[Ed. note: Too many beans were spilled! This post has been updated to keep people out of hot water. Homicidols Dot Com regrets the error.]
For those of you who haven’t been hiding under a professional boulder like me, you’re probably aware of a certain alleged case of musical plagiarism that hit loudol last week. Effectively, fans of the most recently crowned Queen of the Scene and Therefore Official Oshi of Homicidols Dot Com Saki of Guso Drop and 2& fame noticed that a recently debuted unit called Kaiju by Me’s new single had a certain striking similarity to 2&’s “Machigai Darake”.
Now, I’m a generous sort. I tend to believe that people, until proven otherwise, go about their business in good faith and with good intentions. I was somewhat incredulous when I first heard of the plagiarism. This, I thought, must be one of those everybody’s-right situations: Maybe the song’s kind of a rip-off, but not consciously so, or not deliberately consciously so, like not Vanilla Ice adding a little hitch to a vintage Queen bass line and pretending like it’s something new, more that someone had a tune in their head and wound up writing it and then it turned out that there was a great reason that the tune was in their head (they used to listen to the song a lot!) and whoopsie daisy, well now the ship has sailed, let’s all move on with our lives.
Except no omg holy shit this is some of the worst plagiarism I’ve heard since Led Zeppelin. Check this out: Continue reading
Color me very impressed by the raw amount of good stuff this week, and how much we covered it. It had been a while! Heck, when was the last time I managed three in a day? That goes back a good while, it does. So in the interests of keeping the momentum going and because I did kind of promise myself that I’d do it anyway and because I mean what I say in the title, it’s a killer song and we all could use a nice boost to close the week and look ahead to what’s a three-dayer here in the USA, I present to you the latest from POPPiNG EMO, formally dropped a couple of days ago but frankly something that you may wind up sticking on playlists for a while:
Now tell me if you had basically the same listening experience, or something akin or even something wildly different. Continue reading
A few months ago we first featured SIPP (Super iDOLS Pops Punk), a new unit out of Osaka that sprinted from obscurity to song-of-the-year contender on the strength of their debut single, “dawn”. With an introduction that unbelievably good, we were trying not to let expectations for SIPP’s follow-up run too irrationally high. There have been any number of groups over the years that stormed in with a dynamite debut and then just faded into the ether. Still, during this week of A-list music releases, the most highly anticipated song for many of us was the second single and MV from these rookies:
It’s time to get irrationally excited again. Continue reading
Ah, as previously noted, everything’s coming up Malcolm Mask McLaren these days, and now a month on from announcing this summer’s new record from them, the group dropped the MV from what I really hope is the trendsetter for the thing, because this was worth waiting for:
What a payoff! MMM and their melodic hardcore thing have always been such a neat package, and filing down the edges for a slightly more radio-friendly product has done nothing to take away from the group’s core merits, which in no particular order are “cool music that people of a certain age enjoy either literally or ironically” and “an effervescent joy that very few loudol acts can approximate, let alone duplicate.” Given the connotations, “maudlin” maybe isn’t the best word, but you try finding M words in English that correspond to net-positive emotional stuff. These highly attenuated post-titling conceits aren’t writing themselves! Continue reading
All right, I’ll admit to having been a skeptic about the latest WACK unit to emerge. ANAL SEX PENiS, or ASP as I prefer to call them because I’m not some prurience-obsessed teenager and I have to worry about how and where my website’s going to show up in various people’s Google results, really did feel like a stupid gimmick at first. Yes, we were willingly falling for an obvious ruse, as usual playing along with one Watanabe J. for the sake of getting to the bottom of whichever kind-of-inexplicable-but-no-doubt-lucrative-and-enviable game he was playing this time around, but the thing about falling for even obvious ruses is that you still went there and in the interests of intellectual honesty you have to admit to yourself that you did, in fact, let yourself believe if only for the briefest of moments, like a kid old enough to know better unironically hating the heel. I mean, read this. The line between truth and kayfabe is always clearly there somewhere, but whether you find it in the place where it really is as opposed to where you assume it to be, therein lies the trouble.
