This post, you guys, I’ll tell you: I started this the day the following MV (spoiler alert!) dropped, and wrote ~most of the~ post before being called off to something else. No big deal, I thought, I’ll wrap it up tomorrow. Days later I finally remembered what was up (such is life nowadays) and I was going to CYA and put the thing into the Weekender.
What stopped me?
It’s too damn good, that’s what.
So without too much further ado: JyuJyu, not at all still reeling from the hyper-contrived nontroversy with Chunpi, are releasing a new single, and doing so in collaboration with Tenma from URBANGARDE, which is a sentence that’s always a joy to write. Watch as styles collide less heinously than you might expect, and idols whose whole angle is being cursed and doomed rip off maybe the best song of the summer: Continue reading
So hot on the heels of the release of Moonlight Tokyo, (Which is excellent and brilliant and probably one of the best releases that will come out this year.) Kai and TRASH-UP!! Records have followed up with an MV for the song “Himitsu No Tobira”.
As I mentioned in the review, this is one of my personal favorite tunes on the EP, with it’s uplifting organ groove and cool little xylophone vibes. I loved this song, and now here comes an MV that takes something already great and elevates to an even higher plane!
I mean, MIGMA SHELTER was pretty much always awesome in the first place and you could be in some kind of time warp guessing which “new” track is so awesome, or awesome enough to warrant this kind of treatment. I’m talking about right now, though! Today! July 12, 2019! Holy crap, I’m … this many years old!
The re-formed MIGMA SHELTER has a single coming out next week. If you were wondering if it would be good, what’s wrong with you, but also wonder no more:
Few things in life as half as joyous as fun surprises from the things that aren’t your absolute favorite, but you root for anyway. So is the case with this new one from the Idols Formerly Known as Both Deathrabbits and Desu.Rabbits, DESURABBITS: My fraught history with this remarkable project needn’t be revisited except to say that I was basically not a fan but grew to be converted to an overall supporter, and so the advances that they make along the way always leave me feeling genuinely happy for them. And why not? They have a completely unique style, they’re well-regarded in the scene and they are, ultimately, clearly having a great time with what they do.
So imagine my face yesterday when this happened:
Now where have I seen that church set before?
Man, a lot of things crawled out of the idol woodwork over the past couple of days, quite a few of them fun, even. Notable among them is this clip from Marionet, in honor of their first one-man on Sunday, this energetic little romp with a neat-concepted MV that exists mostly as a tease:
Hey, that’s really cool! But do you know what would be even cooler? Hearing the rest of the dang song and seeing the rest of the dang video! I guess we have to wait until Sunday? Or is it that we won’t get it unless they win this contest thing for the main stage at TIF?
This is a little bit on the late side, you guys, but I think you can bear with me wanting to talk about the about-time first single and a few other firsts from WILL-O’ now that we’re almost three years removed from their incidental point of origin in the weirdest on-stage moment in the history of Tokyo Idol Festival and, maybe against all odds or maybe because all associated projects have always been this good or maybe because manager-san is playing the game better than you think or maybe all of it, I dunno, they’re going as strong as ever before and all signs point to an almost unconstrained future.
This is of course all predicated on the MV that they released the other day, for their new (see above) single:
Oh neat! So SPARK SPEAKER, who you all no doubt recognize by name but not nearly enough of you will stand up and be very excited about, dropped themselves an MV yesterday. For? A single that was already released last month. Which, fine, okay. But while I was taking it in, I got to thinking (as one does) about how to write it up. What’s my big takeaway? That the song is good? That the video is? (In this case, it exists, so it is automatically better than one that does not, and I have no other commentary.) So many options!
And instead I settled on a personal annoyance that I’m going to work out in this post.
(It’s actually not a bad thing.)
So first, strap in and enjoy “SAYONARA”:
Friends, idol has been in tumult this year. Emotional graduations, gut-wrenching disbandments, the usual shenanigans turned up to 11 … it’s been a year of as many negatives as positives, I think, and that’s really hard to do in an industry built on the idea of making people happy. For a lot of us, one of the hardest-to-take moments of the year’s first half was the disbandment of our beloved Dots, who for two-plus years had been the real standard bearer for awesome shoegaze-derived alt-rock songs and enigmatic personalities. It was a blessing, frankly, to be able to host one of the good digs into the concept. Everybody on Team, I think, loved them.
And then they were gone, but it wasn’t long before the suspected successor came along — Ray came into theoretical existence not terribly long thereafter, and while things have been quiet for them in the first couple of months, of course it stood to reason that interesting and creative things were afoot. That’s where we land today, with their effective debut:
So okay, maybe this hasn’t been the most exciting idol summer so far, but what if I told you that one of the most absolutely stalwart of projects — I’m talking duration, member stamina, growth and onward — just put out a new record that could hit all the right notes for you this summer, because it’s the purest encapsulation of idorock, the Music Genre Made for Summer? Would you be all, Maniac, please,
my wets tell me what this is that I might enjoy it!(?)
You should be, but perhaps you will not, for I speak of Candy GO!GO! (obviously), and for some reason I’ve never been able to get other Western fans to enjoy them as much as I do. Maybe it’s boo me for effort, I dunno. But! They recently dropped an EP to follow up on last year’s “Fake News” single, and, frankly, everything that I’ve heard so far from IDOROCK-beyond- has made me a believer. Here’s “Dahlia”:
This one’s I guess the other side of the coin: Continue reading