BURST GIRL have announced the release of a new CD and a collection of collaboration vinyls this coming May. The three-track CD, story, will be released on May, 20th. This will be followed by a limited tour in collaboration with the CD’s songwriters with 7″ vinyl singles of each track available at tour venues and from Disk Union.
The collaborators who contributed songs for the CD include DJ Mariko Gotou, Maya (KING BROTHERS and N’Shukugawa BOYS), Toru Hidaka (THE STARBEMS), and Oyasumi Hologram founder and producer Kouichi Ogawa. Continue reading
Tomorrow, Yukueshirezutsurezure drop what they are calling a “double-A-Side” single and, if you’ve caught the song previews, you understand the description. “Still Roaring” and “REDERA” are two of the best tracks we’ve heard from Not Secured, Loose Ends in a while.
On the eve of this double-barreled release, they have also given us a new MV.
Ska-punk Tsurezure? Yes please. Continue reading
14th Generation Toilet Hanako-San will celebrating the anniversary of her death on April 4th by releasing a new album appropriately titled “Death Day” (『命日』).
If you can’t make it to the release event at HEAVEN’S DOOR, the 20-track album is available for pre-order at Idol Underworld.
Buy it or get murdered in the toilet.
Burst Girl will be making their U.S. debut this coming Labor Day weekend as part of Saboten Con 2020 in Phoenix, Arizona.
In addition to to performing their fist live on American soil, Yura, Rin, Miyak and Roa will be participating in autograph and Q & A sessions and, if history is any judge, perhaps the fashion show and some VIP shenanigans dreamed up by our friends at Chaotic Harmony (like the time a lucky few got to have breakfast and watch Sailor Moon with Candye Syrup and SENANAN ). Bringing chika idol all-stars to the U.S. has become a Labor Day tradition at Saboten Con and it always makes for an unforgettable weekend.
Saboten Con badges are available now. Protip: at past cons you got early VIP access to events (like the concert) if you booked your stay at the con hotel.
Yesterday BiSH announced that AiNA THE END will release a digital single for which she composed both the music and lyrics. The arrangement for the tune is by chill guitarist Shingo Sekiguchi, so we can only imagine that the final product will be a far cry from typical BiSH Kentacore.
For a taste, BiSH posted an acapella teaser on their (relatively) new YouTube channel.
Honestly, I’m not sure Aina’s voice needs much more of a backing track than muted traffic noise.
The song, entitled “Only On the Night I Want to Die” (死にたい夜にかぎって), is the theme song for a dorama of the same name. Both will be released on February 25th. Continue reading
Yes, friends, I can apparently keep up with new idols, as was my new year’s resolution on repeat. Such a promise was made in the hopes that 2020 will bring the same kind of greatness that 2018 did, and we’ll all forget that 2019 even happened. Fingers crossed, we’ll at worst feel good about it.
Which brings me to Lesson Number Umpteen on why you should make friends with people in idol! My pal with the old connection to Candye Syrup tipped me off a few days ago that there was a new group debuting soon, with an obvious connection to said defunct group, and then followed up this morning with the first best debut so far this year.
Meet FaM (Twitter), which yes relates to “family.” This was a relief, because upon seeing that I worried that it didn’t have any particular meaning, not even as a clever way of capitalizing a common shorthand greeting/pronoun kind of thing among the youngs in my country. What do they sound like? Continue reading
Well, okay, maybe it’s not quite as over-the-top as all that, but I was brought into all of the update-y stuff for this post by a Soundcloud notification, and the first thing I saw from it was the song title and my mind did all of the requisite stuff from there, actual facts on the ground that were to be subsequently discovered be damned.
PIIIIIIIN, who technically can only exist when they have seven members, have yet another new regime of seven members, and to commemorate the latest changeover dropped this new number that, correct, did scare me on their behalf, but just turns out to be a nice homage rather than what the past 16 months in idol have us so conditioned for: Continue reading
It’s 2020 now, and all of this is firmly in the past, but I think it’s worth mentioning the wild ride that WILL-O’ went on over the course of the previous year. A lot has changed in the now three-plus years since Alloy was originally formed, and though WILL-O’ as WILL-O’ is fairly well-established at this point, I think it’s fair to say that change is the most consistent thing about the group. Well, change and doing great rock-related idol work, that is, and I mean that literally because you’ll remember that I held up “POP’N” as my personal favorite song of 2019.
And as that was going on, they were also releasing a new EP to close the year! I kind of forgot about it (it was sitting in my wait-until-an-MV-drops pile), then the MV finally did come a little on the late side, so here I go rhetorically returning the favor! But also they did some interesting stuff in the meantime, so waiting turned out to be smart. Anyway, the MV: Continue reading
Ah, the mishmash, one of my two or three favorite groups that basically just performs all the time and never releases anything, thereby leaving me to drift hopelessly through a directionless life with neither succor nor support. I wish they did more stuff! It’s hard to stay mad at them, though, because they rub shoulders with excellent company and I think are largely satisfied with being their best selves in a milieu that appreciates them. But anyway! There’s music, and you can get it. Thanks for a retweet campaign involving one of those demos that I’m always kvetching about, they have a full song to listen to, and then to download for free, and hey look get to it:
I’ll admit, I was kind of confused yesterday when I took a few minutes to open up YouTube and gather some stuff for the Weekender, because right there on my home screen was this big, blaring new thing from XTEEN. “Hey wait a minute” I said to myself, “I don’t remember seeing anything about this and hasn’t it been a little while since they released that single?” And the answer is yes! And after a moment’s confusion about why now for the MV, I realized first that, this is idol, it does what it does, but then also I recalled the literal song about Friday the 13th that’s on the record, and it all made sense then.
So here you go! Your luck was actually pretty good yesterday after all: