The initial announcement of their disbandment back in March wasn’t really given much coverage on Homicidols, since it also happened to collide with a gazillion other things both in idol and our personal lives, but I think the general reaction of the announcement was certainly one of anger, confusion, and betrayal. It came straight off the heels of the annual shitstorm that is the WACK audition, in which multiple members (and Trivago, back for more) were fired on the spot for what was ultimately a frustrating sideshow. The remaining members had finally had enough and called it quits, with Watanabe immediately holding casting calls for a third incarnation of BiS mere minutes after the previous audition had even ended. Looking back, it was probably a good thing that none of us were able to write about WACK EXHiBiTiON in the end as the resulting article would probably have just been a mess of all-caps angrish and thinly-veiled threats of revenge towards Watanabe. Continue reading →
The people have spoken(?) and Watanabe has reaggregated BiS as a nine-member unit. Not one to do things halfway or with subtly, the infamous adult patient neglecter has endowed the group with their own “Bohemian Rapsody”, which is a whopping 11 minutes and 47 seconds.
Grab your coffee or tea and sit comfortably to take in this grandiose venture:
Do you want to know how hard I was prepared, and like instantly, to jump into this post and start crapping all over this as soon as I saw the announcement? I didn’t have kind words for the Pour Lui-less BiS in the 2019 preview, I wasn’t really looking forward to this new single, I thought the plan to reunite the full group was the kind of good-decision-fixing-a-bad-decision move that makes a manager look bad anyway … basically, I thought that BiS, once upon a time not just the standard bearer for this whole thing that we follow, but its literal founder, was all but done.
How fitting then that the first shot across the bow for their fourth major single, titled so as to give me “Blind” flashbacks every time I see it, doesn’t just recall the last time that the group rose from the ashes, but uses the same song, the same theme, maybe even the same location for all I know. “BiS reaggregated!” is even right there on the description, just in case we missed the rest of the allusions.
My friends, while idol is in many ways so akin to other performing arts, up to and including professional wrestling, the one thing that it so often lacks is real, true, genuine interpersonal drama between figures. Idols usually just ganbare-fist for photos and vow to do their best and applaud politely for everybody. It’s neat, and a neat feature, but also a little placid sometimes, especially for those of us who like some good ol’ fashioned beef between parties.
Who better to throw shade and get those hackles raised than OG idol shit-stirrer Pour Lui, who’s original BiS spared no sacred cows the occasional bit of grief? Yes, that’s the ticket. But at whom would she throw her shade, and in which way, and to what ends? And hell, considering how well-orchestrated things in idol tend to be, how can you tell what’s real shade from weak shade from goofy teasing of one’s friends, neighbors and senpai? Fortunately for us, and especially those of us who enjoy the munching of popcorn while pots are stirred, Lui got together with friends to do what can only be described as a BiSH diss video:
Ah, friends, we once again are presented with the latest release from the unevenly two-headed monster that is BiS, a single called “Against the Pain” that both 1st and 2nd have versions of. Rather than be purely reductive and blogtastic and be all This Is What Maniac Thinks about it, I leave it up to you, the viewers at home, to render the decision. Yes, it’s Monday, but no, we shan’t go with the Match Game format. Just take in these MVs and render your verdict: Continue reading →
Tentenko doesn’t always get a lot of mentions here since she, technically, is a former idol and not a current one. What she is, though, is one of the more quietly productive and increasingly significant voices in the Japanese indie music scene and, when she does perform, it is typically alongside the more prominent names in chika idol.
Recently, however, Tentenko has seen a string of buzzworthy events that may indicate the BiS alumna’s first steps towards global conquest and warrant a mention outside of The Weekender. First was her interview and profile in the mainstream Western media. Sure it was in Vice , and, sure, they played the “weird” card while profiling a Japanese artist, but it was still a substantive and well-researched piece that focused on her music cred.
Welcome to Homicidols Archives, an attempt to capture and document the ephemeral and ever-changing entity that is Idol.
Here is the reprint of the second instalment of The Idol Suicides, a column originally written for now-defunct 20hz magazine by Sokichi Osada, the producer of legend-worthy disbanded group Girls Excellency International and currently the producer of Cinema and Boy CQ (Den’ei to Shounen CQ), movie soundtrackers duo extraordinaire.
The Idol Suicides #02 was originally published in May 2016, in the third issue of 20hz.
For an introduction to the series, click here. For the other installments, it’s thisway.
The text of the article is untouched and as Osada-san sent it to me. However, considering the original layout of the article had images and video content to supplement documentary appartés. I was linked to all idols videos, they are presented as they were. All other hyperlinks have been added by the contributor posting this.
A few years ago, if you’d told me that I’d ever be in a position to neither understand nor have strong feelings about a thing that BiS was doing, I’d raise an eyebrow poorly because that’s not a skill that I possess, and then I’d laugh at the notion because BiS died in 2014, friend, and you’d remind me that actually Pour Lui raised a new version in 2016 and I’d be like, oh right, and now she’s in BILLIE IDLE and the thing she made has become some weird 48g product with warring teams or something, I almost forgot about that!
Anyway, BiS League is that warring teams thing, and whichever members get the most love from fans will be in BiS 1st, and the rest cast into the detritus pile that will be BiS 2nd. Like I said, I don’t totally get it, but that’s fine; the same statement could be made about half of the things in idol. If you’re interested in participating in the straw poll, you can here now:
“We haven’t done anything yet, but we apologize in advance?”
Well, that’s ominous. Granted, I can thinkof manythingsWACK shouldapologize for, but this is now. Well, the future. Eyebrows were raised. Questions were asked. Just what exactly is this future scandal WACK have had to apologize in advance for? It got even worse when Watanabe tweeted out the words many a WACK fan dread; “Announcement at 24:00.” There was panic, theorizing (mostly from me) when eventually, the fateful moment came. Continue reading →
Oh man, I dang near forgot about BiS! The original Maidens* of Mayhem have gone through a lot of changes over the past few months, not the least of which being this dual lineup business and the (I am so tired) BiS LEAGUE.** There have been plenty of questions about how that was going to work. Same songs? Same MVs? Apparently!