The joke doesn’t land half as well as I wish it did
Yes, let us discover some idols! Or, in this case, re-discover some idols that we already knew and liked but now have a new wrapper. LET’S DISCOVER A BRAND. Or I guess the new product launched in direct competition to the original by people most intimate to it. The Oreo cookies, if you will, of idol.
You may remember a little project going back a couple of years, the not-quite-sung-enough 143, who we recently learned were going kaput. Bummer! And then suddenly one day idols associated with a new thing started to show up in my feed, people who I already followed despite not, uh, completely knowing who or what the heck or why. That does happen, this being idol and all! So I put a pin in it, as they say, and waited to see what happened. And what happened was our old pal Jul messaged to say, hey, have you seen this new idol group, they’re the 143 members who went their own way and are now self-produced. And I said, ah ha! It makes sense now!
And so, finally, Finally (Twitter): Continue reading
With all apologies due to the good people at Codomomental Inc., while yes it is in fact the intention of Homicidols Dot Com to render completely void their attempts to impose short two-hour caps on the preview tracks released by the company’s artists, they must know that we do it out of love and a genuine desire to expose those artists to broader audiences outside of Japan. Timing is hard for people, even for us even under the best of circumstances, and it’s not like we profit from it, you know?
One thing we haven’t done before, I don’t think? Share the track a whole-ass day later. But, uh, it would be negligent — nay, disrespectful — of us to not share this preview/debut with the world, so, uh, let’s just drop all the pretense all the way. Takari Takara is the name, and very likely a familiar one to you. This is her not-quite-long-expected solo debut with Codomomental, and one that we here at Homicidols HQ have been eagerly anticipating. Yes it dropped under normal rules (also: yesterday!), so yes let’s follow the forms. This is how you connect with her:
And as for the song: Continue reading
So the other day, doop-dee-doop and all that, I see that one of my all-time anti-favorite acts in idol had a new MV. Should I write about it? I thought. Should I see what it’s like before making a call on that? That seemed wise. But then again, the artist in question, most easily referred to in their preferred shorthand — that is, SHINGEKI — you almost always know exactly what you’re getting, the only questions being left to the finer details. And so I thought, ah, let’s just Weekender that stuff again, nobody will miss it. BUT, friends, a different kind of realization struck me. See, it’s been some time since SHINGEKI came into our lives, and there have no doubt been hundreds of you whose journey into idol started after that and potentially even after this website stopped automatically posting every dang thing they did, so:
I decided that maybe, maybe just this time, I could try to fulfill the purpose of this website and put some context to the … I actually don’t know how to describe the way I usually respond to and consider SHINGEKI stuff. It’s almost always enjoyable if you can put away particular expectations other than “expect anything”; it’s almost always “good” in the sense that whichever musical elements they’re randomly slamming together sound nice and even sometimes tie together well; nonetheless, could I be accused of disparagement when it comes to SHINGEKI, something that would rise above light, good-natured teasing perhaps all the way to outright mockery? It’s all on the table, folks. But this post isn’t to recapitulate past observances, it’s to give those of you who either don’t know this wild-ass project or have only encountered it in snips and/or my backhanded remarks a chance to experience it in all its glory and then make your own judgements.
So. New single: Continue reading
Does that pun work? Like do most of you even get it? Feh!
I’m mad at every information service in existence for not just up and telling me that Sugarpills had made good on their promised single. Missed it on Twitter, Spotify sent me nothing, it turned out that I hadn’t subscribed to them on YouTube after all like an idiot, so I literally found out about this by accident fully a month after the fact. Just terrible. But yes, one of my very favorite debuts of 2020 staffed up in the intervening months (which you’d know if you read the Weekender!) and released this single all the way back at the beginning of April:
It’ll cure what ails you! Now does the pun make sense?
Nice standard punk sounds, nice idol vocals to go with, a combination made in heaven. A true reviewer of music and media would knock the mix, probably, and ask for a higher quality to the MV, but honestly — this is an indie-as-hell project, and half of the charm in both idol and punk is in the rough edges. I’m personally just stoked that this fun, better-than-you-assume project is thriving and looking to the future.
