In the most predictable move ever, MAMESHiBA NO TAiGUN got their major label debut on Avex and oh boy is their first major album just as cute as you’d expect from a group who’s name is akin to “puppy horde”.
It’s been long awaited. Yukueshirezutsurezure (aka Not Secured, Loose Ends) has spent a lot of time in the studio re-recording songs with the current lineup, leading to BrightDark and DarkBright. But with Paradox Soar, they prove it wasn’t reheating old content for the sake of nostalgia: the unit was being developed under the character of Mei Yui Mei’s leadership, voices were being seasoned and the good stuff was coming.
Paradox Soar, the group’s third full album, has sixteen tracks on its sole edition, which includes all of the members’ solo songs. The twelve songs with the whole group are split equally between their single releases (including B-sides) and 6 new songs. As a whole, the album covers a wide range of territory that Tsurezure hasn’t delved into before.
There was so much to cover that Papermaiden and DAEMON had to join forces to write this review.
Let’s get into it!
Today was a good day for fans of the blue, melancholic idol unit of Codomomental. While they announced their third album and its release dans (August 26!) a while back, they only just released its title, paradox soar, and its track list.
The new studio album contains five new songs, their recent singles as well as the solo songs of all members. Hue and Existence Metaphysical were previously released on the limited edition of exFallen, but have been re-recorded for this album.
The first track of the album was granted an MV, and it’s great! So, let’s talk Wish/~
I have entirely too much to say about the new BiSH song-and-video move while at the same time saying very little about it at all, so bear with me a minute. It’s like I saved all the words that I didn’t write over the past couple of weeks just for this one post!
Necessary intro: New BiSH MV. New album coming in under a month. Me? A mix of eager anticipation and total trepidation. Like most everything BiSH has done going back to 2017, one gets the feeling from the available evidence (or: they skipped ahead and bought the EPs) that Their latest is going to have the same uniformly good collection of music as always with one’s own levels of satisfaction thereof determined largely by whether they preferred the first or second promo single release.
Yesterday was time for the full, amalgamated album to get its turn in the marketing chute, and thus to use was born “DiSTANCE”:
Ah, a powerful ballad that doesn’t sound entirely like the other ones! Continue reading