Why Didn’t Anybody Tell Me about This New Satanic Punish Single?

Doop-dee-doop, looking back through stuff I bookmarked so I can blog some posts.

Hello, what’s this? Continue reading

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There Isn’t Enough Good Idol Metal, But Maybe Satanic Punish Can Fix It

Cheese and rice, it’s Wednesday? How did that happen? And where the hell has all of the cool new idol stuff been this week? That’s usually what gets the posting gears going, and once they start then it’s a lot easier to pick up a Let’s Discover or something otherwise waiting in the queue for an easier opportunity. BUT WHATEVER. I’ve had this track from Satanic Punish sitting in my personal New list on Spotify because I was afraid that if I played it, it would go away and I’d forget, so let’s talk about it.

I mean, first things being first, we have established that Satanic Punish owns, and that they should have way more fans and attention than they do. Great, good job. The second and more immediate piece of business is listening to this song, which they teased back at the turn of the year, but for the sake of argument let’s pretend is happening completely anew all of us, so we enjoy together as a team effort:

Continue reading

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If You Haven’t Already, It’s Very Easy to Get Erisu’s New Single

Sorry Erisu! I had meant to do more with this much sooner, but here we are, the week is almost out and I haven’t said a blessed thing about your new single. So: Everybody, guess what, Erisu has a new single out! And apparently declared war on some underling of Brian’s!

Yes. I’m in deep like with traditional heavy metal of late, and I always like proggy stuff, so please do mass produce this at a slightly more intense pace than the ‘rona vaccines and inject all of it directly into my veins. I don’t know if you all are familiar with just-barely-pre-metal band called Coven, but I feel a lot of similarities between the two, all deep, murky, clearly esoteric and mysterious hard rock/metal … well, Coven did have a woman singing, but she notably only did cleans, the coward. Continue reading

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NECRONOMIDOL Promises Sweet, Delicious, Fiery Pain on Their New Album

NECRONOMIDOL’s new album — first full-length with the new lineup — is just days away, and you know what that means: IT’S LEAD SINGLE TIME. I know we were all kind of shocked when The Breakup happened, and then intrigued as the new group took form, and then everybody had their own opinions about “santa sangre” but this particular development, this new album, has felt like the part that we’re all most eager for. You like when Necroma dominates your soul and grants you immortality just to inflict as much agony as possible for all time, in song form!

If vämjelseriter can deliver on even a fraction of the promise in here, it’s going to be a hell of a lot of pain: Continue reading

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Hey! This GARUDA Event Sounds Fun and You Should Do It

Now I just hope it hasn’t sold out or anything yet

You guys, like all of you, are fans of idols, yes? And odds are good that you are at least aware, if not a big personal fan, of one GARUDA, aka Yuffie Sakimura, though it is quite likely that if you are aware of projects that Yuffie is associated with, including GARUDA, then you are a fan of that thing because Yuffie’s projects are good projects. Well then, in case you have not yet seen what awaits on Saturday, let’s break it down: Continue reading

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We Review Things: The Flowers of Passion – Episode 02

Episode 02 of Derek Vasconi’s documentary series, The Flowers of Passion was made available for streaming on Friday, and I dug into it almost immediately. 

The episode packs a lot into 73 minutes, giving us XOXO EXTREME’s thoughts on the history of idol and the difficulties of holding a place in it, some dramatically personal insight into what it is like to be 14th Generation Toilet Hanako-San, footage from a special acoustic set by NaNoMoRaL, and a behind-the-scenes look at LiLii Kaona’s creative processes including the birth of their incomparable tune, “Rust”.

This is all delivered via extremely candid conversations and intimate performance footage capturing the action both on stage and in the studio. So far, the strength of the series stems from the presentation of the interviews and performances largely without external narration or commentary. Other than the first several minutes of episode one (which we reviewed here), the only editorial context comes from infrequent captions that usually serve an introductory purpose. The end result is that what we see and hear is almost entirely the unfiltered thoughts of the idols and their management or production staff.  Continue reading

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I’m Sorry, Have We Not Been Talking about Kamikaze SENSATION This Whole Time?

Prepare yourself for a new Deeply Stupid Moment in Homicidols History, friend, because it is deeply stupid.

I have in the past humblebragged over the total number of idol acts whose work has graced the hallowed halls of this here fancy-ass website. I’ll even update that number for the anniversary in a few weeks! The point is, we cover a lot of idols, and though it seems like there’s never any shortage of new ones to come along (you should see the Let’s Discover queue!), the good ones at least always get held up for at least one or two posts because it’s hard to ignore a good act. Yeah, maybe there’s a weird gimmick of something, or they wind up being not as good as the thing that got you excited in the first place, and so we stop covering them unless something else particularly interesting happens, but in general if the hypothetical you that is an idol in this particularly poorly crafted sentence have done some good work and it is loud, we’re going to blog some posts about you.

Except Kamikaze Sensation, apparently! The excellent media you are about to consume dropped a tiny little bit ago, and I was like, oh that’s weird I don’t remember Kamikaze SENSATION that way, and so for evidence I started a search for Kamikaze Sensation inside of the bowels of Homicidols Dot Com and found only three draft posts that said nothing. So give me credit for on several different occasions meaning to write about Kamikaze Sensation, if nothing else.

But yeah, media: Continue reading

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Yukueshirezutsurezure: The End of Not Secured, Loose Ends – Memoir of a Gunjo

I have been having a harder time than anticipated processing the disbandment of Yukueshirezutsurezure on January 2nd. I had previously survived the graduation of Shidare and, just over a year ago when Komachi, the final remaining original member (and my long-time kami-oshi), disappeared for over a month without a word, I assumed that she was nearing retirement herself. So, almost a year ago, I had begun emotional preparations for this prospective eventuality. Apparently I was not as effective as I thought. 

This is primarily due to when, half-way through 2020, Tsurezure released Paradox Soar, their freshest and most progressive album in years. On it, they explored new musical genres and, I thought, had well positioned themselves for a post-Komachi Tsurezure under the extraordinarily capable leadership of Mei Yui Mei. That album, on my short list for Best of the Year, buoyed my expectations for the group. These mislaid hopes meant that, when the imminent dissolution of the group was announced at the end of November, the crash of disappointment was from a much more traumatic height. Continue reading

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This Is Why You Should Get the New Satanic Punish Single

Or something! Look, gang, I’ve been pretty direct about my opinion that Satanic Punish owns, and the reason for that is that Satanic Punish friggin’ owns, and they need our support to grow up to be big and strong and make more music that owns.

On Christmas Day, Satanic Punish released a new single in a deliciously sacrilegious move. It is appropriately titled “Alpha Omega.” It is loud and it is idol and it sounds boss af:

Continue reading

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Let’s Discover Some Dang Shut-in Idols

So Daemon comes into the Team chat a few weeks ago, or maybe it was Papermaiden (they’re hard to tell apart, see, because they both stan Tsurezure), comes barging in all like “hey, check it, hikikomori idols!” and there was much chuckling and gawking and it was a really good time. Except from yours truly, who idly clicked the Follow button on their Twitter and then immediately went back to being 75% engaged with something of marginal interest to anybody else. That pandemic life, bros!

But as all things go, we made it back to these glorious idols of extreme social isolation, and they are good, and I’m going to tell you about them now as if you, personally you, have never heard of them before. Continue reading

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