Welcome to the third installment of our countdown of the 50 best alt, indie, and underground idol MVs of all time as selected by the readers of Homicidols dot com. This week we are seeing some truly iconic classics including “I kill” and “MEGITSUNE” who were instrumental in establishing the genres of yami kawaii and kawaii metal respectively. We also see our most-nominated music video in, “Hallellujah.”
Welcome to another edition of Reader’s Best. This time, we’re turning over the blog to Karli who will tell us what good music sounds like in ten short tunes. The best part of this whole exercise of collecting reader’s favorite songs has been that, with each list we publish, I am discovering at least one great new track to add to my playlist. Karli’s picks are a perfect case in point: the majority of these songs weren’t released as singles or featured in MVs. They are mostly b-sides or deep cuts off of full albums, a couple of which I had never even heard before. Good stuff. Let’s go!! Continue reading
We have reached the second-to-last week of our Top 50 countdown featuring the albums that placed 11 – 20 plus one honorable mention that didn’t quite make the final list of 50.
“Why the honorable mentions?”, no one asked, “Why not just make it a top 55 or 60?”
There are a few reasons such as we had to draw a line somewhere, and also because we wanted to respect our quasi-democratic process. The primary reason though is because, when we first took a look at the final top 50, we were surprised by a few things that weren’t there. This week’s honorable mention is a prime case in point:
By now most of you know that Kai, one of our favorite quirky oddball idols around these parts, has decided to step down from all activities. TRASH-UP!! Records released a statement late last week breaking us the news…
— trashup_records (@TrashupRecords) August 28, 2020
For a lot of us, this retirement of sorts is a more personal loss than usual in a business where graduations and disbandments are common events that we’ve developed an understanding and acceptance of. Kai was just something… well, unique, y’know? Aside from her fans, she’s also always been a consistent friend of idols. I can’t recall exactly how many times she showed up in my instagram feed having lunch with someone else I followed. Beni made a point to post her well-wishes and reminisce over some fond memories…
Ever since it was announced that Aqbi superstar Kai was joining the TRASH-UP!! roster, I’ve been looking forward to hearing what she’d be doing as a solo artist. Kai of course, is no stranger to TRASH-UP!!, having been part of the oddball folk song trio Engawa, (Most often referred to in these parts as “The weird Beni/Kai thing”) and considering the close ties between my favorite idol label and Aqbi, (Including Yoneko and Mizuho connections!) it made perfect sense as career transition…
— カイ (@kai_dayo_TUR) May 17, 2019
Anyway, there’s been a bit of an anxious delay on my part because I tried to order “Moonlight Tokyo” from Amazon Japan and it was momentarily listed with a possibly two month shipping delay. (!) I don’t know if I’m correct in my theory, but I’d like to believe that’s because it was a surprisingly bigger seller than anticipated, so that’s what I’m running with. It pleases me to share that the digital version is finally online!! streaming with Spotify and Apple Music, and the latter platform is selling it via iTunes as well. For lossless purists, I keep checking on OTOTOY but no luck just yet, but don’t assume it won’t happen eventually.
— カイ公式インフォメーション (@all_kai_info) July 4, 2019
So anyway, how is Kai’s solo debut? Continue reading
In a final ICYMI from the long weekend, I call your attention to the latest progeny of Aqbi Rec boss Tanaka in the aftermath of the demise of flagship project (and chika royalty) THERE THERE THERES, who in turn were by the end basically just Bellring Girls Heart Redux with a membership twist anyway, but also kept the look and music of the original as well as core personnel. Hell, even the Cleveland Browns had a cleaner break!
But in the aftermath of the TTTS breakup, Aqbi announced various spin-offs for the former members, just as had been the case following BRGH, and happened to mention that Mei was staying with the company, and that she’d have her own project to lead. Said project is NILKLY (Twitter), NIL by MEI apparently, and they had their debut live the other day, which was extensively covered by the very hardcore wota who remain dedicated to the Aqbi family the way that I’m dedicated to gardening and auto repair.
