Is it okay to call Zenbu Kimi no Sei Da “living legends” when the group may be closing in on a sixthiversary but there’s only one of the originals left? Yes it is because I want it to be? Fantastic.
Living legends Zenbu Kimi no Sei Da, fresh off of a year of causing their many longtime fans to soil themselves in fear that the group may be on the outs, or at least all but completely redefined, dropped their 12th single the other day. That’s a lot of singles! But it’s the first new material from the all-but-completely-redone group, and it’s a great opportunity for a “came out swinging” cliche, not least because saying it would not make me a liar, just an unimaginative nincompoop who couldn’t think of a better way to describe one of Zenkimi’s most ambitious works:
Following the demise of Yukueshirezutsurezure and some membership turnings-over in KAQRIYOTERROR both building on the absolute tumult that was Zenbu Kimi no Sei Da last year, I think it would be fair for fans to wonder what all might be going on over at Codomomental HQ. Yeah, between akugi and Tokyo Tefutefu there are interesting new things afoot, but this is idol and for all we know they could self-destruct in a matter of of weeks — Tsurezure and Kaqriyo and Zenkimi are much more established quantities. And so it was that when the phone buzzed for a solid 10 seconds’ worth of notifications coming in under Zenkimi’s byline, of course I was a little concerned.
Zenbu Kimi no Sei Da is finally back from their hiatus, with 3 new members. With the recent Mashiro departure and the pre-hiatus graduation of Yotsu and Akebono, many speculated that the group would be in bad shape. Rest assured their fearless leader did a great job reining in the new recruits.
This time last week, while we were putting the final organizational touches on this year’s Best Of crop, two things occurred to me. The first was that this year, for various reasons, seemed to have the lowest high points out of the whole dang run of Homicidols Voting Things (probably because of all the soul-murdering graduations); the second was that Codomomental units were, on the whole, involved in the proceedings but without the same degree of they-could-win-so-much-hardware-you-guys as in past year. And on that second point, yeah, I get it, there’s actually been a good amount of turmoil in my favorite company for the last however long, and it’s unfortunately sort of stifled their mental and emotional presence for folks outside of Japan. I think so, anyway, but I’m also not as elbow-deep in the scene nowadays, so maybe I’m missing things.
Now, on Saturday, while I was taking a few minutes to just cruise around and check out things that I might want to pick up later in the week, I ran head-long into a preview clip for this MV. I didn’t read the tweet, and I didn’t play the clip with audio on, but I remembered that what has turned out to be one of the greatest chika loudol groups of all, Zenbu Kimi no Sei Da, did indeed have an album on the way, and that album was going to be a special one, and you know, I got excited. And I took that tweet and I slapped it into a draft post and I was going to publish for Monday a piece on how excited I was about this album and you should be too.
And then I didn’t do it because that’s reality these days. But I actually remembered to come back to it, and my girl Yotsu was doing what idols do and re-sharing the thing that had already been shared and then it all came together for me, the power and the glory amen: Continue reading →
It is the fault of nobody at all that Zenbu Kimi no Sei Da decided to flash-preview their ninth(!) single, which is coming at the end of the month, which threw me into an absolute tizzy of confusion about which release is which and when it’s happening and it didn’t actually matter because this all happened on Saturday and Team had one heck of a weekend. By the time we were able to catch up, the whole moment had passed, so I figured, hell, we missed the window, but we can still share, and let’s do it like always because if there’s one thing that Homicidols Dot Com has done consistently over these long years, it’s share Codomomental tracks on a template!
Now, ordinarily this is where we begin the whole song and dance about release windows and I do the performative routine and blah blah blah, so let’s fill in the gaps. Single:
Hey! I only have a minute so forgive the blow-through, but check it: The everlasting joy that is Zenbu Kimi no Sei Da, who are in the midst of releasing a remixed, re-recorded album of past hits with the updated membership, just keep sending out previews, as you could probably have inferred from the title of this post. Well, there’s another one today, and this is right under the wire!
“Oh noes!” you cry out, “I may be too late!” And to that, mis amigos, I say, have you not been paying attention to Homicidols Dot Com and our wink-and-nudge relationship with Codomomental all these years? Just look after the jump! Continue reading →
Oh hey neat! I expected that Zenbu Kimi no Sei Da’s pre-warned announcement would be some kind of music something, what with the upcoming release of their let’s-re-release-a-ton-of-stuff-with-the-new-lineup album on the way, but did I expect that they’d come shooting out of the gates with one of the greatest, loudest, violentest, Codomomentalest idolcore songs ever put to tape? I did not. Am I absurdly pleased that they did? I am. Feast your ears on the re-recorded “WORLD END CRISIS”, only do it kind of fast because they put the ol’ two-hour limit on it and HAHAHAHAHAHAHAHAHA no, friend, just play along and then if you’re here after the link in the tweet dies, ol’ Uncle Maniac will still see you through:
What is there to say, really? It’s still friggin’ “WORLD END CRISIS”, which frankly only gets better with time and always leaves me waxing what-could-have-been about Peak Codomomental. And they’re all still good! It’s just, there are apogees out there, and you begin to understand the whole thing with Sisyphus once you’ve reached the top of the hill and let that rock slip just the tiniest bit.
This is a good version, though. The shuffling of roles within the song took me a minute to adjust to, but the real highlights here are always the dual screams, and while I’ll admit that I’m waffling on whether my girl Yotsu is in the same position as before or whether she took on the Shidare role, I still think that this sounds like the gold standard for idols shredding their throats to really expose those emotions. What a song.
The remix album is out at the end of July. I hope they give us more on the long road to that point!
Well well well! I was prepared for a really easy, walkaway Saturday morning, but of course the idols who invented Codomocore, who despite their second 40% membership overhaul in … good lord, a long-ass time, Zenkimi’s officially old now! Who despite having just undergone all of that have been surprisingly quiet of late. The whole company has, in fact, but this week started to open things up, from the updated name for KAQRIYOTERROR to yesterday’s announcement of the ssixth single from Yukueshirezutsurezure*. And yeah, now it’s time for Zenbu Kimi no Sei Da with the biggest announcement of all, a new single and a big-ass album’s worth of re-recordings with the updated membership:
Well if I didn’t pick a great day to commute in early! It’s been a while since the original MV release to support Zenbu Kimi no Sei Da’s double A-side single, when they gave us the very good “Romance Sect”, and in the intervening time there’s been an absolute rash of photography from what was obviously MV-related but at no point indicated when or even if such a thing would be delivered. I honestly started to wonder if it would be a DVD feature instead.
It’s not! Finally, today, they give us “Natural Born Independent” in all its glory: