Call me absolutely shocked to see it come across my feed yesterday — I had only recently lamented that not only had I missed the news that they was done, but that I’d missed the whole runup and farewell itself — that REGiNA KiSS, the never-loved-enough idolcore duo of doom who got themselves a band and a seriously good album last year and all kinds of stuff, were in fact not dead, and were releasing a new single, and this is it via MV:
Why yes, of course it’s called “Virus”
Right in the wheelhouse! The single is out next week, in fact, and I encourage you to get it because, for one, REGiNA KiSS is actually good and worth your time, and also because it’s not often that you get to support not-dead idols immediately following their becoming-dead. I guess it was just that they’re full-time back to being a duo and have parted with the band?
Actually, I’m not sure what’s even what anymore in the world of Alice Project. Other than throwaway references to graduations and goddamn tragedies here and there, I haven’t had a post dedicated to any part of the PARMS family in almost two years. It’s not even for reasons that you might suspect, either — the whole collective just seemed to stop doing new material, and though there was no shortage of stuff in their orbit, there was a shortage of what I really have this website for. So, ergo, no Alice Project.
And then this thing dropped out of the blue yesterday!
We’re almost through the Catching Up series! Just in case you hadn’t noticed that there was kind of a Catching Up series!
Today’s entry, and alas the only one I’m going to be able to manage, concerns the delightfully variable pop rock of Devil ANTHEM, who released a new single just the other day, and who of course had the original promo content for that out ahead of time, and I’m talking last week, when an MV was dropped and I caught it and queued it and then — record scratch! — today they went ahead and released an “audio” video for the B-side that’s frankly basically an MV in its own right and wowzers, I actually really enjoyed the hell out of it (the B side is the best side, after all), so I’m end-running my original Devil ANTHEM post to bring you the whole single in one shot, and in reverse order!
Oh yes! Continue reading
It’s been about a week since the first full recordings were available online, right? And then the MV dropped a couple of days later and I made my eager face and watched and waited and waited and watched and … like, PassCode usually has an international version of their videos available after a brief interval, so I’m not crazy to have done this. But maybe because it’s being used in this commercial, we filthy gaijin don’t get the full version?
So okay, no MV for us, but the song exists, so first listen to it if you need to:
So deep was I into enjoying not doing anything last week that I didn’t even see this latest little bit from Melon Batake a go go until a little bird said on Saturday morning that I should put them on the look-up list. And oh neat, there’s a new single coming what’s now a month from today, plus other stuff!
Oh, and an MV out really early to sell it: Continue reading
There’s an editorial choice to be made by the owner for a fancy idol website every time an idol group worth following does a thing. That calculation used to be simple — back when life was simpler and everything idol felt fresh and exciting just by dint of existing, I’d blog a post and all 35 readers would either marvel at it with me or correct me like the heinous scene-crashing joke I was. What’s changed in the past four years is that now I have two other choices — I can also stick the item in the Weekender as a toss-off, or I can elect to ignore it because it’s impossible to gaf about every little thing, as made evident by the fact that now it’s a few orders of magnitude on from those original 35 readers and I can still expect that certain topics register, at best, a couple of dozen views.
So now, while I catch up on a very busy week when I was deliberately out of pocket, I’m already past the point of deciding if something is Weekendery, as that ship sailed yesterday. I can however still opt to just not post about whatever, on the premise that it isn’t so interesting. And that adds a fun twist to what I do hold for a full post, doesn’t it? Yes, every new post is a tacit endorsement, one way or another, of whatever the What is, but that feels amplified now. And, as a result, I feel a certain amount of responsibility. I’m saying that the subject of the post is important and notable!
Therefore I give you without reservation the latest wild-ass ride from SHINGEKI since their last most recent effort to offend the brains of boring people. Continue reading
Look, does anybody here really think that I’d deliberately miss out of one of my favorite groups?
Come on! Toricago was part of the reason why I felt like I should try to catch up on the week as opposed to just nod at it and move on with my life. Let’s look at it together! Continue reading
All right, let’s get the first couple of these suckers out of the way. I pre-warn you — I’m not even going to pretend to be contributing meaningful thoughts to any of these posts, just quick observations; the important thing is the music.
So, IVOLVE! It’s been a while, and probably for a good reason, as they were also hewing closer to normal idol fare even in their more interesting options, but they’re part of idol’s enduring it’s-actually-like-half-a-degree-of-separation legacy, and I have a legit soft spot for them. There are two new tracks from them in my Soundcloud feed, and this first one had me thinking Weekender —
Well, it’s upon us, people. What I was shocked to realize is the re-christened KAQRIYOTERROR’s first single (or first official single? I dunno), and first release under the new regime, is out in a week’s time, and that means one thing: An MV that almost nobody else in chikadom would even try to pull off!
Yeah, I’m late to this party, so what. Hiatuses will do that to a person. But on the off chance that you weren’t yet aware that BURST GIRL — who I post in protest because what worth does this world have left in it anymore — made available a pair of previously unreleased tracks a couple of weeks ago, and I’m personally just now catching up and more than happy to drag you along with me:
I can understand why! These tracks are deliciously random by BURST standards, but also at the same time like peak BURST, a neat trick that only the truest masters of we-do-what-we-feel-like can accomplish, and so this is all okay by me. Continue reading