The damn thing’s already been viewed more times than most idol groups can hope for their entire lifetimes’ video corpus, so I doubt that you aren’t aware of the new digital single from BiSH. Theme song? You betcha! Starring Atsuko? As it should! Kenta? Is there any other way?
Rather than do the usual thing, I thought I’d plagiarize the results of the Team Chat from yesterday and give you: Team Homicidols Reacts! Continue reading
It is incumbent upon those of us who like to follow newly emerged loudol acts to continuously follow those newly emerged loudol acts. Some make it easier than others, yes, and there are always plenty whose inevitable two-months-later demise elicits the “Oh no! Anyway” meme more than any actual upset, but I think it’s necessary for a person in my exalted position to routinely revisit the promising newbies, try to drive some energy their way, bolster the ol’ get-up-and-go, you know?
So, among my personal favorite 2020 debuts that I was kind of late to the party on we have Hikicomo Teikoku, the shut-in idols whose very existence is so meta that I can barely stand it. They have a new single, obviously, or rather did two weeks ago, but I haven’t done a thing yet to make you all want to hear it or potentially later buy it from them, so let’s talk about it, and also check in more while we’re at it! Continue reading
Well this was originally going to be a different post about not all of the things in it, but some of the things, yes, which is an excellent lesson in why it can be good to wait — completely unintended consequences of the thing you didn’t even mean to do can work out!
Which brings us to GRATIA-ALA, for whom I’ve always had a nice packet of love tucked back in the chika-reserved corner of my heart, but from whom we don’t always get a ton of media. Well, friends, let me tell you that we are currently in a glut — yes, a glut! — of GRATIA-ALA video, and I see no reason to further forestall getting into that.
The first, the most recent? My personal favorite:
They warned us! MANACLE, that is; they did it right and built anticipation for the dropping of two new tracks (which was actually yesterday, sue me), which you should go find and listen to via the streamer of your choice, and then let’s all get back together to talk about them, okay? Okay.
I’ll take “Huhen to Huhen” over “Cursed EXIT” myself, but I wouldn’t be mad at you for going in the opposite — I am a well-established stan for jangly guitar in idol rock songs, and “Huhen” reminds me a lot of the musical moves that were prevalent in 2014 and 15 when I was first getting into this stuff. “EXIT” is cool as a dance track, period, regardless of whether anybody intended that for it.
I was worried that MANACLE wasn’t for me because they didn’t immediately leap out of Spotify and promise to enslave my soul like a certain original group. But that’s okay! So far, so good, and they’re steadily producing for their fans, so we’ll no doubt be seeing plenty more from them as time goes on.
The current state of global events has been a massive wrench in so many aspects of our lives, alarming on one level as we worry (and too often, mourn) for those vulnerable to it’s effects, and incredibly frustrating in the ways it’s interfering with our lives (and unfortunately, livelihoods) for many.
Naka-Kon in Kansas City , USA is one such event. The anime and pop-culture convention was going to be the host for Chiaki Mayumura‘s western debut, but sadly and understandably, it’s been postponed out of health concerns. This makes sense and I don’t feel anyone can take issue with their decision.
But wouldn’t you know it, Chiaki didn’t intend to bow out at all, and she arrived in from Japan to perform at this event. And now one of the most consistently amazing live performers around is sitting in her hotel in Kansas City for an appearance that isn’t going to take place.
BUT she’s not gonna just sit there and do nothing…
Now that it’s completely official, the team of moralists and ethics professors here at Homicidols Dot Com can finally talk out loud and with full candor about the second single dribbled out by Babymetal in the lead-up to their first album in three years. Yeah, we usually don’t care all that much about leaks (especially not “leaks”) in a moral sense — it’s more a “let’s see this the way it’s meant to be seen maybe” thing — but in this case it felt appropriate to hold up a minute and let the chips fall.
It’s been a weird 18 months for Babymetal fans, but as if there were any doubt after “Elevator Girl”, this latest one is as definitive and clear a statement as you’ll get that the greatest show on earth is ready to smash some skulls in as fun a way as possible:
You can do the buy/stream thing here: Continue reading
It ain’t exactly new anymore, folks, but various proto-iterations of “Babymetal Does X” have been sitting in the drafts queue and just teasing our itchy trigger fingers for the past couple of days, and the whole reason that neither Daemon nor I had hit Publish yet was because we were waiting on a dang MV that still isn’t out so TO HELL WITH IT, LET’S JUST DO THE DANG BABYMETAL POST!
So if you Weekender, you saw my brief reference to the weird feeling of seeing Babymetal making kind of a triumphant return in the same week that BiS was disbanded. That is, the two very loud, expectation-subverting idol-related things that got me into this, the first two (and I believe only in toto) to be granted the Legends tag in this WordPress configuration, easily the two biggest influences on the whole basis for this website and everything it cares about coming into existence in the first place, are going their separate ways not so much like a Journey song but more like Lyft’s and Uber’s respective IPOs, if you know what I’m saying.
Anyway, Babymetal is roaring back into your life (as if they ever really left!) with, on top of that album “soon,” the first single from it released digitally a couple of days ago and frustratingly difficult to access at first, actually, but now all hunky dory!
Obviously go buy the thing (that album’s still somewhere off in the future!), but you can also listen to it right here:
When we last left Candye Syrup, it was … wow, it was actually a little while ago. That’ll happen when you completely reboot your project, I guess. And of course there was already plenty of material for the group to work with, so no real hurry to absolutely get more songs out there. Take your time, build up the members, keep those fans engaged, and then hit ’em with your best shot.*
But it’s time! The first (digital-only, I think) single from the new Candye Syrup is here and appropriately titled and definitely worth the click:
From digest to short-version MVs, PassCode’s pulling out the usually promotional rotation for the CLARITY album, which is yes now completely out on all platforms, so stop wasting time and start jamming this stuff into your brain via olfactory orifices:
If this is what passes for a “short version” anymore, what’s even the point of shortening?
If you would, friend, have I got an opportunity for you!