Well, okay, maybe it’s not quite as over-the-top as all that, but I was brought into all of the update-y stuff for this post by a Soundcloud notification, and the first thing I saw from it was the song title and my mind did all of the requisite stuff from there, actual facts on the ground that were to be subsequently discovered be damned.
PIIIIIIIN, who technically can only exist when they have seven members, have yet another new regime of seven members, and to commemorate the latest changeover dropped this new number that, correct, did scare me on their behalf, but just turns out to be a nice homage rather than what the past 16 months in idol have us so conditioned for: Continue reading
We did it! Despite the very best efforts of the world to destroy humanity before the new decade was more than a few hours old, we got to the day when the full album of the fully rebooted BiS came to fruition with the MV that will lead it into the sales wars. And what an MV! Maybe you saw it during yesterday’s aborted leak. Maybe you saw enough that, when combined with the title, you had no choice but to think of certain late-90s punk touchstones and tributes to an aesthetic that never should have died. I don’t want to say that every little thing in it is completely deliberate, but come on. Just look at this:
Yep, that definitely hit all of the right notes. Maybe the only thing truly missing is one of the actors suddenly having their face twist into a horrifying hell rictus, or a lo-def shot inexplicably shaking and turning to convey wackiness or something. Otherwise, from colors to setting to styling to the exploitative use of little people in the guise of show business icons, I’m back in the waning years of rock music’s last best decade.
And the music? Well yeah, that’s good too. I think we all figured that’d be the case, right? Like, they got the less saucy stuff out of the way on the last album preview — given all the rest of their body of work so far, for BiS3 to drop anything less than an all-out punk barrage would be the biggest surprise of all. And yeah, all in all I do think that this album has shaped up to be the best by a group named BiS in quite a while, though we should wait for the official release just in case Watanabe decides to pull some shenanigans.
It’s 2020 now, and all of this is firmly in the past, but I think it’s worth mentioning the wild ride that WILL-O’ went on over the course of the previous year. A lot has changed in the now three-plus years since Alloy was originally formed, and though WILL-O’ as WILL-O’ is fairly well-established at this point, I think it’s fair to say that change is the most consistent thing about the group. Well, change and doing great rock-related idol work, that is, and I mean that literally because you’ll remember that I held up “POP’N” as my personal favorite song of 2019.
And as that was going on, they were also releasing a new EP to close the year! I kind of forgot about it (it was sitting in my wait-until-an-MV-drops pile), then the MV finally did come a little on the late side, so here I go rhetorically returning the favor! But also they did some interesting stuff in the meantime, so waiting turned out to be smart. Anyway, the MV: Continue reading
Ah, the mishmash, one of my two or three favorite groups that basically just performs all the time and never releases anything, thereby leaving me to drift hopelessly through a directionless life with neither succor nor support. I wish they did more stuff! It’s hard to stay mad at them, though, because they rub shoulders with excellent company and I think are largely satisfied with being their best selves in a milieu that appreciates them. But anyway! There’s music, and you can get it. Thanks for a retweet campaign involving one of those demos that I’m always kvetching about, they have a full song to listen to, and then to download for free, and hey look get to it:
I’ll admit, I was kind of confused yesterday when I took a few minutes to open up YouTube and gather some stuff for the Weekender, because right there on my home screen was this big, blaring new thing from XTEEN. “Hey wait a minute” I said to myself, “I don’t remember seeing anything about this and hasn’t it been a little while since they released that single?” And the answer is yes! And after a moment’s confusion about why now for the MV, I realized first that, this is idol, it does what it does, but then also I recalled the literal song about Friday the 13th that’s on the record, and it all made sense then.
So here you go! Your luck was actually pretty good yesterday after all:
It pleases me to be joining the Team Homicidols ELECTRIC HEARTS Hype Train, a mere couple of months since the last time one of us got all doe-eyed about the gnarliest set of punk rock idols out of Osaka since the last most exciting thing to come out of that city’s incomparable scene, which honestly was probably at some point in the past half-year, that’s how it goes, except when Nagoya vomits out another killer project that goes all CRUSH KILL DESTROY on my heart. And I have to say that I’m glad that Chris and Brian brought them to our attention, because this is basically chika idol perfection and if I’m going to have to face the loss of both Zekkyou and BILLIE IDLE in the same year, then by the gods I do demand that the universe give us back more legit punk idols in return.
