Twitter has unwisely solicited the wrath of 14th Generation Toilet Hanako-San. This weekend, after having solved all other pressing matters plaguing the platform, Twitter suspended Hanako-san’s accounts. They now have only themselves to blame if employees suddenly go missing during visits to the fourth floor restroom at Twitter headquarters.
For a 444-year-old youkai like Hanako-san, saying, “I’m going to bathe in a sea of your blood” is simply her way of saying, “Hello.” Yet Twitter has apparently frozen her accounts for expressing her innocuous intent to kill us all.
She has since opened a new account, so please subscribe to @14Hanako_san.
Five years and 1,293 shows later, Screaming 60s capped what has been perhaps the most relentless and legendary run in chika idol history with am exuberantly emotional live at Zepp Nagoya on September 2nd.
As the group enters a period of indefinite (and perhaps permanent) hiatus, the entire chronology of the Screaming 60s saga has been painstakingly documented in a commemorative booklet available for download.
All parties involved have been cagey, carefully avoiding saying that Screaming 60s are finished and only reminding us that nobody knows the future. We do, however, know that Montero’s immediate future largely involves motherhood. Kai, for her part, didn’t even take a day off before announcing her new role as vocalist for a just-launched band, Tentai 3349. Continue reading
Will you just look at this! Proper 70s style girl punk idols – with paper bags on their heads?!
GOLLIPOP RECORDS new group, The Grateful a MogAAAz are here to rumble as the new bad kids at Idol High, ready to take on everybody else’s gang and steal their bikes!
They’ve released a first MV, which is also our first look and listen at what the group is going for sound and vision-wise, and that’s the best place to get started. A lot of you Melon fans have probably already checked it out as quickly as I did, but ultimately I have only my own first impression to go by, which was a resounding…
I haven’t been following buGG as closely as I probably should*, but I enjoyed them enough out of the gate to keep them in my regular “check up on these girls” queue, and I couldn’t have been happier with how they rewarded that yesterday, especially so in the context of the post immediately preceding this one. But for buGG: They have an EP out next week, and while they’ve been fairly tight-lipped about the contents, here’s some, and if isn’t a straight-up palate cleanser, I don’t know what is:
Cool that they filmed this at the same location as my last camping trip, apparently
In what appears to be a weekly thing now, re-reformed BiS have dropped another pair of songs on dropbox and Soundcloud. Provided Brand-new Idol Society (not the 2011 one) doesn’t have any re-recordings of older songs, it’s starting to feel like this whole album is slowly being released for free at this point. Not that I’m complaining, I’m so skint I’m having to ration my bog roll. My bog roll, people!!
Dropbox links for this is not a love song and 1,2,3!! right here, as well as their Soundcloud for if the WACK bandwidth runs out again.
And thus we add another project’s corpse to the pile created by this brutal year.
You probably saw the recent hubbub around Montero, the half of Screaming Sixties who did not get to perform in the UK last year (though we did chat with Kai), who announced that she was pregnant. While this was remarkable in itself — not because an idol clearly had a sex life, but because it was received mostly positively by fans of all stripes — and I was halfway to writing up a thing in relation to that, yesterday brought forth what’s probably the logical conclusion to the whole affair; Zekkyou’s putting an end to things after a one-man at the beginning of September:
Here’s Kai’s reaction: Continue reading
Vintage MMM with Ai and Mone and Nao was one of my low-key favorite things in idol (and Ai was one of my favorite people), and they established the formula (beginning around here IIRC); the new members had big personality shoes to fill, but getting right as distinct an identity in a field that’s all about identity? Bigger job. They’ve done it well so far; now does the latest single hold up?
You’re darn tootin’! Continue reading
A quick post before I get dragged back into the day-to-day, and yeah I’m a little bit late on it shut up you should see my Soundcloud stream right now. But! So buGG, who I only just praised and held up as a thing worth getting into, uncorked another song the other day and were so kind as to share it with us:
Here’s the obligatory live clip of the same:
I’m yet to dislike a single thing from this company. It’s like they paint in Things That Please Maniac.
It’s quiet out there. Too quiet! Somebody went and twisted around the spring timeline to drop us into the middle of idol doldrums right smack dab in the middle of what used to be a pretty exciting time. Boo on that! So let’s get back to fundamentals for a minute and do what Homicidols Dot Com used to be really good at — looking at new and of-limited-discovery idol projects!
Here’s one that’s been on my personal radar for a few months (this draft was in the queue as of Dec. 28, 2018!), one that quite literally popped up due to a recommendation-by-affiliation with some personal favorite stuff but that I, being occasionally dense and consistently lazy, didn’t draw out completely until much more recently. They have a fun name (that reminds me of this, you’re welcome) and seem like a fun time and in fact aren’t “new” at all so much as they’re probably unfamiliar to most of us — it’s buGG (Twitter), and here’s their newest song!
Here it is live: Continue reading