There’s nothing funny about this anymore, guys.
At least it won’t be in 2019 — Q’ulle, who got avexed as hard as anybody ever got avexed and have been drifting off toward solo and personal projects for a good long while, and who had already lost one member, are going to wind things down over the rest of the year and into next summer, when they’ll finally break up. Their unlikely career and long string of high points makes this one a little less sad than some — you want to congratulate them and give them high-fives, rather than rend your garments — but still. I’m pretty much out of groups from original Homicidols left to cover!
That’s right, friends, I’m talking maybe my favorite idol thing from my favorite idol scene, in reverse order the very intense and/or wild collection of misfits in Osaka, and DAIDAIDAI having emerged from that mess all the way back in 2016, carrying on the very unique sonic+idol legacy of Utena Yuki and PSYBOU KANOJO. This I write in dang near ever post about DAIDAIDAI because, damn it all, the history is important and the relationship between excellent ongoing projects must be acknowledged.
Anyway, DAIDAIDAI had, as once might expect after about three years together, a chunk of the membership graduate recently, and with that a simmering down of the old system while things retooled. Or, at least, as I surmise, because if I hadn’t checked in on them this morning, I’d still be unaware of these goings on because that’s what happens when you’re still afraid of the huge info crush of turning your notifications back on! However, yes, the graduation thing, that was known, and so you connect dots when you check in and OH LOOK A NEW THING!
Promising on the art alone!
Well that’s certainly exciting, and terrifying. And we get a preview version via short lyric video! Continue reading
This may not be news for you at this point, but now the second iteration of Candye Syrup will be disbanding next month, their last show at IKU’s birthday party:
Homicidols Dot Com reached out for comment and has, as of press time, received none. For what it’s worth, the members have likewise been all but silent on the issue (safe for RTing the above); the only other topic on any of their channels is the show on Saturday. I won’t speculate as to the reasons why this is happening, but one does wonder if this will be the actual end of the project. It didn’t take long to get this version up and running after the original disbanded immediately after their U.S. appearance last year, so odds are that we’ll know future plans (if any) sooner rather than later.
Update! IKU posted quite a bit on this right around the time that I was scheduling:
This is far from what I wanted to see when I popped open Team chat this morning:
Ano, long-time member of You’ll Melt More! and one of the most popular individuals in the idol game, has withdrawn from the group.
The official statements from management: Continue reading
Read that in your best Goldblum voice
Well, I had a nice and happy and upbeat piece to get out this morning, but what to my awakening eyes did appear but absolutely the last tweet in the world that I ever wanted to see:
If you’ve done this whole idol thing for very long, you know what those messages mean: Nothing good. And in this case, click through and read to your heart’s content the short version of how Minna no Kodomo-chan, two-time Corenament champions, a project of epic and astounding vision, is being brought low and, goodness knows, possibly all the way out by the ongoing health concerns of Honoka. Continue reading
Ah, Wonder Lander, part of Maniac’s official Seasonal Guilty Pleasures list, a group so hard to define that I often just land on “like if college radio and VH1 had a baby before VH1 got kind of cool.” This is an awkward post about them, and not because it’s not positive (it’s entirely positive!) but because, well, I hadn’t even noticed that they weren’t active, seeing as how they were posting live photos less than two weeks ago, but I caught this out of the corner of my eye last week:
What what the heck’s going on? I don’t know, not completely, but they’re clearly now a duo, and (probably for contractual reasons) they’ve made a pretty clean break from prior regimes, even though Aya’s still with the team and possibly physically incapable of ever leaving. But that sort-of purge of the group’s up-and-down history means a whole bunch of new-sounding stuff on their Soundcloud!
This is a little bit on the late side, you guys, but I think you can bear with me wanting to talk about the about-time first single and a few other firsts from WILL-O’ now that we’re almost three years removed from their incidental point of origin in the weirdest on-stage moment in the history of Tokyo Idol Festival and, maybe against all odds or maybe because all associated projects have always been this good or maybe because manager-san is playing the game better than you think or maybe all of it, I dunno, they’re going as strong as ever before and all signs point to an almost unconstrained future.
This is of course all predicated on the MV that they released the other day, for their new (see above) single:
And thus we add another project’s corpse to the pile created by this brutal year.
You probably saw the recent hubbub around Montero, the half of Screaming Sixties who did not get to perform in the UK last year (though we did chat with Kai), who announced that she was pregnant. While this was remarkable in itself — not because an idol clearly had a sex life, but because it was received mostly positively by fans of all stripes — and I was halfway to writing up a thing in relation to that, yesterday brought forth what’s probably the logical conclusion to the whole affair; Zekkyou’s putting an end to things after a one-man at the beginning of September:
Here’s Kai’s reaction: Continue reading