We have a resident PIGGSpert here at Homicidols Dot Com. That is Cal. Cal did not seem to be nearly as interested in this as I was, and I’m in a mood, so I’m writing about PIGGS now from the standpoint of a person who was almost completely out of the idol loop for most of the first half of the year, which is when PIGGS became a thing straight from the fertile mind of one Pour L. Lui. It is the privilege of ownership!
So yeah, PIGGS both announced a new thing and showed off a new thing yesterday, and I reiterate that it absolutely rocks, and I will also add that I’ve now played it through somewhere in the vicinity of 15 times, only a handful of them concurrent. It’s worth your time!
Gawd. Continue reading
After a few false starts, I finally get around to writing up something approximating a review for “NEO JAPONISM’s new album” that would only have been accurate if I’d waited a minute to include the second album released a mere week later, and then subsequently two additional tracks that appear on neither album but did get MVs. Correct — I waited myself into complete uncertainty as to what or when anything would happen, and then lost impetus for the project. But now that I think we’re safe from any extra releases, why not dig in and actually talk about this stuff? Continue reading
So you’ve probably seen the news, that BABYMETAL, who through no fault of their own have had their entire reason for being (big-ass live shows) ripped out from under them, are going to release their very own version of a double-live gonzo album next week:
This was already announced a while ago, Twitter-diving shows, but it’s new to me dammit!
Good. Great. Grand. Wonderful. This is very much a Weekender item. So why am I blogging a whole-ass post out for it? Because, starters, it’s been a minute since the last time we had good reason to post a BABYMETAL thing, and also because I have now listened to the previews and deemed them good, and because today is a very special day, my very own Fox Day if you will, as it is the sixth anniversary of my first BABYMETAL experience (it was “Megitsune”), which is almost as life-defining as the time I decided to strike up a conversation with the person to whom I am now engaged to be married and also very easy to remember because it’s my brother’s birthday. So in honor of the unofficial beginning of Maniac and the eventual establishment of ye olde website, I blog a BABYMETAL post. Continue reading
This post is all messed up. It was supposed to be a straightforward celebration of all things Wonlan and their current releases and motivating you to give them a go if you haven’t already several times, written yesterday no less, except that I drafted the whole middle bit and left off the ends and now I can’t remember which witticisms were used to do what, so how about this: You go look at this MV, which is new to the Wonder Lander corpus, and you get all “oh neat I like this” as is appropriate, and then you continue through the post because there’s more to it, and if you can figure out the context for yourself then you win a prize, which will be determined by Chris at his convenience. So go for it:
This is a journey, man
I bet you, yes you!, have read through the Weekender while sipping your free trade organic Sumatran dark roast coffee and pondered, gee, how does this sausage get made? Well, friend, I’m here to tell you that the Weekender is painstakingly curated over the course of t– HA HA HA! I mean, yeah, it takes some work, but for the most part somebody makes a draft post for it and sticks in something, and then others on Team add around it, and then I get lazy and make an Idol in Focus, and back when we had the various other features we’d look for X, Y or Z, but then the coup de grace on Saturday morning is my personal dive through the very many hundreds of YouTube accounts that I subscribe to, hunting for new content that is both genuinely new, genuinely interesting and from diverse enough sources that you don’t always see the same things. And now that we’ve set the stage, let me say that those video dives often yield more workable content than you’d expect, and in this past weekend’s case very notable drew my eyes back toward the former indie wonders in UNDER BEASTY, and a new MV from them, and that is right below, but also let me say that no post can make any sense (even with the way I write!) without additional context, and so it was that I also looked to UB Twitter and saw that they’re releasing a new single, and so this all made sense:
However! Just a few days prior, they dropped the MV for “Trust in …”, which is an almost perfect idorock ballad:
Now, “Trust in …” is actually a completely different single release, from the first week of August, which means that it is in no way associated with “Real Blade”, which … releases next week: Continue reading
Oh heck yeah, this is exactly what I was waiting for — it didn’t take long for KAQRIYOTERROR to go from announcing a new album to promoting the sucker. In true Codomomental fashion, the official window is two hours, and we immediately dishonor that.
More on the flip. Continue reading
Who among you who regularly read ol’ Homicidols Dot Com in the early days, when I posted any and everything and marveled at the very ability of idols to exist on this mortal plane, are still around to reminisce with me? Ah, the glory days, when Alice Project fanboys sock-puppeted their way to … something, and we did stupid things purely for the sake of trying something new. And, pertinently, they were the days when I was blown away in so many ways by the persistent presence of a little idol project called Arrow Heart.
Listen to this! I’d do anything for a clean recording to really appreciate it — as Phillter (remember Phillter?!) once put it, they’re basically FRUITPOCHETTE sans some polish. And the neat thing about idols, you don’t need them to rock the hell out to appreciate them, as demonstrated: Continue reading
Now that there’s a little bit more time to pay attention to recreational interests, one of my favorite activities over the past few days has been to clean out and update my system of idol notifications. Like, only a lunatic would deliberately comb all of idol media all the time to find the stuff they want to blog about! No, a milder form of lunatic (a maniac, if you will) uses the Powers of Technology to get immediate tips about particular goings-on, and then responds accordingly. It’s just … man, it gets to be a lot. And during my long hiatus, it became obvious that some work needed to go into cleaning up all of that. Out with the old, in with the new, etc. etc. etc. And with that, I purged quite a few artists, some of which have demonstrated that they just plain aren’t worth following that closely, and others that barely do anything to warrant so much attention span (yes, there’s a difference), and yet more that, well, I don’t think anybody really cares about anymore.
Which brings me to JyuJyu, who I will tell you I saw in my list and stayed purely because they don’t have the world’s most active Twitter account, so there’s a higher likelihood of a meaningful announcement than you see from basically anybody else in idol. Also, because I genuinely really like the group and find their management inexplicable, I’d have to keep putting in extra work to check in on them, and work just isn’t something that’s terribly attractive these days.
ANYWAY, today, JyuJyu, notifications, announcement. Oh, and what an announcement it was! Continue reading
Did I make that up? I made that up. The year that is 2020 is a lot of things, and one of them definitely is a month-to-month competition to see how much worse the world can get (current trend: holding!), but what I refer to here is simply a narrative device, not an actual contest, unless your take on idol this year as well can be viewed through the same kind of lens. The real bloodbath of graduations was last year, of course, though we’ve had our share. ANYWAY, the point is, title only, not actual thing.
With which I now segue to this weekend’s entry from BURST GIRL from their “story” record, which is … look, I took a few months off, came back, and nothing made sense anymore. I’m not sure of the chronology because at least some of it pre-dates my de-cocooning myself, but if I were only to have heard the “Against the drain” track, I’d be like, oh how neat and cool that BURST GIRL has graduated to melodic easycore or, I dare say, lifting verse material straight from NOFX. HOWEVER, whether it’s because BOSS idol-retired or because Waka’s back and has clothing to sell or even just because it’s 2020, the punk rockin’est of all punk rockin’ idol units has taken on a different character for this release. And Saturday morning has us all seeing this for the first time:
This isn’t new-news or anything, and the fact that I’m writing it shouldn’t be news per se, either, because of all of the online gaijin wota, I can think of exactly one other person who emphatically supported Ishido Natsumi the same way I do (hi!), but it’s important that I make good on something that I felt strongly enough about like two weeks ago to create a post draft for.
Anyway, yes, the title of the post! And I’d like for you to enjoy it, too: