Welcome back to Saturday! It is just full-glory spring beautiful here at Maniac Mansion, and yours truly is going to spend the whole dang day outside if possible. Yes, the cicada invasion is underway, but they’re minding their business so far and leaving a comparatively low number of corpses scattered on the walk. Soon their songs will begin, and then it’s GOODBYE SLEEP for a few weeks.
Good week in idol, pretty okay Weekender. Let’s get to it.
Do you have any idea how many friggin’ pitches for a story like this I presented between 2016 and 2018? At last, though:
I remember coming back from hiatus last summer and getting run through the various goings-on in idol over those several months out. Graduations? So many! Debuts? Some good ones! Almost the entire membership of an iconic chika unit graduating en masse, reuniting with an old friend and starting something completely new? True as can be!
So yeah, following MANACLE from what you might call a curious distance for the last little while has been an interesting experience. Once I heard that the tea spilled over Okaki et al’s exodus was pretty tepid, I settled myself into a “this is fine” kind of scenario, like not really caring how or why but just accepting the reality of it all and hoping for the best overall. NECRONOMIDOL has obviously had some challenges; MANACLE, despite the circumstances, is plugging along and building momentum, and the release of their first album is occasion for a real-deal MV to show off what they can do:
That’s some quality work right there. You don’t hear quite so much of this take on idorock so much anymore, like it’s on the heavier end without being heavy-heavy, and it’s synthy enough that you might mentally file it under some kind of -wave designation, and it’s got a great hook that practically makes you give up and call it a pop song. Give me more of it, preferably via IV. Continue reading
The joke doesn’t land half as well as I wish it did
Yes, let us discover some idols! Or, in this case, re-discover some idols that we already knew and liked but now have a new wrapper. LET’S DISCOVER A BRAND. Or I guess the new product launched in direct competition to the original by people most intimate to it. The Oreo cookies, if you will, of idol.
You may remember a little project going back a couple of years, the not-quite-sung-enough 143, who we recently learned were going kaput. Bummer! And then suddenly one day idols associated with a new thing started to show up in my feed, people who I already followed despite not, uh, completely knowing who or what the heck or why. That does happen, this being idol and all! So I put a pin in it, as they say, and waited to see what happened. And what happened was our old pal Jul messaged to say, hey, have you seen this new idol group, they’re the 143 members who went their own way and are now self-produced. And I said, ah ha! It makes sense now!
And so, finally, Finally (Twitter): Continue reading
With all apologies due to the good people at Codomomental Inc., while yes it is in fact the intention of Homicidols Dot Com to render completely void their attempts to impose short two-hour caps on the preview tracks released by the company’s artists, they must know that we do it out of love and a genuine desire to expose those artists to broader audiences outside of Japan. Timing is hard for people, even for us even under the best of circumstances, and it’s not like we profit from it, you know?
One thing we haven’t done before, I don’t think? Share the track a whole-ass day later. But, uh, it would be negligent — nay, disrespectful — of us to not share this preview/debut with the world, so, uh, let’s just drop all the pretense all the way. Takari Takara is the name, and very likely a familiar one to you. This is her not-quite-long-expected solo debut with Codomomental, and one that we here at Homicidols HQ have been eagerly anticipating. Yes it dropped under normal rules (also: yesterday!), so yes let’s follow the forms. This is how you connect with her:
And as for the song: Continue reading
You may have seen the news this morning that Zenbu Kimi no Sei Da is releasing another album of re-releases, which is all for the good even if I do personally prefer my Zenkimi to be of the more chaotic variety. There’s an MV coming, too, apparently. But no Zenkimi announcement of music to be released is complete without preview tracks on two-hour windows, which we’ve lately been a little bit less aggressive in grabbing afore they’re gone, but I did get to this morning, hallelujah.
First, the tweet:
Those links aren’t going to do you any favors at this point, I don’t think, but we here at Homicidols Dot Com do pride ourselves on catching these guys before they truly do disappear forever. It’s a service to the late risers and people who aren’t terminally online! I did however restrict the post to just the track we haven’t heard a hundred different times and ways already (if you want that one, here), so let’s go through the motions from here and … you know the good stuff is behind the jump.
Without quite going right back over the same kind of territory that I covered in my original Let’s Discover of these folks, I say again that I loved me some sugartrap, and while 340.29m/s isn’t a 1:1 there, they’re still in the same musical tradition, which is to say idolcore from that glorious 2014-17(?) period when the synths were as heavy as the percussion and the shark hadn’t quite been jumped just yet. Yes, of course some groups were better than others in the first place, and the ones that did rise from the chika morass to make something more of themselves than a handful of CD-Rs and hundreds if not thousands of stilted cheki usually did so on the backs of bigger funding and a running start, but to me idolcore (and I specifically mean this exact flavor of idolcore) is and will always be the sound of Getting Into Idol.
Not a whole lot of groups are still doing it, though, is the point. There are a few, for sure, but even the remnants of acts from that era have either moved on musically or moved up, if you get my meaning. Idol’s a business, after all, and even the most meager of amateur friends-on-a-lark acts would probably prefer to do things that people want to see and hear. And that, for me, is part of the charm of the idolcore die-hards — they’re like Saxon or (gods help us all) Whitesnake in that they could stop at any time, but there are still enough fans to support them that there’s really no reason to change.
This post was supposed to be more of a celebration of 340.29m/s and the release of the record and I went and turned it into a backhanded celebration of commitment. So let’s re-tool real quick-like and actually listen to the dang record! Which those of you who nodded at any point in the preceding two paragraphs will probably like a whole lot if you haven’t already given it several spins! But I think you’ll agree with me that, while the sound is a certain kind of nostalgic, it’s also fresh and good. Continue reading
Good morning! I hope you’re all faring well, wherever you may be, getting vaccinated and enjoying the season. We had a little cool snap this week that kept the army of cicadas in the ground for a little while long, which … frankly, I’m not sure if it’s good or bad. If you’ve been through one of these megaswarms before, you kind of welcome the idea of it being over sooner rather than later. We’ll see where we stand next week!
Japan, though. And India. And all of the other places where this god-damned virus is still running rampant. I hope people are able to stay safe and healthy, even despite the challenges. I think we all got used to the stress that this pandemic forced into our lives, and that’s not good. Those of us who have a hobby, especially one that’s as inherently joy-riddled as idol, always have something to look forward to. Some folks, though, I really worry about. May we come out clean soon.
For now, let us enjoy the fact that it’s the weekend, that somehow this performance-based thing we all share keeps on trucking and we once again have a Weekender loaded with stuff. Good stuff. Fun stuff. And if you have the chance to see family like I do this weekend, that’s really good stuff. Enjoy it!
You Really Should Post More, Though
Here’s the final AYUMIKURIKAMAKI MV:
Whoops! We here on Team Homicidols are obviously supporters of Codomomental, including and especially the artists employed therein. It is therefore an all-time embarrassment when we, uh, kind of forget to do something with a Codomomental release because *brain fart*. It’s only been a week but what with various other goings on it does feel a little bit more. So here we go.
Hey! Remember how Codomomental debuted two projects in the past six or so months, and one of them is clearly further along than the other for they have two singles and a whole-ass album out, and that one is TOKYO TEFUTEFU? You do — cool. So yeah, that album’s out now, and therefore the boss was obliged to drop an MV to support the release, and to my complete lack of surprise it was for their best song to date, and … here you go!
So the other day, doop-dee-doop and all that, I see that one of my all-time anti-favorite acts in idol had a new MV. Should I write about it? I thought. Should I see what it’s like before making a call on that? That seemed wise. But then again, the artist in question, most easily referred to in their preferred shorthand — that is, SHINGEKI — you almost always know exactly what you’re getting, the only questions being left to the finer details. And so I thought, ah, let’s just Weekender that stuff again, nobody will miss it. BUT, friends, a different kind of realization struck me. See, it’s been some time since SHINGEKI came into our lives, and there have no doubt been hundreds of you whose journey into idol started after that and potentially even after this website stopped automatically posting every dang thing they did, so:
I decided that maybe, maybe just this time, I could try to fulfill the purpose of this website and put some context to the … I actually don’t know how to describe the way I usually respond to and consider SHINGEKI stuff. It’s almost always enjoyable if you can put away particular expectations other than “expect anything”; it’s almost always “good” in the sense that whichever musical elements they’re randomly slamming together sound nice and even sometimes tie together well; nonetheless, could I be accused of disparagement when it comes to SHINGEKI, something that would rise above light, good-natured teasing perhaps all the way to outright mockery? It’s all on the table, folks. But this post isn’t to recapitulate past observances, it’s to give those of you who either don’t know this wild-ass project or have only encountered it in snips and/or my backhanded remarks a chance to experience it in all its glory and then make your own judgements.
So. New single: Continue reading
As the designated Ladybeard expert (aka. the one who saw Deadlift Lolita perform live that one time and didn’t even get to interview them) when the first new tracks by his newest project Babybeard came out last week, Team Homicidols were practically begging me to cover this. “Come on Kerrie you lazy ass, you haven’t written an article in months!” they demanded. “If the biggest news and entertainment site in the world can make millions from copy-pasting Reddit threads you can spend five minutes copy-pasting your old tweets and stroke the Lady’s Beard for a couple of clicks!” they typed, probably furiously.
So as the designated Ladybeard expert, I relented. “Eh, sure”.