We have a resident PIGGSpert here at Homicidols Dot Com. That is Cal. Cal did not seem to be nearly as interested in this as I was, and I’m in a mood, so I’m writing about PIGGS now from the standpoint of a person who was almost completely out of the idol loop for most of the first half of the year, which is when PIGGS became a thing straight from the fertile mind of one Pour L. Lui. It is the privilege of ownership!
So yeah, PIGGS both announced a new thing and showed off a new thing yesterday, and I reiterate that it absolutely rocks, and I will also add that I’ve now played it through somewhere in the vicinity of 15 times, only a handful of them concurrent. It’s worth your time!
Gawd. Continue reading
Team Homicidols primarily lives on Twitter, so we have taken the latest banishment of 14th Generation Toilet Hanako-san from the platform pretty hard. For her part, Hanako-san is still dead and communicating through the medium of Instagram where she is now somehow crazy about Kamen Rider.
She also loves sea otters. Check it out!
It is rather odd to see her not wearing any red and not a strawberry in sight. But what else has our favorite 444-year old youkai been up to? Continue reading
I think a lot of people have been generally optimistic, albeit somewhat apprehensive to totally give in, when it comes to New BiS. I’ve personally been very willing to embrace them on their own terms (I dig the music quite a bit, after all), though whether I could always take them seriously as a thing called “BiS” has nagged at me. And so far, the release of ANTi CONFORMiST SUPERSTAR has followed that pattern perfectly, with perfectly solid music that I’d happily accept from just about any other idol, but this weird feeling that it’s just not BiS.
And then today, to commemorate the release of the EP, they drop the “full, 5-hour version” of the MV for “CURTAiN CALL”, which is exactly what it sounds like. It’s five hours (well, like 5:02:22) of “CURTAiN CALL” on loop, interminably repeated until the arbitrarily selected interval of time had been reached, the members singing and dancing with surprisingly little flagging the entire time. Just:
Hit play, then mark the point at which you get tired of the song … and then imagine how the BiS members felt at the same time
This post was supposed to happen on Saturday but Maniac forgot to finish the intro and then suddenly it was Wednesday!
I like that there’s just plain a lot more idol content in the past few weeks than there had been since, lort, February? Highs and lows here and there aside, idol’s mostly been on a slow burn since COVID and all of that. Or, for idol that is; other industries are like, oh you guys just kind of adjusted and moved on? But yes, more new stuff, and including new new stuff from old friends that first excites and then contents. Ah, you say, that hit the spot.
And so it was when one of Western fandom’s ubiquitous favorites, Melon Batake a go go, dropped a neat new number with a new MV (edit: the other day). It was good just to know that it existed, you know? And as I let it play, I had a few different thoughts — It’s been a long time! I don’t recognize like half of these members! — and I realized that for as much as I wanted to have something cogent and/or decent to write about the piece, I just couldn’t put my finger on it.
I gave it some replays, typed out various responses, and then thought: A-ha! Let’s get extra input from Team! And that was helpful. Continue reading
Good lord, never take a break from a hobby that involves constant evolution of the subject. I just learned — by accident* that WORL’S END is actually reboot/branded Marionet, which upon that revelation makes all the sense in the world and I’m simultaneously laughing and looking for a bucket of paint to drown myself in out of humiliation.
It was a pretty hot post, though, you guys. I won’t share all of its remnants because I’m not a masochist, but it involved repeated declarations of having no prior knowledge of this idol thing that had been around for a couple of years, and outright disbelief at that fact because “I like to think that I had almost all idols of note doing the Fat Wreck Chords thing prior to mid-2019 at least referenced in some memory hole somewhere” which, wew. Yeah. And it was all celebratory about this tweet that I will reference here with no other commentary but may as well at least acknowledge so that you can see the source of my (today’s) idiocy.