This was the scene:
I was just like everybody else when There There There’s announced their disbandament. A little disappointed, a little confused, and a little worried about where all our favorite ravenesque girls were all going to go. Thankfully, most of it worked out well, with some former members like Rere and Mei staying with AQBI, and in a completely appropriate and perfect twist of serendipity, Mizuho and Kai seamlessly joining the roster of TRASH-UP!! Records, which is also a home for another former AQBI mainstay, Yoneko, who’s working harder than ever as a self-produced idol.
But this post is all about Kai, (!) the delightfully deadpan idol who, despite her detached demeanor, somehow easily connects with her fans in her very own way. I’ve always really liked Kai and her rather non-idolish approach to being an idol, and I’ve been looking forward to see she how adapts to the stage as a soloist, so let’s check out her first MV, a number called “Moonlight Tokyo”…
How about this song? It’s no secret that it’s an easy sell on me when you go 80’s retro, so that’s certainly no complaint! It’s a terrific tune that I’ve listened to on repeat several times already since it debuted. I have no idea if this synth-dance-groove thing is an indicator of her future work or just a one-off tune, we’ll just need to see, but I’d be totally cool with Kai becoming a neo-city-pop queen and making a regular gig out of this sound. All the same, I have an equally positive feeling that with TRASH-UP!! at the helm, she’ll be trying out other genres as well and testing some unexpected waters for the benefit of all of us.
And what about this MV? I enjoy it’s quirky VHS (or is it Betamax?) look, complete with an old-school aspect ratio and it’s blown-out-saturation. Also, the video brilliantly tackles a classic debate that even the idol world contends with: Are you a cat or dog person? I keep telling people, “Why not both?”, and it makes me pleased-as-punch to see that Kai agrees with me!
The video also answers another anticipated question: Would the TRASH-UP!! incarnation of Kai, with her newly colored hair and a wardrobe other than black crow costumes, maintain the classic Kai personality-type we’ve come to know and adore? It sure looks that way! She’s just as endearingly disconnected as ever, coming off as the sort of person who’s far more comfortable with a couple of cute pets than a room of chanting wota, and doggone it (see what I did there.), that’s the Kai we love! Would you really want it another way?
バッヂ ￥200 pic.twitter.com/Q2D3KbjUQH
— trashup_records (@TrashupRecords) April 21, 2019
At present, I haven’t seen any word yet on any actual releases for Kai yet, digital or otherwise, but I think that’ll happen soon. Currently she’s preparing for her live debut and cooking up some merch that she showed off (see above) on twitter. There’s also an official website for her solo work, appropriately with the perfect domain name all-kai.com, cause this 100% pure Kai, and that’s just what we the people need!
I think we’re off to a good start here! And we still have Mizuho’s upcoming idol group, ATOMIC MINISTRY (Which is an awesome group name!!) currently in it’s audition phase to still look forward to. I keep repeating it for the people in the back, TRASH-UP!! is the real future idol dynasty to watch out for, and I’d recommend paying attention to all the exciting things they have in the works.
In keeping with today’s apparent theme, let’s take a few minutes to acknowledge the death of one of the true giants of our scene and the life that’s springing forth from that destruction.
The other day, THERE THERE THERES held their final performance, a joint show with their longtime besties in You’ll Melt More!(.) You can and should watch the literal whole thing:
Heck, here’s a bunch of photos, too: Continue reading
Is there some kind of evil miasma floating through idol today? It’s just bouncing between already anticipating major idol loss and being buffeted by news left and right by horrible add-ons. Like, yeah, see title:
THERE THERE THERES解散のお知らせ
— THERE THERE THERES (@TTTS_AQBI) January 7, 2019
If you’re looking for a good time with very little commitment of your precious time resources, you could do a lot worse than discovering whether you’re definitely going to be picking up the new There There Theres album, BRICKS, or whether you’re almost definitely going to be doing so. It’s just a question of personal hype level, isn’t it? In spirit if not in fact continuing on the BRGH legacy of being the queens of chika means that TTTs releases are events, man. You gotta step into that and let it hit you with all due severity.
And especially when the rapid-fire nature of the it could leave an adult human staggered and gasping for relief! It’s a lot like Arguably Greatest Punk Collaboration Ever Short Music for Short People, a glory of 30-second songs. TTTs absolutely destroyed that standard in setting a new record in Getting to Know Music By Hearing It in Tiny Snips!