We made it!! It has been a log journey, but we have finally arrived:
Here are the TOP TEN MUSIC VIDEOS EVER as chosen by the readers of Homicidols dot com via a long, convoluted process that has been covered in depth elsewhere.
As always, each MV is accompanied by commentary from one or more of the individuals who nominated it way back in May or June when we started this process and the Team. I’ll keep the pre-amble short though because what you really want to know is: WHO MADE THE TOP TEN?
Welcome to the third installment of our countdown of the 50 best alt, indie, and underground idol MVs of all time as selected by the readers of Homicidols dot com. This week we are seeing some truly iconic classics including “I kill” and “MEGITSUNE” who were instrumental in establishing the genres of yami kawaii and kawaii metal respectively. We also see our most-nominated music video in, “Hallellujah.”
Here is my idol song top 10. I wish I had something witty to say to introduce my list, but I’ll bare my heart in each song’s description instead. I’d just like to say that with the exception of my top pick (somehow!), I have all these songs taking up precious space on my phone because I know I’ll never get sick of any of them. If I could get them into my body for easier listening, I would. That’s how committed I am to each item of this list.
Here it is!! The final top ten in our countdown of the 50 Greatest Albums of the last decade. Be sure to let us know the albums you feel we were criminally negligent to exclude, and the punishment you think we deserve. We are collecting your feedback for our follow-up article: “Albums We are Awful for Leaving Off the Greatest Albums List”.
While we know that our imperfect process (and questionable taste) has overlooked some stellar albums and deserving units, we hope that you have still found the exploration worthwhile. I know I have enjoyed revisiting some classic albums that I haven’t listened to in years and even discovered a few new favorites. We may try the exercise again, perhaps with the “50 Greatest MVs”. If we do, we’ll find a way to incorporate community participation in the selection next time.
Oh heck yeah, this is exactly what I was waiting for — it didn’t take long for KAQRIYOTERROR to go from announcing a new album to promoting the sucker. In true Codomomental fashion, the official window is two hours, and we immediately dishonor that.
Wake up! Grab a brush and put a little KAQRIYOTERROR in your face! Yes gang, now that things over at Codomomental HQ seem to have calmed down, they’re all a-flutter with the two-hour track previews again, this one KAQRIYOTERROR’s new(ish) regime taking on arguably the best song that the group’s ever done:
Well, it’s upon us, people. What I was shocked to realize is the re-christened KAQRIYOTERROR’s first single (or first official single? I dunno), and first release under the new regime, is out in a week’s time, and that means one thing: An MV that almost nobody else in chikadom would even try to pull off!
Building over from the weekend, the hottest concern in alt-idol these last few days has been the location, state and status of Kaqriyo Terror Architect’s Nonamera. In the lead up to KTA’s in-store appearances to promote their latest single, “The Forbidden Masturbating“, Codomomental let it be known over the weekend that they had not been able to contact Nona since noon last Tuesday.
After a few days of reasoned, rational and well-informed reactions to this news and no rampant speculation at all, it was announced last night that contact with Nonamera had been re-established and that she had decided to withdraw from the group.
It’s finally here, friends. Yes, I refer to the MV to promote the Identity Crisis EP from Kaqriyo Terror Architect, a record that was released in October and somehow feels like it’s still trying to earn the respect it deserves. The title of this post refers to a message that Papermaiden sent to the Team in the wee hours, in which it was suggested that perhaps one view this production not at work, for which it may be neither suitable nor safe, a qualifier that could be extended to public transit, school, where baby Jesus can see and judge you, etc. It also refers to lyrics! So keep this context in mind for a second, as you’re no doubt itching to press play and finally get to dig in.
But don’t let the various stuffs distract you too much, as you should focus on the song, because it’s a pretty good song!
Codomomental love to tie loose ends before the year comes to a close. With Tsuyame’s recent departure, Not Secured, Loose Ends lineup changed again, with fans (okay, me) fearing another hiatus while hoping one of the auditonees will shine enough to be able to step into the group. While it’s impossible or undesirable to literally replace a member, Yukueshirezutsurezure is a very demanding group, taxing on screams for everyone on top of regular vocals.
And it seems a more-than-appropriate, refreshing person has stepped into the light. I have no doubt she’ll be great. The only hiccup? It’s Kotetsu from Kaqriyo Terror Architect.
Announced at Kaqriyo’s latest oneman live by their manager, Kotetsu will effectively transfer to Tsurezure on December 7. As one of the two founding members, it is hard for any fan to imagine what the Enfants Terribles’ vibe of Kaqriyo will change without the tiny bundle of joy and sunshine that is Kotetsu. Continue reading →