYMETAL would inspire the formation of hundreds of punk and metal idol units. At the same time, the zeitgeist of the early 2010s independently birthed several other less prominent but just as significant influences. Bellring Girls Heart, You’ll Melt More, Especia and others emerged to embrace an edgier and more avant-garde approach to idol, crafting the sounds and sensibilities of post- and pop-punk, new wave, techno and progressive rock into something entirely new. These early groups inspired both creative composers and adventurous music fans to embrace independent and underground idol as an effective medium for expressing almost every subgenre of rock, hip hop and electronica. Over the past decade, alternative Japanese idol has grown into a world class laboratory for the creation of some of the most innovative music on the planet. Continue reading
If it’s all my fault, I’ll do this more often; Zenbu Kimi no Sei Da has graced us with two new MVs in two days. While both are to promote their re-recorded albums Q.E.D and Q.E.D. Bi with the current seven members lineup, they switched things up a bit by picking songs that never got an MV before!
The lucky winners are Kimi Kimi Syndrome X and Cult Scream (and, of course, you the fan who is getting two brand new music videos).
Of course within minutes of my having dusted off my hands from the earlier post and congratulating myself on a job well done to toss off some doldrums and do the the kind of post that used to foul up the ol’ Homicidols feed back in the day, Zenbu Kimi no Sei Da is out here with a promo for their other new album of re-re-recordings (“standards,” we used to call ’em), and while it’s quite familiar to many of us I don’t know if it’s all that familiar to many more of us, not anymore, and it’s such a bright and shiny and joyful little romp that, hell, just watch the damn thing and be happy and then go buy Zenkimi’s album: