BURST GIRL, who it should not surprise you at all are a resident favorite here at Homicidols Dot Com, fairly quietly dropped themselves a new song the other day via MV and streamers, and we all had ourselves a nice react in Team chat and even talked about timing it to come on the heels of the ATARASHII GAKKOU post to take advantage of the (measurable and noticeable!) influx of traffic based on that group’s engineered international breakout. Why we didn’t do it yet is, uh, I’m pretty sure my fault, so get the hell out of my face.
Anyway, “Saiteihen Romance”:
Well this turned out remarkably well, didn’t it? ZOC is … actually, I have no idea how to preface this. If you know ZOC, you know about all of the ZOC stuff most likely, and if you don’t know ZOC you may wonder why we like to talk about them. I find them an interesting between-the-lines act, as one would probably expect from a subversion-minded Oomori Seiko-led idol unit on a major label during this particular era, but it may well be the Seiko fact that keeps the whole thing from hilariously unraveling, as to say that one is a thing and then to be it are two very different things.
Anyway! New single, double A-side(?), out today but a couple of days’ existence for the two MVs in support, and as the title implies your own personal satisfaction mileage may vary depending on your a) taste and b) relationship toward the ZOC thing:
Well this was originally going to be a different post about not all of the things in it, but some of the things, yes, which is an excellent lesson in why it can be good to wait — completely unintended consequences of the thing you didn’t even mean to do can work out!
Which brings us to GRATIA-ALA, for whom I’ve always had a nice packet of love tucked back in the chika-reserved corner of my heart, but from whom we don’t always get a ton of media. Well, friends, let me tell you that we are currently in a glut — yes, a glut! — of GRATIA-ALA video, and I see no reason to further forestall getting into that.
The first, the most recent? My personal favorite:
So we’re Codomoblog for a few days, no big deal. You take what the universe gives! But you guys, you’ve heard TOKYO Tefutefu to date, but now it’s time for their whole first digital single (technically tomorrow, no doubt on all of your favorite streaming platforms) in music video form!
You may have the same thought as multiples of Team did: Man, that is some high pitch! And yes it is. And that is a cool song and it would be nice if we could get some more. It’s also the first release from a new Codomomental project that didn’t have me immediately trying to connect the dots to other Codomomental projects, so that’s fun. Now let’s see where it all leads!
Following the demise of Yukueshirezutsurezure and some membership turnings-over in KAQRIYOTERROR both building on the absolute tumult that was Zenbu Kimi no Sei Da last year, I think it would be fair for fans to wonder what all might be going on over at Codomomental HQ. Yeah, between akugi and Tokyo Tefutefu there are interesting new things afoot, but this is idol and for all we know they could self-destruct in a matter of of weeks — Tsurezure and Kaqriyo and Zenkimi are much more established quantities. And so it was that when the phone buzzed for a solid 10 seconds’ worth of notifications coming in under Zenkimi’s byline, of course I was a little concerned.
But as it turns out, at least for now, it’s all good! Continue reading
I’m trying to think of a particular single idol release in the past couple of months that I’ve waited so pointedly and specifically and hopefully for than the new album from Kaishin no Ichigeki. Ever since sort of bringing them back into the fold, I’ve kept them high on my notifications list because I have this feeling that (2020 Best Ofs aside) they’re due for a significant move, or at least play for one, and I’ll be damned if I’m going to miss it.
They’ve been teasing a new album for a while now, with short MV trailers even, and I freely admit that I got myself extremely hype for this one. Did I squee when it dropped this morning? Maybe.
Potential bonus: Titled after a significant foodborne toxin?
So if you recall from … not long ago, there was some trepidation among WACK wota when GO TO THE BEDS did a little promo clip of themselves in gasp! frilly little tradol outfits with egads! lame-ass boring tradol music tinkling in the background, and they were doing the ganbare fists and stuff. I think Coco may have blown a kiss at the camera unironically! For about 45 seconds, people were deeply concerned. Had Watanabe finally lost it?
And then people who were alive in 2012 and/or know anything about the history of the company that GO TO THE BEDS is part of and recall their past forays into revisiting music video content from said company’s legacy acts speculated that perhaps this was a play on the famed “IDOL” incident from 2012, and there was much nodding in agreement among us. We won’t be fooled by any simpering sparkly idols! Continue reading
Ah, SPARK SPEAKER. I’m trying to think of a group in right-now idol that’s as well-regarded without having quite broken through the chika glass ceiling. Talk to anybody — “Hey, how about that SPARK SPEAKER huh?” — and you’ll at worst get indifference, at best effusive praise and the kind of fanenbying* that my feed usually only looks like when BTS does something. They’ve been around for a lot longer than people think, have done a lot more than we realize, they perform as relentlessly as a very determined combination of Screaming Sixties and Guso Drop, and it’s like every damn thing they do is brimming with energy and super infectious.
And right now? They’re saying something that people need to hear more and more often, “Believe in yourself”, which yes is in song form apparently written by a labelmate and clearly not being new per se given that it’s been performed live enough to have plenty of material for this MV! Continue reading
It really was sad to hear that WILL-O’ is disbanding in a month’s time. They’re carriers of a hell of an idol legacy reaching back to when the loud stuff was pretty much just a chika thing, and chika idol culture hadn’t (to my knowledge, at least) been nearly as mainstreamed as it would be over the ensuing years. Fittingly they have all the hallmarks of a major group writ just a little bit smaller, with great polish and delivery on the kind of songs that most units wouldn’t have wanted to touch a decade ago. WILL-O’ masters that juxtaposition and makes it work for them.
Anyway, digressions and all, the point is that WILL-O has a month of life left, but on Christmas day dropped a whole album of re-recorded material:
With a couple of new singles thrown in to boot! Continue reading
Or something! Look, gang, I’ve been pretty direct about my opinion that Satanic Punish owns, and the reason for that is that Satanic Punish friggin’ owns, and they need our support to grow up to be big and strong and make more music that owns.
On Christmas Day, Satanic Punish released a new single in a deliciously sacrilegious move. It is appropriately titled “Alpha Omega.” It is loud and it is idol and it sounds boss af: