It’s been about a week since the first full recordings were available online, right? And then the MV dropped a couple of days later and I made my eager face and watched and waited and waited and watched and … like, PassCode usually has an international version of their videos available after a brief interval, so I’m not crazy to have done this. But maybe because it’s being used in this commercial, we filthy gaijin don’t get the full version?
So okay, no MV for us, but the song exists, so first listen to it if you need to:
There’s an editorial choice to be made by the owner for a fancy idol website every time an idol group worth following does a thing. That calculation used to be simple — back when life was simpler and everything idol felt fresh and exciting just by dint of existing, I’d blog a post and all 35 readers would either marvel at it with me or correct me like the heinous scene-crashing joke I was. What’s changed in the past four years is that now I have two other choices — I can also stick the item in the Weekender as a toss-off, or I can elect to ignore it because it’s impossible to gaf about every little thing, as made evident by the fact that now it’s a few orders of magnitude on from those original 35 readers and I can still expect that certain topics register, at best, a couple of dozen views.
So now, while I catch up on a very busy week when I was deliberately out of pocket, I’m already past the point of deciding if something is Weekendery, as that ship sailed yesterday. I can however still opt to just not post about whatever, on the premise that it isn’t so interesting. And that adds a fun twist to what I do hold for a full post, doesn’t it? Yes, every new post is a tacit endorsement, one way or another, of whatever the What is, but that feels amplified now. And, as a result, I feel a certain amount of responsibility. I’m saying that the subject of the post is important and notable!
Therefore I give you without reservation the latest wild-ass ride from SHINGEKI since their last most recent effort to offend the brains of boring people. Continue reading
Well, it’s upon us, people. What I was shocked to realize is the re-christened KAQRIYOTERROR’s first single (or first official single? I dunno), and first release under the new regime, is out in a week’s time, and that means one thing: An MV that almost nobody else in chikadom would even try to pull off!
Yeah, I’m late to this party, so what. Hiatuses will do that to a person. But on the off chance that you weren’t yet aware that BURST GIRL — who I post in protest because what worth does this world have left in it anymore — made available a pair of previously unreleased tracks a couple of weeks ago, and I’m personally just now catching up and more than happy to drag you along with me:
I can understand why! These tracks are deliciously random by BURST standards, but also at the same time like peak BURST, a neat trick that only the truest masters of we-do-what-we-feel-like can accomplish, and so this is all okay by me. Continue reading
Such philosophical quandaries are not for the faint of heart, nor for the enterprising fancy idol blogger to contemplate too dang hard because these Codomomental previews blink back out of existence just as soon as they appear. We can deal with existential questions later!
For now, this morning brings us a preview track from Yukueshirezutsurezure’s upcoming album of remixes and re-recordings and all that jazz. Which I think I didn’t know about! That’ll happen when you disappear for a couple of weeks. But fun, I’m glad that’s happening. Take a good cue from a good Zenkimi thing. Anyway, your song:
Two hours are fake, yada yada. Continue reading
Y’know, we talk about about Yufu Terashima quite often amongst ourselves on the twitters, but I did a quick check and to the best of my knowledge, we’ve never posted anything specifically about her on this blog. I mean yeah, she was a member of that iconic group that pretty much gave birth to the movement, but perhaps Yufu herself goes a little bit more into the sort of pure idol territory that this blog appreciates but doesn’t usually cover.
But when you film an MV for a song that is not gives a fun visual medium to a delightful pop gem, but eludes to the elusive answers of one of the biggest questions that the human race has been asking since it first formed an inquisitive thought, you pay attention!
Holy smokes, you guys, remember when literally a year ago I frantically posted about this new thing called Poison Rat? I enjoyed that a good bit, they got some good play, I wound up making a draft for a thing of theirs that I wound up not actually doing because I was on vacation, fun times had by many. In continuing to prove that Nagoya has arguably the most intense(ly loud) chika scene, while Poison Rat hasn’t been the most prolific project on the planet, they do have video for us, and it’s an excellent trip into what they do and how they do it:
Confession! I feel really guilty about being kind of late on this, but fortunately being a step late meant that I could share better, and unconditional, news — in a few days, Candye Syrup will be issuing a new single (well, new.5), I think the first official physical release by the new regime. When this was first shared with me by a very helpful and friendly and no doubt fun-at-parties insider, the record was definitely venue-only, but things changed a little bit shortly thereafter.
Here’s the official announcement:
That’s Senanan’s artwork, btw; KOUICHI on the composition
We’ll get to the BiS MV in a bit…but first:
Yep, I basically assumed (and perhaps secretly hoped) that when the inevitable next installment came out, it would be “WACK is C-Word”.
But what a twist!