A bunch of fun things happened at once, so you want the news? Here’s all of the news! We’ve got new BiS, new MAMESHiBA, new ASP and some new GO TO THE BEDS and PARADISES members for ya! It’s a very WACK Friday indeed!
Had to do it to ’em!
So you all likely saw on Wednesday that the re-done OG of OGs — and therefore not OG at all, but somehow one of the best representatives of the OG’s brand since the OG was still the OG — BiS dropped the official lead track from their brand, shiny new upcoming second EP, and I don’t want to put more time into it because this is going to be a “song good” post and I’m running out of ways to pad the word count! Continue reading
So yesterday, to coincide with the release of their Propaganda to PROPAGANDA fan-voted best-of album, BiS dropped a new MV (for the lone original cut on the record, IIRC). How exciting! Given the track record of the group since being re-rebooted sans any formal relationship to its past save for name, logo and producer, it deservedly warranted some real buzz and a lot of eager clicks. Maybe we didn’t quite get what we expected, and I’ll come right out and say that I didn’t even understand (at first) what I did get, but it’s very nice and you should spend some time with it if you haven’t already, including a repeat view or two if you know what’s good for you:
I think a lot of people have been generally optimistic, albeit somewhat apprehensive to totally give in, when it comes to New BiS. I’ve personally been very willing to embrace them on their own terms (I dig the music quite a bit, after all), though whether I could always take them seriously as a thing called “BiS” has nagged at me. And so far, the release of ANTi CONFORMiST SUPERSTAR has followed that pattern perfectly, with perfectly solid music that I’d happily accept from just about any other idol, but this weird feeling that it’s just not BiS.
And then today, to commemorate the release of the EP, they drop the “full, 5-hour version” of the MV for “CURTAiN CALL”, which is exactly what it sounds like. It’s five hours (well, like 5:02:22) of “CURTAiN CALL” on loop, interminably repeated until the arbitrarily selected interval of time had been reached, the members singing and dancing with surprisingly little flagging the entire time. Just:
Hit play, then mark the point at which you get tired of the song … and then imagine how the BiS members felt at the same time
We’re in a new age – an age where we’re finally able to listen to new BiS releases and the good folks at WACK and Revolver Records have blessed us with an early streaming release!
Who wants to waste time reading an introductory paragraph? Go stream the new BiS! The last release we got out here was “I can’t say NO!!!!!” in 2017!
If you’ve been keeping up with the news, both regular and idol, you’ll probably know that Abe Shinzo issued a countrywide order temporarily banning all large scale public entertainment events because of Novel Coronavirus fears. ZOC cancelled their entire FINAL INNOCENT ZOC tour, Aya Eightprince cancelled a smaller public appearance and Pour Lui cancelled the shooting for her upcoming idol group’s music video to name a few. Things have been cancelled harder than a celebrity who’s angered a kpop fanbase.
Currently, WACK are meant to be embarking on their nationwide WACK FUCKiN’ PARTY tour but alas even Watanabe Junnosuke who has objectively more clout than the prime minister can’t get around a ban on public events.
Just kidding, yes he FUCKiN can!
2/29 18時〜 WACK TOUR 2020 “WACK FUCKiN’PARTY” NO AUDiENCE LiVE 生中継ニコ生で行うことになりました。プレミアム放送はなくどなたでも見れます。— 渡辺”ジュンジュン”淳之介 (@JxSxK) February 27, 2020
This Saturday at 6pm JST, the show will go on! NO AUDiENCE LiVE is exactly what it sounds like – nobody is going to be there. You can’t cancel a public event that isn’t a public event. The entire thing is going to be broadcast on Niconico so everyone will be able to be there in spirit. A premium subscription is only around $5USD too, so hey, if you’re spending your time indoors as a health precaution why not spend it with the idol fanbase’s favourite women’s prison colony?
It’s been a rough week for a lot of people on Earth because of the you-know-what, but in a dire time things like entertainment are what make it manageable! So, cast aside your worry, wash your damn hands regularly and enjoy your time at home.
Remember, while this is a lot of fun content for us overseas, fundamentally it’s a sorry to people living in a country that’s tightening it’s grip attempting to deal with a pandemic, so remember to be respectful! Or if you’re living in a country that’s going through the same thing do what you want, we’re not the reaction police over here.
I don’t want to have to watch it again! So let’s dispense with the incredible urge to pun this thing to death and instead focus on how Watanabe clearly wanted to get back to the magic of “Hoshi ga Matataku Yoru Ni” by taking a hopped-up punk number and literally turning his performers into human toilets. Even the choreography recalls “Hoshi ga”!
Good lord. BiS2’s album is out next Wednesday. May the gods have mercy on us.
The waning days of 2019 and opening week of 2020 have been a special time. Some of the greatest legacy acts and personalities of our time hang ’em up at last — the literal goddess of earth and sky herself even revealing that she’s been secretly married all this time — and with that saw the retirement from idol and return to solo work by the grand dame herself, Pour Lui, twice founder of BiS, mature member of BILLIE IDLE, from whose fecund mind sprang the cultural movement that created not just modern chika idol but about 95% of what we like to cover here. That Lui was going back to her roots as a solo musician (though still connected to the Watanabe/Matsukuma machine) felt like a nice coda, something natural. She was done with idol, and idol — graciously — was done with her.
Or so we thought!
— 音楽ナタリー (@natalie_mu) January 6, 2020
New group with a familiar-sounding name. New auditions. New music. “It’s complicated” with WACK. Somebody stage an intervention for this woman! Continue reading