It’s highly likely that what I’m sharing with you here is something that you already know, but for the sake of posterity and because we want her to have nice things and not at all because Derek asked nicely, I here am following up on Brian’s lovely review of YONEKO’s excellent new single with the fully fledged real-deal MV for it.
Just, like, definitely go read the review and then come back, fully prepared mentally and physically, for this assault of awesome:
Wait for it …
Why make more of it? The young woman is talented and creative as hell. We love her, you love her — now take this and go make a bunch of other people who’ve never even heard of her before love her, too.
Well, I guess the fact that YONEKO is now officially moving into the post-idol phase of her career (apparently in all projects?), so technically this is the last we’ll post about her in a dedicated way, but that’s nonsense and of course we’ll keep the updates coming, YONEKO occupies a special place for us and it doesn’t matter how or when or why she performs, we’ll be there.
So remember back in 2017 Year in Review in Review*, when I said that I was making it a new year’s resolution to do more for idol debuts in 2018? And then I did and 2018 was like the best debut year since … 2014? 2012? It was amazing. So much good stuff, though not all of it panned out. Well, I’m making something of the same commitment for this year; I have a tough time keeping up with news these days, but maybe I can keep up with cool debuts as they happen? Sure.
Which brings us to Night Owl (Twitter)! Who … did not debut anytime near now, but in fact back in August, during the period that we shall always refer to in hushed tones as “Maniac’s Interregnum.” And then I had them on my official radar since, golly, at least November if my tab history is to be believed. But more on that. This is what they got:
Oh that’s interesting! What are they about? Continue reading
Aside from the massive paychecks we receive as members of Team Homicidols, we occasionally have some other nifty perks that come our way! In particular is this instance where we were honored with a bonafide press-release (Very kindly provided by a certain western dealer of chika goods whose name rhymes with Erik. Thanks!) that allowed the Team to have a look at the MV for Yoneko‘s new single, a fiery tune called “SET FIRE TO NOW”! *
Please understand that this MV isn’t going to be unveiled until the 22nd, so sorry, I don’t get show it to you or anything, but I can sure as heck tell you about the song, and believe me, I’m very, very eager to talk about it!!
It’s 2020 now, and all of this is firmly in the past, but I think it’s worth mentioning the wild ride that WILL-O’ went on over the course of the previous year. A lot has changed in the now three-plus years since Alloy was originally formed, and though WILL-O’ as WILL-O’ is fairly well-established at this point, I think it’s fair to say that change is the most consistent thing about the group. Well, change and doing great rock-related idol work, that is, and I mean that literally because you’ll remember that I held up “POP’N” as my personal favorite song of 2019.
And as that was going on, they were also releasing a new EP to close the year! I kind of forgot about it (it was sitting in my wait-until-an-MV-drops pile), then the MV finally did come a little on the late side, so here I go rhetorically returning the favor! But also they did some interesting stuff in the meantime, so waiting turned out to be smart. Anyway, the MV: Continue reading
Happy new year! Japan have already rang in the new decade and with it, a menagerie of new music.
Rock and alternative style idols are no stranger to unexpected collaborations, from BiS and Hijokaidan to You’ll Melt More and… also Hijokaidan. But in this subculture, mainstream breakthroughs are the real sucker punch to longtime fans of girls dancing to alt rock with a crowd of about 30 people.
So, fresh off their major label debut, GANG PARADE have dropped an announcement that their second digital single will be a joint composition between Scrambles’ very own Matsukuma Kenta with a very special guest…
Mastermind behind Momoiro Clover Z: Hyadain! Continue reading
Ah, the mishmash, one of my two or three favorite groups that basically just performs all the time and never releases anything, thereby leaving me to drift hopelessly through a directionless life with neither succor nor support. I wish they did more stuff! It’s hard to stay mad at them, though, because they rub shoulders with excellent company and I think are largely satisfied with being their best selves in a milieu that appreciates them. But anyway! There’s music, and you can get it. Thanks for a retweet campaign involving one of those demos that I’m always kvetching about, they have a full song to listen to, and then to download for free, and hey look get to it:
So as I mentioned the other day, one of the perks of being a fancy idol blogger is that you get into communication with the behind-the-scenes folks, both to build personal relationships (people like each other, imagine!) and to share information. So it is that we know about Owaranaide, Yoru in the first place, in fact, and how their latest single (dropped yesterday) came into my life.
I warn you: If you follow OWAYORU at all, you may have an idea of what it is they sound like, what they do, etc. Put aside those notions, friend, and think to yourself, now why would Maniac be so coy about this and so excited all at once? What is it about this strange person that I should turn into an inference about what I’m about to hear? And if the answer to that question happens to land you on such things as “Dance for Philosophy” and “Especia” and “what could have been for Hauptharmonie,” which is to say, how about a little smoothness to your day, wouldn’t that be a nice way to close the year and start a week all at once?
What a pleasant surprise. And the best part is that it’s by Candye Syrup’s composer-san, too, which goes to show you that talent is talent and that some people simply cannot be contained. I just wish there were more than the one track! And maybe some video! And then another thing like this in short order!
You guys, I swear I was minding my own business this morning, and then along comes ol’ Viz Major to ruin things and inadvertently provide the lede:
What the hell was that! I thought he was making up this whole “poetrycore” business too (I can sympathize!) until I bothered with a minute’s worth of homework, but yes, it’s true, and so is the Yuyoyuppe thing, and while the complete lack of individual identities suggests that the lyrics and not-use of the I word in any of their press does suggest that this may not be an idol thing, they’re published on an idol label (for Spotify, at least) and sound idol, so I’m giving them the benefit of the doubt and also me an opportunity to bring this wonderful injection of beautiful pain into your lives. Continue reading
We here at Homicidols Dot Com are pleased to continue our tradition of supporting excellent Twitter handles by welcoming another new voice to the Team; say hello to Cal!
Today’s been an interesting day for idol survival shows hasn’t it? The mainstream Produce series has been given the axe and the “also mainstream but the music has guitars” show MONSTER IDOL finally ended, birthing a new breed of WACK girls.
Please welcome to the world’s stage: MAMESHiBA NO TAiGUN!
One of my greatest regrets from the past year has been the effective abandonment of the Oshi Digest and the regular celebration of our latest Official Oshi, Saki of 2&, whose final showdown with Necroma’s Himari during Queen of the Scene last year ended in a tie. The reason that most of you don’t know that is: I never published the final post, because the 2018 QOTS was the swan song of Maniac doing Homicidols the way he always had and wishes he always could. Alas.
But yes, technically Saki is still our official Oshi, so imagine my delight in seeing that she was up to some sharable things lately, and then getting that outcome to pay off yesterday, when she released her new single and this MV to go with it:
Krv used to provide some truly great insights into Saki and the progression of 2& since she left Daichi and connected with new management. Plus: She made it to the West! Minus: I guess it depends on where you, as an older or newer fan or just benign passerby, fall re: Saki’s music now vs. her earlier work, and if you’re a “2&” person or a “DOUBLE AND” person, and things like that. I personally enjoyed the track and am effectively overjoyed that we have 2& in our lives for the foreseeable future. 2& Day is only a couple of months away now!