Yanakoto Sotto Mute Is Control

One of the most intense reactions I ever feel to somebody else’s creative work is that of unrequited blown-away. Like, you know when you see that so-and-so did such-and-such, and your entire body loads your anticipated mind-blowingedness like a spring … and then it’s just fine? Or worse? I hate that feeling.

And, frankly, it happens a lot in idol. A performance medium in which so much of the performance that matters happens away from the most-held-up product, and that product’s deepest charms often relying on how imperfect it is, is going to tend to never quite reach the tippy-tops of emotional catharsis for all but the most devoted fans of each particular project. Lives are a particularly challenging environment for this, as so much can go wrong — the crowd is off, a singer can’t find her key, the acoustics are terrible, everybody had the fish for dinner — and a live band only adds more variables to what can be a volatile environment. Continue reading

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This New Song Encapsulates Yanakoto Sotto Mute So Well

On the A-to-Jcast the other night, Terry brought up Yanamyu. Tiffany wasn’t familiar! So a struggle ensued to find the right words to describe this perfect idol project; grunge! post-grunge! shoegazer! the entire rock output of the 90s put into a musical blender! Yeah, they’re a little hard to pin down.

But here’s what matters: Their live is just as idol-avant-garde as their big sisters in BRGH, but the vocals are right on point (none of these girls is a bad singer!) and with some of the best and most creative arrangements you’ll get from this kind of performance. The choreography makes me swoon.


Via!

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