There is a dwindling handful of groups that made up what I considered to be a core of high-quality idol back when Homicidols.com was transitioning from a twinkle in my eye to squalling newborn, and even among their number are a very small few who are still regularly releasing material and seem to be on the move. That leaves the groups like Party Rockets GT in a weird space, beloved of the boss but rarely mentioned, as they perpetually clip through the cracks.
Nonetheless, they’re worth checking up on fairly regularly, and a good while of doing that teaches one the rhythms of management’s business logic, and so it was that I started to hover over PRGT (and others) more in the past week, wishing/thinking/hoping that they’d be getting out some kind of release before the year was out. Not everybody delivered, but Haruka and her merry band of upbeat loudols certainly did:
It’s a little hard to believe, but it still hasn’t been two full weeks since Yuigeddon, and still only a handful of days since probably the roughest idol moment in many Western wotas’ lives. People aren’t happy!
I’m all for recovery, though, and idol is one of those things, hair of the dog-style, that’s so crafted as to be exactly what you need when It turns south. Oshi’s graduating? You’re gonna need some more idol, friend, and pronto. Enter PINKYCASE, who released this MV yesterday practically with their hands out in invitation, urging those of us who are hurting to step into another world for a moment, a place where songs can be fun and upbeat and interesting, and nothing bad ever happens. It’s a good time!
It’s funny because they’re supposed to be emo! Well, if the emotion that you want me to feel is optimism, PINKYCASE, you hit the nail on the head. And I am relieved on this dark burden inside for at least a few more minutes.
Believe it or not, this site has a content strategy.* The original was written three years ago, give or take, and while yes it’s evolved over time, the general framework is still in place. The wild thing about strategies is that, like, they don’t work if you don’t follow them. They’re wonderful guiding documents when you need them, but remarkable pains in the butt when you’re short of time and/or capacity and everything starts to happen. Like when I commented the other day that, with TIF just a couple of weeks away, things would pick up? It’s happening!
So this is what digging out of a hole feels like. The double-edged sword is that the Panda Mic song that I’m about to show you is very fun and solid and like what might happen if you let Maison Book Girl write a punky little ditty for junior idols, so of course I’m going to want to show you that even if it weren’t necessarily tired to the content strategy, and it also is that:
In case you couldn’t tell from most of the most recent Weekenders, I’m a supporter of Devil ANTHEM. In case you couldn’t tell from most of the most recent Weekenders, they’ve moved beyond their earlier sounds to largely embrace an interesting EDM twist. This … this is usually the story of how an idol group becomes a Weekender regular and stops having normal posts about them appear. Funny how that works out.
The point, though, is that Devil ANTHEM also dropped a ton of material onto Soundcloud the other day, and I thought that it sounded like a good idea to take a spin through some of it.
Just the fact that this is tagged “JUNK POP” fills my heart with glee
Pro tip, friends: There are lots of ways to stumble over new idol stuff, but the most reliable will always be what other idols tweet about, especially when it’s groups promoting mixed shows. In this case, it was POPPING EMO that stood out in particular, because what a name. A few clicks later, and: Continue reading →
All right, let’s not do that time-wasting thing when it comes to reviews anymore; when new stuff, especially new stuff from particular featured idols and honorary community favorites of Homicidols.com. Minna no Kodomo-chan gave us Kabe no Nai Sekai (A World Without Walls) to listen to, to embrace, to punish ourselves for sins more imagined than real by driving kawaiicore grotesqueries directly into our dreams. If all we ever had to go on was the other day’s MV, one might think that this is a one-way trip to video game hell, but we also know that Everybody’s Children can get down in lots of different, weird, wonderfully loud ways. What would their first album deliver on?
It’s bad and it sucks when idols graduate and, from that, groups disband. Yeah, sometimes it’s for a good reason; more often than not, though, it’s just a bummer for everybody involved. So it was a pretty substantial while back now when PIIIIIIIN declared that they’d be hanging ’em up — it was unexpected, nobody seemed terribly thrilled about the move but not so invested as to try to stop it, and a bright light flickered out. I even eulogized the PIIIIIIIN experience!
Good lord, what a thing to step into first thing on a Wednesday.
Minna no Kodomo-chan, winners of the Corenament, owners of some of my very favorite idol-related music to date, a teen chika power duo if there ever was one, an entity that manages to loom immensely despite the cumulative height of its members being about 8′ (it’s the backboards, I’m sure), have an album that’s out today. You have no doubt endured my barely contained hype, as I have been all kinds of excited since the day that it was announced, and I was practically giddy yesterday when they made it clear that an MV was going to happen this morning.
Friends, did it ever:
If you’re wondering why it took me well over an hour to get this out, it’s because I wasn’t in a place to heart react immediately, and I just spent most of that time struggling to get to where I needed to be to finish this post. And, sometimes, time is gift — you can think things through and mull them over and force-listen to a piece a few more times. What a gift, man. Continue reading →