It was a big Tuesday for BiSH. First they dropped an MV for “CAN WE STiLL BE??”, the opening track off their recent album, GOiNG TO DESTRUCTiON.
They followed this announcement with the welcome news that Aina the End, Cent Chihiro Chittiii and Hashiyasume Atsuko had completed their quarantine periods following their recent COVID diagnoses and would all be resuming activities again .
Here it is!! The final top ten in our countdown of the 50 Greatest Albums of the last decade. Be sure to let us know the albums you feel we were criminally negligent to exclude, and the punishment you think we deserve. We are collecting your feedback for our follow-up article: “Albums We are Awful for Leaving Off the Greatest Albums List”.
While we know that our imperfect process (and questionable taste) has overlooked some stellar albums and deserving units, we hope that you have still found the exploration worthwhile. I know I have enjoyed revisiting some classic albums that I haven’t listened to in years and even discovered a few new favorites. We may try the exercise again, perhaps with the “50 Greatest MVs”. If we do, we’ll find a way to incorporate community participation in the selection next time.
Without further ado:
So as I was saying before, I had pretty high hopes for this BiSH album (out now!), and they graced us this morning with another MV from it, which:
I am supposed to be working right now, so this is also very short, so let’s suffice it to say that while the opening worried me that we had another “Orchestra” clone, “BE READY” here is more reminiscent of stuff from the FAKE METAL JACKET era, which for my money was actually the superior point in BiSH anthems, though now it’s both grown up and does include some tropes familiar to anybody who likes WACK artists or even just SCRAMBLES products.
I get to listen to the album today and remain pretty stoked about it.
We have reached the second-to-last week of our Top 50 countdown featuring the albums that placed 11 – 20 plus one honorable mention that didn’t quite make the final list of 50.
“Why the honorable mentions?”, no one asked, “Why not just make it a top 55 or 60?”
There are a few reasons such as we had to draw a line somewhere, and also because we wanted to respect our quasi-democratic process. The primary reason though is because, when we first took a look at the final top 50, we were surprised by a few things that weren’t there. This week’s honorable mention is a prime case in point:
I think I figured out a pattern when it comes to BiSH in their “officially a big deal” era — the more seriously a release is treated by the group, the higher the likelihood that it might actually be kind of butt. Take for example Letters from last year. Yes, it did very literally top the charts; on the other hand, the only sentiment I got from fans in this particular circle was that the record was a disappointment. A win for WACK and Avex for sure, maybe less so for us. But when the announcement about GOiNG TO DESTRUCTiON landed a few weeks ago, I got a truly giddy feeling: Here was the BiSH that I love most, on the one hand playing into their old chaos merchants persona while also taking the same to a ridiculous level as a send-up of the self-serious approaches they’ve more recently taken to some of their bigger releases:
Oh good lord, it is happening again. This year’s WACK AUDiTiON CAMP ended in a resounding success: new members for GO TO THE BEDS, PARADISES and WAgg but in addition to that, we have an entire group of bondage-clad identityless idols who need YOUR help to be freed from their uh… bondage.
Say hello to ASP, ANAL SEX PENiS!
The damn thing’s already been viewed more times than most idol groups can hope for their entire lifetimes’ video corpus, so I doubt that you aren’t aware of the new digital single from BiSH. Theme song? You betcha! Starring Atsuko? As it should! Kenta? Is there any other way?
Rather than do the usual thing, I thought I’d plagiarize the results of the Team Chat from yesterday and give you: Team Homicidols Reacts! Continue reading
BiSH enable God Mode in their “STORY OF DUTY” MV which doubles as a promo for the Call of Duty mobile game. For a war game endorsement, it is probably notable that they never pick up a gun. Instead they dance with cheat codes enabled, invulnerable to all incoming attacks while obliterating their foes with impunity.
Best part: 1:24 where Chitti and Atsuko taunt tanks by doing The Robot.
Imagine being WACK right now. Just a few short years ago, your entire company consisted of an upstart tribute project of a legacy brand that had inadvertently spawned a whole subculture within a subculture, and while it was probably clear to everybody involved that this project would have success at the very least on paper, not even Watanabe’s own fairy godmother would have put money on him sitting at the top of a giant-ass pile of money here in the Year of Pour Lui 2020, with project after project hitting all the right notes and doing things that chika idols* aren’t supposed to do.
And at the base and peak of it all sits BiSH, whose LETTERS EP continues a string of technically quite good releases from the group who once dressed in rags and got kicked out of TIF but are now proper headliners with all the slick support of any of the industry giants they were once created in part to overcome. I personally haven’t been as big a fan of their music since THE GUERILLA BiSH felt like a step down from the heady success of GiANT KiLLERS, but I nonetheless support the group and its members with the same doe-eyed fan energy as ever. Hence it’s been somewhat bittersweet to see WACK group after WACK group lap them creatively over the past few years. See, for instance, the newest album from BiS!
But because this is apparently the summer of WACK, BiSH couldn’t just let LETTERS stand on a single MV release, and yesterday they gave us one of the very best things they’ve ever done: Continue reading
If you’ve been keeping up with the news, both regular and idol, you’ll probably know that Abe Shinzo issued a countrywide order temporarily banning all large scale public entertainment events because of Novel Coronavirus fears. ZOC cancelled their entire FINAL INNOCENT ZOC tour, Aya Eightprince cancelled a smaller public appearance and Pour Lui cancelled the shooting for her upcoming idol group’s music video to name a few. Things have been cancelled harder than a celebrity who’s angered a kpop fanbase.
Currently, WACK are meant to be embarking on their nationwide WACK FUCKiN’ PARTY tour but alas even Watanabe Junnosuke who has objectively more clout than the prime minister can’t get around a ban on public events.
Just kidding, yes he FUCKiN can!
This Saturday at 6pm JST, the show will go on! NO AUDiENCE LiVE is exactly what it sounds like – nobody is going to be there. You can’t cancel a public event that isn’t a public event. The entire thing is going to be broadcast on Niconico so everyone will be able to be there in spirit. A premium subscription is only around $5USD too, so hey, if you’re spending your time indoors as a health precaution why not spend it with the idol fanbase’s favourite women’s prison colony?
It’s been a rough week for a lot of people on Earth because of the you-know-what, but in a dire time things like entertainment are what make it manageable! So, cast aside your worry, wash your damn hands regularly and enjoy your time at home.
And if you’re in need of a little something extra, BiSH and EMPiRE made a few previously limited broadcasts available on their YouTube channels as a sorry for cancelled shows too.
Remember, while this is a lot of fun content for us overseas, fundamentally it’s a sorry to people living in a country that’s tightening it’s grip attempting to deal with a pandemic, so remember to be respectful! Or if you’re living in a country that’s going through the same thing do what you want, we’re not the reaction police over here.