Yeesh, you guys. So despite the perhaps apparent statements to the contrary, I actually listened to a good bit of idol during my hiatus — I just didn’t have the energy or wherewithal to do anything with it, which sucked! But yeah, plenty of listening, and I’ll eventually get around to musing about much more of it as a way of making it seem like I’m not a completely lazy jerk. Today, though, I’m only going to bring up my single most disappointing idol release of the year, and in fact maybe in the last several. Is it the worst? Didn’t say that! Is it bad? That’s subjective, player! But, like, pick for yourself synonyms of “disappointing” and “boring” and “uninspired” and “cash-grab” and you’ll be all set to fill out the Mad-Lib that you’re using to review ayumikurikamaki’s latest single, “”, because that’s all the level of care and concern it deserves. Continue reading
I assume that you all have been enjoying POPPING EMO over the past several months, anyway, but I also assume that all of idol was frozen in carbonite in mid-February and is only now being thawed out, so it’s in fact neither here nor there that this randomly SCRAMBLES-aligned group up and dropped like 20 tracks onto Soundcloud the other day. Right? Like, their Twitter looks fine, albeit short of details. Nothing actually happened, right?
Consider this post an opportunity to get re-acquainted, which you could say may have been my motivation for making it in the first place and not be wrong!
Yanakoto Sotto Mute make their major label debut tomorrow (March 25th) and, to celebrate, have invited us all to a live band set!! Can’t make it to Japan? No problem! Because of stupid corona virus the concert is a live-streamed event via the Internet and you can buy tickets with PayPal.
— ヤなことそっとミュート (@YanakotoSM) March 23, 2020
At midnight Japan time, Yanakoto Sotto Mute released the MV for their major label debut single, “Afterglow”.
Bask in it.
The costumes. The strings. Nade-chan eating a rose; Mani eating marbles; Ichika hitting the high notes; Tsukasa with a bucket on her head. It’s all gorgeously absurd and near perfection. Continue reading
Is this the longest downtime between albums in idol history? Seriously, we’ve been waiting for 10 years!
Today the sequel to Pour Lui’s original solo album “Minna no Pour Lui” aptly titled “Minna no Pour Lui II” drops and oh boy was it worth the decade long wait.
As you can see we have a full double album here! Eight brand new songs and a second disc of re-recordings from the original Minna no Pour Lui.
The initial sound is what you’d expect from a WACK and SCRAMBLES production – it’s solid alt-rock that makes you want to slam your head back and forth, with opening track “I’m in love” featuring some guitarwork that wouldn’t go out of place on an Iron Maiden album. Pour Lui would kill Run to the Hills but could Bruce Dickinson do THIS? No, because he can’t speak Japanese.
Pour Lui’s been so busy this 2020 that she didn’t even have the time to show up for most of her own music video shoot, poor thing.
“We Are BED IN”
Yes, you certainly are.
It’s highly likely that what I’m sharing with you here is something that you already know, but for the sake of posterity and because we want her to have nice things and not at all because Derek asked nicely, I here am following up on Brian’s lovely review of YONEKO’s excellent new single with the fully fledged real-deal MV for it.
Just, like, definitely go read the review and then come back, fully prepared mentally and physically, for this assault of awesome:
Wait for it …
Why make more of it? The young woman is talented and creative as hell. We love her, you love her — now take this and go make a bunch of other people who’ve never even heard of her before love her, too.
Well, I guess the fact that YONEKO is now officially moving into the post-idol phase of her career (apparently in all projects?), so technically this is the last we’ll post about her in a dedicated way, but that’s nonsense and of course we’ll keep the updates coming, YONEKO occupies a special place for us and it doesn’t matter how or when or why she performs, we’ll be there.
Kamen Joshi, Alice Project, PARMS, whatever have you — not the best reputation in the business. While I do indeed (because it is my website and HTML is unlimited) have the space to expound on every negative thing ever alleged about the entity, I will not, for I am lazy and will instead encourage you to do your own research into such matters. That being said, the perception in no way plays out in the idol production, which is always so earnestly idol that it makes your teeth ache. And when the world faces unprecedented crises, who or what could possibly be better to show us a way forward?
Yes! Can this promotional video for the sustainable sourcing of electrical power, especially wind, help to turn the tide against unrelenting climate change? Or is it simply a sinister greenwashing ploy to cover for the unsavory side of the business? You decide!*
Aside from being one of the all-time great free agent pickups in idol blogging history, I’ve always been able to rely on one Chris Winsall, Mr. Toxic Breakfast himself, for adroit plucking of otherwise obscure excellence from the idol heap and shaking it in my face until I embrace it with all the enthusiasm required. And now that he’s on Team, it even happens quietly! The note the other day was one of the weirdest shots out of the dark that I’ve had in a while, and I’m completely here for it.
Friends. You guys. AND CRAZY is back.