As soon as I hit the publish button on that the mishmash post:
Correct you are, Chris! And because I have unofficially vowed to unabashedly support every idol thing that Julie does, and also because GREAT MONKEYS are great fun, let’s give this one a listen, too, shall we? Continue reading
I will tell you, I noticed on the TL the other day that the mishmash had a release date for a new EP, and I got super excited about it, and only in the mental preparation for this post did I come to see that the record’s title and title track itself (and #2!) have been with us for months via MV, and so there would be no MV associated with this release, and so I was going to be a jerk about it and not post, but then I actually listened to it all and while I remember not really caring for the title track, I did find that the overall spirit of the release (and okay, the rest of the songs) was actually nice and fun, and I’m in a mood, so let’s do it!
I don’t expect you all to like this the way that I expect you all to like, say, something from PassCode or whatever, but I do expect some of you to like it, and you know who you are, because you’ve been bopping ever since you hit play. Me, it’s not my favorite thing that mishmash (+/- the) ever did, and frankly I preferred their closer-to-OG sound, but groups get refreshes all the time and maybe now was that time for the mishmashes. And who knows? Maybe there’s room for greaser idols out there, too.
Man, you guys remember Jekyll x Hyde? Or Jekyll and Hyde or & or however you want to style it. Management-san seems to like “x” these days, so that’s fine. But man, remember them? I wouldn’t be mad if you didn’t — I know that my last actual post about them was two full years ago, so unless you’re familiar thanks to some sporadic Weekender appearances, we certainly haven’t done much to bring them to your attention.
Now, I imagine that a few things have probably happened in, like, two years’ time, but frankly I got a bad back anymore, my days of diving deep into the Internet for random idol unit membership past info are in the past, so let’s just presume that membership=changed and maybe a fan or two can fill in the gaps. What clearly has not changed is that Jekyll x Hyde is one of the most reliably interestingly units in the game — musically, that is, and of course they are; they’re from Nagoya — and a recent spate of Papermaiden sort of re-discovering them for herself got me thinking that maybe it’s time for a refresher post.
So if you’re unfamiliar but you have a passing familiarity with foundational texts in English-language science fiction, you have probably sussed out that the group has some kind of tie to duality. And you’re right! They have a light side (Jekyll Mode) and dark side (Hyde Mode) and frankly they’re both just fine, so let’s survey some recent stuff. Continue reading
This was way too good to Weekender, way too much of just the right energy at the right time to hold up and admire for all of its athletic and artistic excess, super charming and, hell, even kind of inspiring. You may also recall that I vowed to exploit the ever-loving christ out of ATARASHII GAKKO!’s emergence for Western audiences by posting about them in lots of ways all the time and making sure that ol Homicidols Dot Com shows up a lot in search results! I am very clever.
BUT NOT SO CLEVER AS ATARASHII GAKKO!, who “Night Before the Exam” today, which is the extended one-take version of a clip they released back in the early days of their international breakout. I warn you, you will want to dance, but to attempt to dance like ATARASHII GAKKO! for more than, oh, a few seconds is going to leave you breathless and possibly looking for the ice pack and ibuprofen:
Imagine being this fit
After that last release of theirs, I do worry a bit that Our Friends Formerly Known as Leaders may abandon their wild-ass acid-jazz-fueled whatever-you-call-it musical flavor for something perhaps a bit more internationally “normie” friendly, but that they (and 88rising) brought this out is some relief.
And now that we have sufficiently padded our SEO for the week, this is your Homicidol Maniac, signing off!
I wish I had more to say about this one, gang, but it really couldn’t be more straightforward. Last Friday, Li-V-RAVE, whose continued existence is just the happiest damn thing, dropped the MV for their new single that’s not out for well over a month, but hey, promo time is promo time. I thought you’d dig it like I did, so:
All about it. This website has long supported idol power ballads — when those power ballads are cloaked in easycore elements that are themselves bizarrely inverted to better serve a power ballad? Butter. If I had any complaint at all it’s that the composition doesn’t serve the vocals well (pre-chorus, I’m talking), but you know? There’s tinkly piano in there. I am rendered incapable of complaint.
Because you’re a trooper, here’s the B-side:
We need more power pop idol, period, in all its forms. “MISSING LINK” is out May 31.
Yeah, first, I know. But it’s true! PIGGS has only released excellent longer-play material so far; “T.A.K.O.” drops a week from today as the official first single of Pour Lui’s emeritus project.
I’ll tell you: I had no idea what to say about it! You can only complete so many permutations of “it good” before you run out of ways to put some kind of spin on a piece, and “it good” is just padding in a very similar way to how I’m padding out this sentence to increase the post length and give you all some extra bang for your buck. So let’s get it out of the way and talk about something that did strike me, maybe meaningfully, while watching this sucker.