This post, you guys, I’ll tell you: I started this the day the following MV (spoiler alert!) dropped, and wrote ~most of the~ post before being called off to something else. No big deal, I thought, I’ll wrap it up tomorrow. Days later I finally remembered what was up (such is life nowadays) and I was going to CYA and put the thing into the Weekender.
What stopped me?
It’s too damn good, that’s what.
So without too much further ado: JyuJyu, not at all still reeling from the hyper-contrived nontroversy with Chunpi, are releasing a new single, and doing so in collaboration with Tenma from URBANGARDE, which is a sentence that’s always a joy to write. Watch as styles collide less heinously than you might expect, and idols whose whole angle is being cursed and doomed rip off maybe the best song of the summer: Continue reading
I mean, MIGMA SHELTER was pretty much always awesome in the first place and you could be in some kind of time warp guessing which “new” track is so awesome, or awesome enough to warrant this kind of treatment. I’m talking about right now, though! Today! July 12, 2019! Holy crap, I’m … this many years old!
The re-formed MIGMA SHELTER has a single coming out next week. If you were wondering if it would be good, what’s wrong with you, but also wonder no more:
Few things in life as half as joyous as fun surprises from the things that aren’t your absolute favorite, but you root for anyway. So is the case with this new one from the Idols Formerly Known as Both Deathrabbits and Desu.Rabbits, DESURABBITS: My fraught history with this remarkable project needn’t be revisited except to say that I was basically not a fan but grew to be converted to an overall supporter, and so the advances that they make along the way always leave me feeling genuinely happy for them. And why not? They have a completely unique style, they’re well-regarded in the scene and they are, ultimately, clearly having a great time with what they do.
So imagine my face yesterday when this happened:
Now where have I seen that church set before?
It is the fault of nobody at all that Zenbu Kimi no Sei Da decided to flash-preview their ninth(!) single, which is coming at the end of the month, which threw me into an absolute tizzy of confusion about which release is which and when it’s happening and it didn’t actually matter because this all happened on Saturday and Team had one heck of a weekend. By the time we were able to catch up, the whole moment had passed, so I figured, hell, we missed the window, but we can still share, and let’s do it like always because if there’s one thing that Homicidols Dot Com has done consistently over these long years, it’s share Codomomental tracks on a template!
Now, ordinarily this is where we begin the whole song and dance about release windows and I do the performative routine and blah blah blah, so let’s fill in the gaps. Single:
And the track, you can still preview that (as of this writing!) … hhere.
No, man, I told you, we missed the window. In fact, because there are other Zenkimi items but this is purely for archival purposes, this post is over!
This is a little bit on the late side, you guys, but I think you can bear with me wanting to talk about the about-time first single and a few other firsts from WILL-O’ now that we’re almost three years removed from their incidental point of origin in the weirdest on-stage moment in the history of Tokyo Idol Festival and, maybe against all odds or maybe because all associated projects have always been this good or maybe because manager-san is playing the game better than you think or maybe all of it, I dunno, they’re going as strong as ever before and all signs point to an almost unconstrained future.
This is of course all predicated on the MV that they released the other day, for their new (see above) single:
Oh neat! So SPARK SPEAKER, who you all no doubt recognize by name but not nearly enough of you will stand up and be very excited about, dropped themselves an MV yesterday. For? A single that was already released last month. Which, fine, okay. But while I was taking it in, I got to thinking (as one does) about how to write it up. What’s my big takeaway? That the song is good? That the video is? (In this case, it exists, so it is automatically better than one that does not, and I have no other commentary.) So many options!
And instead I settled on a personal annoyance that I’m going to work out in this post.
(It’s actually not a bad thing.)
So first, strap in and enjoy “SAYONARA”:
So with time a-wastin’ for the physical release of their latest album (their third) (because you could have been streaming it for weeks!), Toricago went the route of prepping us metaphysically by releasing … well, it’s a lyric video. But rather than the industry-standard I-cranked-this-out-on-my-Mac-in-a-couple-of-hours approach, this one does at least have some style to it, and the song’s lovely in its way and yeah I know that there’s going to be more postable stuff from one of the best things about last year’s class of debuts, and soon, but it’s been too long and also this is at least named for one of my favorite personal years, so:
So Wagamama Rakia, who were low-key one of the big breakout success stories in chika idol last year along with temporarily fluid membership situation and goodness knows what all else, I lost track, have an album on the way. Like, imminently. And, as is smart and good and hale and all that, they dropped a trailer for it yesterday. It is, however, one of the more unique trailers that I’ve ever encountered.
The run time is 4:02. In your own personal realm of experience — which of course can vary based on a whole mess of factors — and assuming that all songs on the album are given approximately equivalent feature time in the trailer, how many tracks do you think it contains? tHe AnSwEr MaY sHoCk YoU! Continue reading
So okay, maybe this hasn’t been the most exciting idol summer so far, but what if I told you that one of the most absolutely stalwart of projects — I’m talking duration, member stamina, growth and onward — just put out a new record that could hit all the right notes for you this summer, because it’s the purest encapsulation of idorock, the Music Genre Made for Summer? Would you be all, Maniac, please,
my wets tell me what this is that I might enjoy it!(?)
You should be, but perhaps you will not, for I speak of Candy GO!GO! (obviously), and for some reason I’ve never been able to get other Western fans to enjoy them as much as I do. Maybe it’s boo me for effort, I dunno. But! They recently dropped an EP to follow up on last year’s “Fake News” single, and, frankly, everything that I’ve heard so far from IDOROCK-beyond- has made me a believer. Here’s “Dahlia”:
This one’s I guess the other side of the coin: Continue reading
Doop-dee-doop, scrolling through the Twitters. Hello, what’s this?
Why, it’s a new single-plus from long-time underground solo idol Ishido Natsumi, in MV form, and oh man it’s really just the beginning! Like, in less than a minute of looking into that, we find her suddenly going off on a whole new trajectory. But first — here’s the trailer for the whole thing: Continue reading