But anyway! As ASP emerged as a bona fide actual, regular-ol’ idol unit (name notwithstanding), it also became clear that they had the musical chops. And of course they did — WACK can be and usually is a lot of things, but musically not-good is not one of them. Yes there’s a template, and no we don’t call it Kentacore because it’s so wildly diverse, but good and enjoyable and undeniably punk-inspired if not outright so are all true things to say about the product, and those are perfectly fine bars to set, and then we can leave up to you the question of whether you like and want to listen to ANAL SEX PENiS.
Anyway! ASP’s first album is arriving, and they’ve been trickling out ever more music on Soundcloud as is the wont of new WACK units, and then yesterday they dropped their first MV, which is pretty much also the clearest multisensory view we’ve had of them yet: Continue reading
Does that pun work? Like do most of you even get it? Feh!
I’m mad at every information service in existence for not just up and telling me that Sugarpills had made good on their promised single. Missed it on Twitter, Spotify sent me nothing, it turned out that I hadn’t subscribed to them on YouTube after all like an idiot, so I literally found out about this by accident fully a month after the fact. Just terrible. But yes, one of my very favorite debuts of 2020 staffed up in the intervening months (which you’d know if you read the Weekender!) and released this single all the way back at the beginning of April:
It’ll cure what ails you! Now does the pun make sense?
Nice standard punk sounds, nice idol vocals to go with, a combination made in heaven. A true reviewer of music and media would knock the mix, probably, and ask for a higher quality to the MV, but honestly — this is an indie-as-hell project, and half of the charm in both idol and punk is in the rough edges. I’m personally just stoked that this fun, better-than-you-assume project is thriving and looking to the future.
This website is very pro-Malcolm Mask McLaren, so while we do try to keep a certain objectivity about this group and that and which releases are truly good and which are basically warmed-over garbage, some just kind of bring out the enthusiastic fan in us. I won’t make a list; suffice it to say that MMM, the actual focus of this post, is one of them. And when I went to check up on a video I saw they’d released on YouTube, it set off a whole string of discovery moments that make me feel just incredibly happy for them, so yeah, they get a whole-ass post to celebrate the good things afoot! Continue reading
It appears to be that time of year again, folks. That’s right — it’s the time when not a whole lot goes on for about a month, so let’s discover some idols! We’re in an odd-numbered year right now, and history has shown that (idol-ly speaking) it’s the even-numbered that tend to be chock full of awesome debuts and important albums and stuff, and the odd years when things like the Mass Graduation and Disbandment of Beloved Idol Things of 2019 happen. Like, for all its warts, 2020 was a pretty okay year for debuts! And somehow, maybe because the entertainment universe held its breath for the past 12 months or maybe just in penance for the really shitty time we’ve been having as a human society, we’re still getting good ones here in 2021.
So when Mr. Toxic Breakfast himself shared this in Team Chat recently, it definitely felt like something to run with:
That’s MAD JAMIE, obviously, which, as Chris put it, “Thankfully Mad Jamie is not the local 15 year old arsonist, but is some idols.” And what idols! Continue reading
Other than I think one remaining closed fan event, the current system of WILL-O’ is done. No more releases (we already took care of that anyway), nada. I don’t know why I was surprised that they announced one final MV, these things being fairly standard, but I can proudly say that I knew exactly what it would be like when I saw the announcement!
The puzzle’s a really nice touch though
What’s next? Presumably a new regime at some future point, doubtlessly following in the same musical tradition. In the meantime, you may want to get caught up on your WILL-O’ video action, as they’re apparently deleting a ton of stuff off of the YouTube channel at the end of the month.
A certain newly emerged idol project with a particularly evocative name had me thinking about pop punk and idol. Yes again. Like, IRL, I hate pop punk, and I get completely fair crap for this irrational, knee-jerk take. It is what it is! The punk rock I got into as a kid wasn’t Fat Wreck Chords stuff, it was Dischord and Epitaph and let’s not get too deep into that, this is a buGG post, okay. The point is, I usually avoid pop punk unless it’s by idols, in which case the things that usually annoy me about the genre suddenly make a ton of sense. Absolutely perfect marriage.
So enter buGG, and what is oddly their first single:
IT’S PERFECT. I love this song so much. It actually popped up on Spotify a little while ago, but I kept hoping for an MV to show it off properly. It has just the right amount of punk rock to drive its holy-shit-it’s-literally-made-of-cotton-candy idol core, right down to the impossibly catchy chorus. And now we managed to fix your Wednesday morning!
The single is out on April 6. You should get it.