The real tragedy here is that I don’t get to use this sentence:
if you ever wanted that guitar tone played like the soundtrack to the kewlest caffeine-free pool party of the summer between your sophomore and junior years of high school, and then added only the shiniest, happiest vocals possible on top of it, friend, you got yourself a stew going right here
In reference to the actual thing that spawned me writing this in the first place:
Although, hey, it looks like I did get to write it, and with context! Holla!
I am an embarrassment to this profession. Cancel Homicidols. Feh.
*It involved the phrase “Oh shit, that’s Fumimi”
I assume that you all have been enjoying POPPING EMO over the past several months, anyway, but I also assume that all of idol was frozen in carbonite in mid-February and is only now being thawed out, so it’s in fact neither here nor there that this randomly SCRAMBLES-aligned group up and dropped like 20 tracks onto Soundcloud the other day. Right? Like, their Twitter looks fine, albeit short of details. Nothing actually happened, right?
Consider this post an opportunity to get re-acquainted, which you could say may have been my motivation for making it in the first place and not be wrong!
BURST GIRL have announced the release of a new CD and a collection of collaboration vinyls this coming May. The three-track CD, story, will be released on May, 20th. This will be followed by a limited tour in collaboration with the CD’s songwriters with 7″ vinyl singles of each track available at tour venues and from Disk Union.
The collaborators who contributed songs for the CD include DJ Mariko Gotou, Maya (KING BROTHERS and N’Shukugawa BOYS), Toru Hidaka (THE STARBEMS), and Oyasumi Hologram founder and producer Kouichi Ogawa. Continue reading
Yes, friends, I can apparently keep up with new idols, as was my new year’s resolution on repeat. Such a promise was made in the hopes that 2020 will bring the same kind of greatness that 2018 did, and we’ll all forget that 2019 even happened. Fingers crossed, we’ll at worst feel good about it.
Which brings me to Lesson Number Umpteen on why you should make friends with people in idol! My pal with the old connection to Candye Syrup tipped me off a few days ago that there was a new group debuting soon, with an obvious connection to said defunct group, and then followed up this morning with the first best debut so far this year.
Meet FaM (Twitter), which yes relates to “family.” This was a relief, because upon seeing that I worried that it didn’t have any particular meaning, not even as a clever way of capitalizing a common shorthand greeting/pronoun kind of thing among the youngs in my country. What do they sound like? Continue reading
Well, okay, maybe it’s not quite as over-the-top as all that, but I was brought into all of the update-y stuff for this post by a Soundcloud notification, and the first thing I saw from it was the song title and my mind did all of the requisite stuff from there, actual facts on the ground that were to be subsequently discovered be damned.
PIIIIIIIN, who technically can only exist when they have seven members, have yet another new regime of seven members, and to commemorate the latest changeover dropped this new number that, correct, did scare me on their behalf, but just turns out to be a nice homage rather than what the past 16 months in idol have us so conditioned for: Continue reading
We did it! Despite the very best efforts of the world to destroy humanity before the new decade was more than a few hours old, we got to the day when the full album of the fully rebooted BiS came to fruition with the MV that will lead it into the sales wars. And what an MV! Maybe you saw it during yesterday’s aborted leak. Maybe you saw enough that, when combined with the title, you had no choice but to think of certain late-90s punk touchstones and tributes to an aesthetic that never should have died. I don’t want to say that every little thing in it is completely deliberate, but come on. Just look at this:
Yep, that definitely hit all of the right notes. Maybe the only thing truly missing is one of the actors suddenly having their face twist into a horrifying hell rictus, or a lo-def shot inexplicably shaking and turning to convey wackiness or something. Otherwise, from colors to setting to styling to the exploitative use of little people in the guise of show business icons, I’m back in the waning years of rock music’s last best decade.
And the music? Well yeah, that’s good too. I think we all figured that’d be the case, right? Like, they got the less saucy stuff out of the way on the last album preview — given all the rest of their body of work so far, for BiS3 to drop anything less than an all-out punk barrage would be the biggest surprise of all. And yeah, all in all I do think that this album has shaped up to be the best by a group named BiS in quite a while, though we should wait for the official release just in case Watanabe decides to pull some shenanigans.