Heck yeah, GREAT MONKEYS! What a group. Just like the totality of idol in here, and they’d be about six months old at this point if– well, if you haven’t been keeping score at home, they:
- Released one of the awesomest songs of 2020 as a debut single
- Actually debuted
- Almost immediately went on hiatus
- Announced that the group was disbanding
- Clarified that it was only mostly disbanding actually
- Proved it
- Set a re:start date of tomorrow
- Dropped the below this morning
Absolutely my kind of project. I love fun things, and I love chaos for the sake of it; if they started doing atmospheric blackgaze and gave themselves names like Idol ov Hell, they’d be my literal perfect musical interest ever. But! As it stands, this is what we have with the re:start:
So really more of a re-shuffle in fact
So we’re Codomoblog for a few days, no big deal. You take what the universe gives! But you guys, you’ve heard TOKYO Tefutefu to date, but now it’s time for their whole first digital single (technically tomorrow, no doubt on all of your favorite streaming platforms) in music video form!
You may have the same thought as multiples of Team did: Man, that is some high pitch! And yes it is. And that is a cool song and it would be nice if we could get some more. It’s also the first release from a new Codomomental project that didn’t have me immediately trying to connect the dots to other Codomomental projects, so that’s fun. Now let’s see where it all leads!
Following the demise of Yukueshirezutsurezure and some membership turnings-over in KAQRIYOTERROR both building on the absolute tumult that was Zenbu Kimi no Sei Da last year, I think it would be fair for fans to wonder what all might be going on over at Codomomental HQ. Yeah, between akugi and Tokyo Tefutefu there are interesting new things afoot, but this is idol and for all we know they could self-destruct in a matter of of weeks — Tsurezure and Kaqriyo and Zenkimi are much more established quantities. And so it was that when the phone buzzed for a solid 10 seconds’ worth of notifications coming in under Zenkimi’s byline, of course I was a little concerned.
But as it turns out, at least for now, it’s all good! Continue reading
If your week is already going as poorly as mine is, kindly take this very fun tune from the mishmash as your metaphorical energy drink:
And as soon as I post it, things start looking up! Amazing!
I’m trying to think of a particular single idol release in the past couple of months that I’ve waited so pointedly and specifically and hopefully for than the new album from Kaishin no Ichigeki. Ever since sort of bringing them back into the fold, I’ve kept them high on my notifications list because I have this feeling that (2020 Best Ofs aside) they’re due for a significant move, or at least play for one, and I’ll be damned if I’m going to miss it.
They’ve been teasing a new album for a while now, with short MV trailers even, and I freely admit that I got myself extremely hype for this one. Did I squee when it dropped this morning? Maybe.
Potential bonus: Titled after a significant foodborne toxin?
Well, friends, we may have lost Yukueshirezutsurezure for good over the weekend (I hear that Daemon’s working on a retrospective), but Codomomental has proven over the years to be nothing but extremely flexible no matter the circumstances, and there are a pair of new projects for us all to become irrationally excited about. The first to meaningfully see the light of day was akugi, and now today we get the first (aural) look at the latest piece of the company’s puzzle, Tokyo Tefutefu.
As usual, it’s a two-hour preview; as usual, we here at Homicidols Dot Com love and respect you and will help you listen if you miss the window.
You know the drill. Continue reading
So if you recall from … not long ago, there was some trepidation among WACK wota when GO TO THE BEDS did a little promo clip of themselves in gasp! frilly little tradol outfits with egads! lame-ass boring tradol music tinkling in the background, and they were doing the ganbare fists and stuff. I think Coco may have blown a kiss at the camera unironically! For about 45 seconds, people were deeply concerned. Had Watanabe finally lost it?
And then people who were alive in 2012 and/or know anything about the history of the company that GO TO THE BEDS is part of and recall their past forays into revisiting music video content from said company’s legacy acts speculated that perhaps this was a play on the famed “IDOL” incident from 2012, and there was much nodding in agreement among us. We won’t be fooled by any simpering sparkly idols! Continue reading
While we’re on a bit of a streak with this very simple, inoffensive theme that definitely doesn’t demonstrate my own lack of creativity at the moment, let’s also enjoy this new one from POPPiNG EMO:
What’s the occasion? Because they can, I guess. The tweet introducing the video makes it sound like it’s been in the works for a little while, so it may just be flexing for the hell of it. And it’s a fine video! But also a nice little rocker of a tune from the group with a SCRAMBLES pedigree that is about one stupid stunt away from being gobbled up by Watanabe on principle. Continue reading
I can’t believe how much great stuff has been published in the Loudolisphere over the past week! Seriously, I personally have 12 drafts from just the last several days, and whether I get to half of them before the next week is out is purely speculative. I’m nonetheless jumping NEO JAPONISM and their “it’s a new year and you all need for us to set you right” new MV for “Trigger” to the front of the list because it’s NEO JAPONISM, who are incredible, and the song and MV are 18 kinds of awesome. If you only want one thing to prep you for 2021, make it this:
It really was sad to hear that WILL-O’ is disbanding in a month’s time. They’re carriers of a hell of an idol legacy reaching back to when the loud stuff was pretty much just a chika thing, and chika idol culture hadn’t (to my knowledge, at least) been nearly as mainstreamed as it would be over the ensuing years. Fittingly they have all the hallmarks of a major group writ just a little bit smaller, with great polish and delivery on the kind of songs that most units wouldn’t have wanted to touch a decade ago. WILL-O’ masters that juxtaposition and makes it work for them.
Anyway, digressions and all, the point is that WILL-O has a month of life left, but on Christmas day dropped a whole album of re-recorded material:
With a couple of new singles thrown in to boot! Continue reading