One of the more emotional bits to emerge over the last little while was this MV, out as final promo for the final release for DESURABBITS before they disband forever. In context, while the song is in a lot of ways a very nice modern idol song and in every other way DESURABBITS to the core, really the most important thing about it is its emotional heft and the special place that DESURABBITS has in loudol history.
@homicidols Anything to say about the announcement that DESURABBITS have decided to end next June after 7 years without ever changing a member like most idol groups do. That must be some kind of world record achievement for a Japanese idol group? https://t.co/VMKpCJElRT
There is no question that 2020 has so far been full of dark days with signs of more to come. Parts of the world are retreating into another round of COVID lockdowns, the US may be just days away from going into full-on “Purge” mode and Hachigatsu-chan just left Oyasumi Hologram.
Into this bleak landscape, FAREWELL, MY L.u.v have dropped a bright, shiny groove-and-reggae-infused nugget of joy in the form of their second EP, GOLD. And just in time too. The only thing that’s been getting me through the day lately is this track on repeat:
The Cyclone is a small black box theater in a Shibuya basement which, according to the posters it uses for wallpaper, has played host to gigs by just about everyone over the past 20 years, including Cthonic, Crossfaith, Abigail Williams and every chika idol unit you’ve ever cared about. This past Saturday, it also hosted Yukueshirezutsurezure’s Emergency One Man Live, the emergency being Futamaruya Shidare’s sudden exit from the group.
The Cyclone’s capacity is 300, which seems to have been determined not by some safety conscious fire marshal, but in response to a challenge to see how many people one could stuff into the space, shoulder-to-shoulder, wall-to-wall.
Among all of the brutal graduations of 2016, the departure of Guso Drop’s Saki from the group she’d help make into the underground’s heavyweight champions was understandably a sad loss for fans (and poor Boss didn’t seem to be taking it well, either). The final live with the group’s long-time center was, of course, a very fun show, and it also brought out an old friend and the new guns.
Bellring Girls Heart went into dormancy yesterday with their HELLO WORLD live that was streamed live on YouTube and then, after a little while, mercilessly taken away from us, thereby robbing untold dozens of international fans of the opportunity to see idol’s murder of crows go out like only they could.
Good thing for us, then, that Bellheart re-published the video!
You may have heard about Bellring Girls Heart being gutted in the very near future when Ayano and Mizuho graduate, and the group going on a I-believe-it-this-time temporary hiatus before a very soft reboot next year.
What you may not have heard about is how they’re going to go out as vividly as possible.