Here it is!! The final top ten in our countdown of the 50 Greatest Albums of the last decade. Be sure to let us know the albums you feel we were criminally negligent to exclude, and the punishment you think we deserve. We are collecting your feedback for our follow-up article: “Albums We are Awful for Leaving Off the Greatest Albums List”.
While we know that our imperfect process (and questionable taste) has overlooked some stellar albums and deserving units, we hope that you have still found the exploration worthwhile. I know I have enjoyed revisiting some classic albums that I haven’t listened to in years and even discovered a few new favorites. We may try the exercise again, perhaps with the “50 Greatest MVs”. If we do, we’ll find a way to incorporate community participation in the selection next time.
Without further ado:
We have reached the second-to-last week of our Top 50 countdown featuring the albums that placed 11 – 20 plus one honorable mention that didn’t quite make the final list of 50.
“Why the honorable mentions?”, no one asked, “Why not just make it a top 55 or 60?”
There are a few reasons such as we had to draw a line somewhere, and also because we wanted to respect our quasi-democratic process. The primary reason though is because, when we first took a look at the final top 50, we were surprised by a few things that weren’t there. This week’s honorable mention is a prime case in point:
Welcome to week two of our latest project where we blatantly rip off Rolling Stone’s Greatest of All Time lists. These imperfect and perpetually recurring features from the Gray Lady of rock journalism have a special place in my heart. As a young teen who only knew David Bowie from “Let’s Dance” and Labyrinth, my first browse through Rolling Stone’s inaugural best rock album list introduced me to The Rise and Fall of Ziggy Stardust and the Spiders from Mars. The encounter was genuinely life changing.
Hopefully, through this exercise of recognizing some of the most influential underground, indie and alternative idol albums of the last decade, you will not only encounter many of your personal favorites, but make some new discoveries as well.
A bunch of fun things happened at once, so you want the news? Here’s all of the news! We’ve got new BiS, new MAMESHiBA, new ASP and some new GO TO THE BEDS and PARADISES members for ya! It’s a very WACK Friday indeed!
Oh good lord, it is happening again. This year’s WACK AUDiTiON CAMP ended in a resounding success: new members for GO TO THE BEDS, PARADISES and WAgg but in addition to that, we have an entire group of bondage-clad identityless idols who need YOUR help to be freed from their uh… bondage.
Say hello to ASP, ANAL SEX PENiS!
Had to do it to ’em!
So you all likely saw on Wednesday that the re-done OG of OGs — and therefore not OG at all, but somehow one of the best representatives of the OG’s brand since the OG was still the OG — BiS dropped the official lead track from their brand, shiny new upcoming second EP, and I don’t want to put more time into it because this is going to be a “song good” post and I’m running out of ways to pad the word count! Continue reading
It’s not often we cover something other than idols here because unsurprisingly, this is an idol blog! Kind of a no brainer. But occasionally there is something that has that driving special something behind it – so without further ado let’s get to know Her knuckle, from Hanako, formerly “that girl Muropanako from BiS”!
So yesterday, to coincide with the release of their Propaganda to PROPAGANDA fan-voted best-of album, BiS dropped a new MV (for the lone original cut on the record, IIRC). How exciting! Given the track record of the group since being re-rebooted sans any formal relationship to its past save for name, logo and producer, it deservedly warranted some real buzz and a lot of eager clicks. Maybe we didn’t quite get what we expected, and I’ll come right out and say that I didn’t even understand (at first) what I did get, but it’s very nice and you should spend some time with it if you haven’t already, including a repeat view or two if you know what’s good for you:
I think a lot of people have been generally optimistic, albeit somewhat apprehensive to totally give in, when it comes to New BiS. I’ve personally been very willing to embrace them on their own terms (I dig the music quite a bit, after all), though whether I could always take them seriously as a thing called “BiS” has nagged at me. And so far, the release of ANTi CONFORMiST SUPERSTAR has followed that pattern perfectly, with perfectly solid music that I’d happily accept from just about any other idol, but this weird feeling that it’s just not BiS.
And then today, to commemorate the release of the EP, they drop the “full, 5-hour version” of the MV for “CURTAiN CALL”, which is exactly what it sounds like. It’s five hours (well, like 5:02:22) of “CURTAiN CALL” on loop, interminably repeated until the arbitrarily selected interval of time had been reached, the members singing and dancing with surprisingly little flagging the entire time. Just:
Hit play, then mark the point at which you get tired of the song … and then imagine how the BiS members felt at the same time