Minna no Kodomochan has lost a child. Following an understandably emotional encore at their tour final Thursday night, Honoka announced her retirement from the unit. This was the first time Honoka had been able to appear on stage for the current national tour after a neck injury in July. Honoka assured fans that her physical state was good and her rehab complete, but she would still have to give up being a child.
Kodomochan management officially confirmed this morning that the group would be moving forward with Cinnamon. Continue reading
It’s backwards week here at Slodicimoh where lot’s of newbies (and Sari) made the front page while the A-listers are populating the weekender. Also, don’t forget that the Friday Fun is never limited to Fridays… you can join in at any time!
First up, the best news in for-freaking ever: Honoka will return to performing with Minna no Kodomochan at their tour final on 8/29.
Congratulations to Fruitpochette for hitting their crowdfunding target!! Now we have a single, MV and nation-wide tour of Japan to look forward to.
Minna no Kodomochan’s new single, “rikaku” (meaning “separate”) is significant in a number of ways. Stylistically, it is the most slow and measured of all of their songs, practically a lament. It is also their first solo, with Cinnamon providing both the main and backing vocal tracks. The song’s lyrics, which speak of being alone and confused, are also written by Cinnamon who is currently conducting their nationwide tour on her own while her partner (and Kodomochan’s principal lyricist) Honoka recuperates from injury.
Cinnamon has admitted that the song reflects the uneasiness she feels performing without Honoka. For her part, Honoka has said that “rikaku” has become her favorite Minna no Kodomochan song. Honoka has previously been responsible for all of Kodomochan’s lyrics except for “Song of 15” on Walls, Cinnamon’s only other songwriting credit.
Read that in your best Goldblum voice
Well, I had a nice and happy and upbeat piece to get out this morning, but what to my awakening eyes did appear but absolutely the last tweet in the world that I ever wanted to see:
If you’ve done this whole idol thing for very long, you know what those messages mean: Nothing good. And in this case, click through and read to your heart’s content the short version of how Minna no Kodomo-chan, two-time Corenament champions, a project of epic and astounding vision, is being brought low and, goodness knows, possibly all the way out by the ongoing health concerns of Honoka. Continue reading
I love this! The first of the month used to just mean handing over my rent check and making sure all the utilities got paid. These days, it also brings a new song from Minna no Kodomochan, one of the most musically adventurous chika idols who just happen to be hitting everything out the park recently.
You can get the song from other outlets here: https://t.co/MCpbeZzVOH
“Soliloquies” is Kodomochan’s attempt at a light, breezy summer song with acoustic guitar strumming and popcorn keyboards. Of course, it is Kodomochan and quickly evolves into frenetic dissonance, but it never loses any of its warm charm. Continue reading
I knew there was a reason to get out of bed today!
I don’t know if 2019, for idol, can truly be salvaged. After the huge run of beloved personalities and groups hanging it up just in the first quarter and a sudden paucity of particularly great releases, here we stand at the unofficial gateway to summer needing some kind of savior. Might we remember the year for the two BiSH EPs-turned-album? What about NECRONOMIDOL’s upcoming record? Or maybe something out of left field, yet to come?
Or maybe what two-time Corenament champions Minna no Kodomo-chan, who got me so very eager to see what they were going to be able to do with five straight months of new music when they … announced that that they were releasing five straight months of new music. Have mercy. You’d think that idols who consistently dominate the
international popularity contests epic athletic contests annual contests that I definitely don’t rig Corenament would have just this enormous battery of digitized content for we humble gaijin fans to embrace, but it’s just not true — the best way to describe MV releases from the Children is “semi-annual.” (Or at least that’s the case for their history so far!) Rather, as we learned with “The Walls” a couple of weeks ago, they hold those cards close so as to unleash their full power at opportune and always impressive moments.
So this string was going to be special, you know? With five months of fresh material in the offing, it’s reasonable to hope that at least one track would get video treatment. And, brother, that hope was not in vain, though you may lose all hope by the time you reach the end:
Kodomochan, fresh off of their back-to-back Corenement championships, has released the first deliverable of their recently successful crowdfunding campaign. As promised, from now until September, Everyone’s Children will bless us with a new song each and every month.
May’s entry is the minimalistically titled continuation on the group’s core theme: “wall”
“What potent blood hath modest May.” ― Ralph W. Emerson
The doom metal pacing is is a perfect set-up that drives right into a synth-pop transition to… more metal. It’s like Iron Maiden invited Flock of Seagulls over to jam (think “I Ran” meets “Run to the Hills”). Like many Kodomochan songs, it contains a glorious aural revelation that is worth staying around for before devolving into a reckless and manic finish including one last metal drop. Continue reading
From the Galaxy Note of Wilton P. Prescott Jr.
April 8, 2019
I’m still wrestling with what I just witnessed. I’ve been to every Corenament final since the inception — saw Kamen Joshi’s loaded audience in ’16, the BiSH-Babymetal staredown in ’17, Minna no Kodomo-chan’s supernaturally aided victory last year — and never once have I felt as awed, in the presence of greatness, as I do at this moment.
Like every year, I came for NECRONOMIDOL. Like every year, I watched them bow out early.
Like every year, I thought that PassCode might break through. Like every year, they were dropped by a lesser name.
Like every year, I had money riding on the outcome. I put it on YONEKO after her big second-round upset. Like every year, I leave the Corenament final a little bit poorer.
Like every year, I came because I expected to see greatness emerge. And this year, I finally truly saw it.
Well dang, you guys. Tell me if you saw this coming: Minna no Kodomo-chan not only making a return to the Corenament final, but absolute dismantling every opponent foolish enough to step into their path along the way; opposite them, the little weirdo that could, a giantslayer if ever there was one in this event, former dog bite victim and Homicidols Dot Com interview subject YONEKO. I usually have a low-key private rooting interest when we do these things (and am often disappoint!), but this time I find myself in the position of an over-proud parent. Hell, I’ve been that way through the entire Final Four!
This one’s for all the marbles*, gang. A culmination of victories large and small can only be a perfect synthesis. New-school loud idols against an established performer doing new things, the defending champs against a sentimental upstart. It’s poetry, I tell you. Now let’s settle it for good and all: Continue reading
Well, team, we made it. As promised, today begins the Final Four, and what a final four it is — favorites and underdogs and dark horses and other metaphors all meeting to decide who this year’s Corenament champion will be. And we haven’t even had any fanfic yet! Amazing. We truly do live in wild times.
The bracket, as it now stands: