Lost a little bit in the sour feelings from yesterday was the fact that the former HAMIDASYSTEM minus one HAMIDASYSTEM plus one new member, aka CROSSNOESIS, had dropped their EP. This in the midst of the new HAMIDASYSTEM, which does not involve any of the old HAMIDASYSTEM, which is now CROSSNOESIS, who are in the middle of a single-per-month run that we just enjoyed the other day, so there is understandably even some confusion for folks! All well and good. At any rate, the group that is now CROSSNOESIS and in no way HAMIDASYSTEM stop saying that, to promote the release of the EP, released an MV to really flex those muscles and show us their chops as a standalone, next-step kind of group:
Keep your Maison Book Girl jokes to yourself
Well heck, that’s simultaneously exactly what I should have expected and not really what I expected at all. It sounds just like, well, them! And of course it does — the creative team didn’t stop working together when CROSSNOESIS was birthed, and our prior exposure to their work didn’t exactly break with tradition. We’ve even heard this before! Am I complaining, though? Absolutely not. Ever since their turn toward the exquisite a couple of years ago, the entire HAMIDA experience has been one of ethereal goodness that always makes me feel good to listen to. I can’t wait to dig into the whole record!
I haven’t been following buGG as closely as I probably should*, but I enjoyed them enough out of the gate to keep them in my regular “check up on these girls” queue, and I couldn’t have been happier with how they rewarded that yesterday, especially so in the context of the post immediately preceding this one. But for buGG: They have an EP out next week, and while they’ve been fairly tight-lipped about the contents, here’s some, and if isn’t a straight-up palate cleanser, I don’t know what is:
Cool that they filmed this at the same location as my last camping trip, apparently
The hardest part of being a fancy idol blogger is definitely dealing with the disappointments. I’ve pointed out in the past to absolutely zero objection that, if we’re all being honest, a lot of the people covered in this space aren’t terribly talented, and the music, though it undoubtedly has appeal for someone somewhere, just isn’t all that exceptional — but those aren’t the disappointing things. What’s disappointing is when a project is cool and fresh and smart, and the idols have great individual talents that align perfectly with the concept, and it all coalesces into something really great … that then, almost always for bottom-line business decisions, get reduced to a soulless husk. That is disappointment, and it kills your want-to as a blogger.
All that being said, Osaka Shunkashuto, who once upon a time did this, have a new EP coming out next week, and they released an MV, and the song is from that FAIRY TAIL anime that most notably BiSH also contributed theme music to, and stupid me got hype about the release for a minute before I hit play and: Continue reading
So okay, maybe this hasn’t been the most exciting idol summer so far, but what if I told you that one of the most absolutely stalwart of projects — I’m talking duration, member stamina, growth and onward — just put out a new record that could hit all the right notes for you this summer, because it’s the purest encapsulation of idorock, the Music Genre Made for Summer? Would you be all, Maniac, please,
my wets tell me what this is that I might enjoy it!(?)
You should be, but perhaps you will not, for I speak of Candy GO!GO! (obviously), and for some reason I’ve never been able to get other Western fans to enjoy them as much as I do. Maybe it’s boo me for effort, I dunno. But! They recently dropped an EP to follow up on last year’s “Fake News” single, and, frankly, everything that I’ve heard so far from IDOROCK-beyond- has made me a believer. Here’s “Dahlia”:
This one’s I guess the other side of the coin: Continue reading
I was so tired, you guys. Like you know when you reach a point where not even sleep seems like it’s going to get the job done, and what you really need is to remove any and all obligations from your schedule for a few days while you blissfully do absolutely nothing of import? That’s where I was yesterday! And I thought to myself, you know what, you still need to finish the week, but let’s keep the sideshows to a minimum and just chill when possible. No projects, no working out, no bringing the job home, no idol.
So of course on that last point I knew better immediately and thought out loud, “Right, and now watch BiSH or somebody drop another MV and then all your not-plans will be for naught.”
Silly, silly Maniac. If I’d been mindful in even the tiniest way, I’d have known that, yes, another BiSH release was looming, and with it likely something to talk about. They were pretty clear about the build for CARROTS and STiCKS — one EP each in April and May, and then the full album in June — and had already provided one MV as promo to prove it. Why was I sleeping on this?
Here we are, then. And can I admit that I had the most conflicted smash of the Play button of my entire life? The song title and general visual aesthetic put my mind right down the path of expecting yet another Kentacore ballad that would probably sound very cool and nice and possibly even powerful, like that style is at its best, but very much the same, and yeah, that blunts a lot of enthusiasm. On the other hand, their last lead song and MV were absolutely delicious and reinvigorated my old passion for the group, so I had to see where this landed one way or another, right?
Yeah. Continue reading
Doop-dee-doop, minding my own business … hello, what’s this?
Well I never! Continue reading
Things have been quiet on the BiSH front lately, haven’t they? Sure, sure, they announced a big-ass new tour with an awesome theme, and they have all of the usual tie-ins and promoted merchandise and all that jazz, but … yeah, the thing that put BiSH on the map in the first place (their music) was kind of bereft of attention, and by all parties it seemed. It seemed.
Because what better day to near-guerrilla-drop a new album in a split concept over a 30-day span than April Fools’ Day?
All right, I think we got that out of our systems. We really sweated it down! Other fitness allusion! Did it work for you? I enjoyed it.
And on that note, let’s get back to serious business! Business that in reality I’m pretty late on, and almost missed until Andrew reminded me, and even then didn’t have the wherewithal to watch completely until Team was neck-deep in putting the finishing touches on this year’s big gag, so unfortunately the first real big visual presentation by Marionet is going to get some short shrift. It’s good short shrift though!
Sorry, my titling muscles appear to be worn out this morning
Welcome back to Monday! So if you’ll recall, HimeKyunFruitCan, the Next Generation, had a fresh EP that got me waxing all kinds of ramblingly nostalgic. Well, that officially dropped the other day, and with it came the requisite MV to promote:
From the little preview, I thought I had the track for this picked out, and boy was I wrong! And that’s okay. I’m not manager-san and therefore not in the least bit privy to what manager-san is thinking about re: the direction of the group’s latest iteration and hence its artistic choices, and I can respect that this is a different group than the one that I treasured in the past. And it’s not a huge departure from that legacy! Just idollier than I’d usually expect.
I periodically lament the amount of change that the idol scene has undergone since I first picked up it, and certainly since I started this goofy ol’ website. So many of the groups that were effective backbones are dead and gone, and even many that have managed to keep it together are very different entities than they were in the day. What’s worse is that I outright miss some of them to the point that, during duller times of the year, I get a little too nostalgic and pull that old-man-yells-at-cloud-get-off-my-lawn thing. I miss my idols, is all!
Fortunately, HimeKyunFruitCan (which I believe is now the preferred romaji nomenclature!) may have gotten a reboot, but they’re still at it, and still repping Ehime, and still releasing new things. Just learning about this new one filled me with happiness — one of my favorite old mainstay groups, or an approximation thereof, remains to remind me of the best of it all!