In a last ditch effort to demonstrate that we deserve good things in 2019, Yanakoto Sotto Mute are ending the year with an MV for Layline, #3 in their “NINE” series of singles.
Scholars of Yanamute will notice the settings of past MVs Lily, Any, Holy Grail, Awake and Morning pelting by accompanied by flashes of the imagery from “Bubble” and “Mirrors”. This 4:44 MV pays homage to virtually all of the motifs of the past while incrementally constructing a vision of Yanamute’s future. The end finds the trio back on the set of Horoscope, Yanakoto Sotto Mute’s very first MV, as they are joined by their newest member and finally head to the stage as a quartet once again. For fans, this MV is a seismic landmark and it helps that Layline is one of the best of the “NINE” tracks YSM has been quietly releasing over the past few months.
The MV though is in danger of being upstaged by the group’s big reveal. You recall a couple weeks ago when Yanamute dropped a teaser trailer on us without even enough info to know how to spell their new member’s name? Now we finally got the deets:
Meet Rin Tsukasa. She would like you to call her, “Tsukasa”.
Yanakoto Sotto Mute released a minute long MV on Sunday to tease a new song and, more significantly, their new fourth member.
YSM do everything in style and their newest member fits the mold, stalking the streets in black until she shifts to signature Yanamute white as her hand grasps that fourth mic.
So, meet 「凛つかさ」:
Minna no Kodomochan’s new single, “rikaku” (meaning “separate”) is significant in a number of ways. Stylistically, it is the most slow and measured of all of their songs, practically a lament. It is also their first solo, with Cinnamon providing both the main and backing vocal tracks. The song’s lyrics, which speak of being alone and confused, are also written by Cinnamon who is currently conducting their nationwide tour on her own while her partner (and Kodomochan’s principal lyricist) Honoka recuperates from injury.
Cinnamon has admitted that the song reflects the uneasiness she feels performing without Honoka. For her part, Honoka has said that “rikaku” has become her favorite Minna no Kodomochan song. Honoka has previously been responsible for all of Kodomochan’s lyrics except for “Song of 15” on Walls, Cinnamon’s only other songwriting credit.
Broken By the Scream will set foot on American soil for the first time in just under three weeks unleashing their kawaii-meets-deathcore stylings on a live crowd at Saboten Con in Phoenix, Arizona. Because the one thing hype needs is more hype, BBTS also dropped a couple of bombshells over the weekend:
- The release date for their second full album, Noisy Night Fever;
- And the MV for “Aihakimino”, the theme song for the upcoming PS4 game “Onechanbara Origin”.
I mean, MIGMA SHELTER was pretty much always awesome in the first place and you could be in some kind of time warp guessing which “new” track is so awesome, or awesome enough to warrant this kind of treatment. I’m talking about right now, though! Today! July 12, 2019! Holy crap, I’m … this many years old!
The re-formed MIGMA SHELTER has a single coming out next week. If you were wondering if it would be good, what’s wrong with you, but also wonder no more:
Sitting down to a first listen of the fifth BiSH album, CARROTS and STiCKS, the big question is: Which BiSH will predominate? The brazen punks who got kicked out of Tokyo Idol Festival? The potential game changers who released a two-minute thrash punk single as their major label debut? Or the commercial idols who promote cell phones and sing anime theme songs?
We know the punk is still in BiSH as demonstrated every time they let Ling Ling center and she does the emotional equivalent of kicking your teeth down your throat. At the same time, it’s hard to give punk cred to a group that’s signing exclusive deals with Apple to restrict the digital distribution of their own music. I certainly won’t begrudge a person for making a living off their art, especially in the crap ass world of Japanese entertainment where the vast majority of power and profits are concentrated in the hands a few management moguls who are far less benevolent than BiSH’s boss-who-we-love-to-hate, Junnoske Watanabe. And it’s not like those of us who have climbed aboard the BiSH train can cry about genre, aesthetic or ideological purity anyway. Watanabe has never hidden the fact that he is punk in the same way that Malcolm McLaren was punk: thumbing the nose of a conservative society is good fun and all, but only if you can make a buck (pound or yen) doing it.
Yukueshirezutsurezure will be dropping their uncharacteristically upbeat single, “ssixth”, this coming Wednesday, July 3rd. To prepare us for this imminent release, these barefoot angels of yami kawaii blessed us with a chilling MV that inspired dueling interpretations around the Homicidols press room.
In it, Mei Yui Mei and the adorable Kotetsu portray gleeful bullies documenting their torment of a passive Takara. Left battered and restrained, Takara is rescued(?) by opportunistic predator or compassionate fellow victim Komachi. This is left a bit ambiguous in the blood spattered end as is their final fate. Continue reading
On night one of BABYMETAL AWAKENS – The Sun Also Rises at Yokohama arena, KOBAMETAL woke up and realized he had forgotten to tell anyone when the group’s new album was being released. Shortly following Friday night’s show, he finally announced:
METAL GALAXY, BABYMETAL’s third album, will be released on October 11th 2019. This date coincides with their first-ever U.S arena show at the Forum in Los Angeles.
The 16-track album will come in at least seven flavors:
Not Secured, Loose Ends have announced that “ssixth”, the group’s sixth single, will be released on July 3rd and, for some reason, the world suddenly feels like a better place.
I was going to say something else, perhaps about the album art, but thoughts are strangely difficult to put together… Continue reading
NECRONOMIDOL release their highly anticipated five-song EP, scions of the blasted heath, this Wednesday, June 16. It is their first studio recording since the graduation of beloved and iconic idols Hina and Sari, and the addition of new members back in January.
This album cover is what they call a “conversation starter”.
Being the first studio offering by the new line-up of Kunogi, Michelle, Rei-chan, Okaki, Himari and her omniscient hair makes this EP one of the most eagerly awaited releases of the year. Team Homicidols were lucky enough to be blessed with a preview copy (all it cost was my soul but I wasn’t using it much anyway). It’s a diverse set of tracks by fan-favorite songwriters exploring themes of trauma, entropy and conquest alongside the omnipresent influence of Lovecraftian terror. Here’s a sneak peak: