You may have seen the news this morning that Zenbu Kimi no Sei Da is releasing another album of re-releases, which is all for the good even if I do personally prefer my Zenkimi to be of the more chaotic variety. There’s an MV coming, too, apparently. But no Zenkimi announcement of music to be released is complete without preview tracks on two-hour windows, which we’ve lately been a little bit less aggressive in grabbing afore they’re gone, but I did get to this morning, hallelujah.
First, the tweet:
Those links aren’t going to do you any favors at this point, I don’t think, but we here at Homicidols Dot Com do pride ourselves on catching these guys before they truly do disappear forever. It’s a service to the late risers and people who aren’t terminally online! I did however restrict the post to just the track we haven’t heard a hundred different times and ways already (if you want that one, here), so let’s go through the motions from here and … you know the good stuff is behind the jump.
I really appreciate how Codomomental groups telegraph their moves so well — it means that I sat here with my finger on the trigger, just waiting for what I assumed would be the next preview track from their upcoming album of remixes and re-recordings (new members and all). A couple of weeks ago, it was “World End Crisis” and wew lad was that potent; today, it’s a trip further back down Memory Lane to some of the most OG of OG Zenbu Kimi no Sei Da material, but with an update!
Two hours, but you know the drill. Continue reading
Oh hey neat! I expected that Zenbu Kimi no Sei Da’s pre-warned announcement would be some kind of music something, what with the upcoming release of their let’s-re-release-a-ton-of-stuff-with-the-new-lineup album on the way, but did I expect that they’d come shooting out of the gates with one of the greatest, loudest, violentest, Codomomentalest idolcore songs ever put to tape? I did not. Am I absurdly pleased that they did? I am. Feast your ears on the re-recorded “WORLD END CRISIS”, only do it kind of fast because they put the ol’ two-hour limit on it and HAHAHAHAHAHAHAHAHA no, friend, just play along and then if you’re here after the link in the tweet dies, ol’ Uncle Maniac will still see you through:
We’ll do the usual shenanigans because, not because there’s gonna be a whole lot there.
Just take the jump.
Hi, this is where the track lives forever!
Where is Freud, indeed?
What is there to say, really? It’s still friggin’ “WORLD END CRISIS”, which frankly only gets better with time and always leaves me waxing what-could-have-been about Peak Codomomental. And they’re all still good! It’s just, there are apogees out there, and you begin to understand the whole thing with Sisyphus once you’ve reached the top of the hill and let that rock slip just the tiniest bit.
This is a good version, though. The shuffling of roles within the song took me a minute to adjust to, but the real highlights here are always the dual screams, and while I’ll admit that I’m waffling on whether my girl Yotsu is in the same position as before or whether she took on the Shidare role, I still think that this sounds like the gold standard for idols shredding their throats to really expose those emotions. What a song.
The remix album is out at the end of July. I hope they give us more on the long road to that point!
The other night, despite my desktop notifications being very quiet, my phone blew up with: ZOMG PASSCODE UPLOADED A NEW ALBUM ON SOUNDCLOUD!!eleven! I had gawdawful network, so I waited to get home and a chance to possibly even snag some code from the app to share with you lovely people, only for Soundcloud to be all “ha ha ha, you live in the wrong country like a big dork!”
So in response:
It took a few days, but senpai came through, and — if you’re one of the roughly 22 people who are aware of PassCode and haven’t yet downloaded Locus because you’re in a coma — you can get that preview that you so badly need: Continue reading
Yes, I goofed on PassCode for re-recording a bunch of their earlier works and calling that their new album. Goofing was required! That doesn’t mean that I didn’t get all kid-on-Christmas-morning when I saw that there was a trailer — already! — for “Locus”:
“Toxic”! Holy crap, that’s one of my favorite things! What else? Continue reading
I kid a great deal, of course; I’m just sore that the sudden flurry of excitement that broke out yesterday wasn’t because there was a new single or !gasp! album on the way, but because it’s not technically for anything new at all, and, as I put it:
But that whole flurry was, as speculated, a re-issue. And not just any re-issue, but a re-recording of the ALL is VANITY and VIRTUAL albums, the big releases from the pre-Universal days. (Via) Continue reading
So Zenkimi’s going to keep doing these late-night releases, huh? On the weekend. Why, it’s almost as if they’re prioritizing their domestic fanbase to maximize media impact in their largest market! And why not — their “Wagamama Shinsei Hominina” video is well on its way to being their most viewed ever.
Anyway, Zenkimi dropped their two-hour restricted window onto an updated version of “World End Crisis,” and you might dig that and so might the poor souls who find their way to idols through Google. I was very literally asleep when that happened, so John:
Well, here we are once again, ぜんぶ君のせいだ。 (Zenbu Kimi no Sei da.) is tossing us another bone. Here is the track World End Crisis re-recorded with the current lineup. I believe this is just a demo track due to the rawness of the mix. Anyway, it is a two hour window. Enjoy. Also, it seems that […]
via Zenkimi: World End Crisis 2017 — Straight From Japan