Anyway! It’s Thanksgiving and I got things to do. Enjoy!
“Beautiful Thunder” indeed; I’m pretty sure that guitar solo gets people pregnant
Have a great day today. And if Thanksgiving isn’t your thing or you live in a civilized country that is simply going about its business today, eat an oversized meal and then get in an argument with somebody you ostensibly love. It’s tradition.
We never get enough new stuff from the mishmash, gang, and that makes me sad. The little rockers remain one of my favorite semi-recent debutantes, but it feels like forever since we got a whole complete new track out of them, or at least one that we, thousands of miles from chika stages, can really and fully access. So what a gift then that they came along the other day with a completely new song that you can and should download for free right this very minute!
That’s only good for a few more days, so get to it! And if you really just want to hear the song, or would prefer to hear it in total before downloading:
Yes, I too can hear that on a Punk-o-Rama CD (the weird part of the back half where the Epitaph bands you never heard from again usually appear), why do you ask? It’s a fun little bop!
Well, better late than never, I guess, but Malcolm Mask McLaren dropped this sucker more than a week ago now, and I’m just now getting around to it and I apologize, I really do, but trust me it’s worth the wait unless you’re ahead of me and scoffing, which is your right, but also shut up, let’s enjoy this together.
What was dropped? The official audio (in pieces) and what I presume to be MV clips (also pieces!) of the upcoming … actually, I’m not sure what you’d call this, and if it even has a title. The YouTube description calls it an EP, but it’s just the two songs and ah hell why do I bother. Two songs, effectively a digest, for a release that I don’t completely understand but seems to be coming on the 20th.
Anyway, because this is two things making one thing, but the one thing is all we have for now and this presumably will end as one thing made out of two things, and yet here we are in the present with the one thing being more like two things glued together for the sake of expedience, let’s treat the two songs as separate entities and talk about them like they don’t know each other even though they’re next to each other!
The worst thing about not having time for your #1 pastime in life (idol) is always feeling out of the loop. So it was yesterday, when I caught a few spare minutes and was cruising through Twitter to find interesting material for the Weekender, and lo and behold caught this tweet from XTEEN. It doesn’t seem like much more than standard-issue boasting of the type that certain chika corners will get into, but XTEEN’s always been the best at that and hell, there must be more to this clip and link and stuff. What could it be? What have I been missing? Well, friend, let’s look at it, and oh holy heck look, I made a post this week!
ALL CLOWNS indeed
You talk about idols that ol’ Maniac just flat-out forgot about, you talk about Vivid Chicken. This is not a positive, friends, as I find myself forgetting about more and more idols as all the ones I love announce their departure from this mortal coil and all the ones that I mentally associated with them (stylistically usually, sometimes for only the dumbest of reasons) may as well die right along with them. Or, check it, sometimes the mental association is not a kind one, and one thing called Chicken and another thing called Chicken kind of get rolled together, and you wind up with not the best mental association.
I say this to reiterate: I had completely forgotten the existence of the idols known as Vivid Chicken, and was fine with that. As far as I knew, I hadn’t had a reason to post about them in well over a year, and they’d really only been notable for a few months at the opening of 2018’s all-you-can-eat buffet of idol debuts. That is, until a chance YouTube rec yielded … Vivid Chicken’s latest MV!
That’s a ton of fun! And, frankly, at an all-around much higher quality than I, uh, expected. WHICH TO BE FAIR is really a branding thing, don’t you think? You call yourself Vivid Chicken, you open yourself up to certain doubts as to your commitment to being, you know, good. But this is good though!
Near as I can tell, this is a “just because” video release, though I’m sure there’s a one-man or something coming up. At any rate, I’m excited that ViviChiki is still alive and kicking and will hopefully have something else for me to get excited about soon. And while you all enjoy this bonus live, I’m going to scroll through their Twitter looking for other groups I may have forgotten about!