We made it!! It has been a log journey, but we have finally arrived:
Here are the TOP TEN MUSIC VIDEOS EVER as chosen by the readers of Homicidols dot com via a long, convoluted process that has been covered in depth elsewhere.
As always, each MV is accompanied by commentary from one or more of the individuals who nominated it way back in May or June when we started this process and the Team. I’ll keep the pre-amble short though because what you really want to know is: WHO MADE THE TOP TEN?
Welcome to the second installment in our countdown of the top 50 alt, indie and underground idol MVs of all time as chosen by our readers. The ten music videos featured this week mark the first appearance of some of the genre’s heaviest hitters and features three winners of Homicidols Best MV of the Year honors (and a couple of runner ups).
If you missed the first ten or just want a recap, here’s a convenient link: The Greatest Alt-Idol MVs of All Time #41 – 50. Or you can skip the review and jump right into where we left off in our countdown complete with commentary from our nominating readers and Team.
Cinnamon of Minna no Kodomochan has been incredibly busy of late. Not only has she been conducting the in-store events and other duties associated with promoting her latest single, “The Final Blinkings”, but she has been personally illustrating each and every CD being sold in record stores around Tokyo. In between all of these activities, performing her birthday live, and preparing for the next round of the Artists’ League competition where Kodomochan are appearing as a referee’s choice, Cinnamon very graciously agreed to carve out some time to do an interview with us.
Minna no Kodomochan have been relatively quiet during the pandemic period. Sole member Cinnamon has kept busy with almost-weekly online cheki sessions and some appearances as a solo idol. She has also performed a handful of lives fronting Kodomochan over the past two years or so, but other than last December’s single, “Don’t Lie About my Existence”, we’ve not seen any new music in quite some time.
That all changed last midnight when Everyone’s Children blessed us with, “The Final Blinkings”, an hypnotically lurid piece of dark wave and doom metal accompanied by an equally mesmerizing, yet disturbing, MV.
Welcome to week two of our latest project where we blatantly rip off Rolling Stone’s Greatest of All Time lists. These imperfect and perpetually recurring features from the Gray Lady of rock journalism have a special place in my heart. As a young teen who only knew David Bowie from “Let’s Dance” and Labyrinth, my first browse through Rolling Stone’s inaugural best rock album list introduced me to The Rise and Fall of Ziggy Stardust and the Spiders from Mars. The encounter was genuinely life changing.
Hopefully, through this exercise of recognizing some of the most influential underground, indie and alternative idol albums of the last decade, you will not only encounter many of your personal favorites, but make some new discoveries as well.
Minna no Kodomochan has lost a child. Following an understandably emotional encore at their tour final Thursday night, Honoka announced her retirement from the unit. This was the first time Honoka had been able to appear on stage for the current national tour after a neck injury in July. Honoka assured fans that her physical state was good and her rehab complete, but she would still have to give up being a child.
Kodomochan management officially confirmed this morning that the group would be moving forward with Cinnamon. Continue reading
It’s backwards week here at Slodicimoh where lot’s of newbies (and Sari) made the front page while the A-listers are populating the weekender. Also, don’t forget that the Friday Fun is never limited to Fridays… you can join in at any time!
First up, the best news in for-freaking ever: Honoka will return to performing with Minna no Kodomochan at their tour final on 8/29.
Congratulations to Fruitpochette for hitting their crowdfunding target!! Now we have a single, MV and nation-wide tour of Japan to look forward to.
Minna no Kodomochan’s new single, “rikaku” (meaning “separate”) is significant in a number of ways. Stylistically, it is the most slow and measured of all of their songs, practically a lament. It is also their first solo, with Cinnamon providing both the main and backing vocal tracks. The song’s lyrics, which speak of being alone and confused, are also written by Cinnamon who is currently conducting their nationwide tour on her own while her partner (and Kodomochan’s principal lyricist) Honoka recuperates from injury.
Cinnamon has admitted that the song reflects the uneasiness she feels performing without Honoka. For her part, Honoka has said that “rikaku” has become her favorite Minna no Kodomochan song. Honoka has previously been responsible for all of Kodomochan’s lyrics except for “Song of 15” on Walls, Cinnamon’s only other songwriting credit.
Read that in your best Goldblum voice
Well, I had a nice and happy and upbeat piece to get out this morning, but what to my awakening eyes did appear but absolutely the last tweet in the world that I ever wanted to see:
If you’ve done this whole idol thing for very long, you know what those messages mean: Nothing good. And in this case, click through and read to your heart’s content the short version of how Minna no Kodomo-chan, two-time Corenament champions, a project of epic and astounding vision, is being brought low and, goodness knows, possibly all the way out by the ongoing health concerns of Honoka. Continue reading
I love this! The first of the month used to just mean handing over my rent check and making sure all the utilities got paid. These days, it also brings a new song from Minna no Kodomochan, one of the most musically adventurous chika idols who just happen to be hitting everything out the park recently.
You can get the song from other outlets here: https://t.co/MCpbeZzVOH
“Soliloquies” is Kodomochan’s attempt at a light, breezy summer song with acoustic guitar strumming and popcorn keyboards. Of course, it is Kodomochan and quickly evolves into frenetic dissonance, but it never loses any of its warm charm. Continue reading