When the original BiS arrived at their decision to disband wayyyyy back in 2014, did they ever consider how all the tangled strands of their legacy would branch out into a dozen hydra-like directions that each evolved into their own unique entities? In the moment, I recall my own bummed out reaction to the breakup quickly turning into eager excitement for the future as each member revealed their plans. There was LUI FRONTiC, Pla2me, BILLIE IDLE®︎, Tentenko’s solo experiments, and then there was one that really especially stuck out to me…. KoshoujiMegumi’s newly announced “Book House Girl”, which promptly became the enigmatically named Maison book girl.
“Oh neat,” said I somewhat aloud as I looked at the tweet from Himegami CRISIS with a YouTube link in it, “a YouTube link from Himegami CRISIS!” Click, open, confirm: Yes, new video! What else is on their Tw–
We’re Crying Loudly over here because those indie emo kids from WACK have finally fulfilled their promise to disband on Halloween, but not before leaving us with a final single and music video. Let’s color ourselves with COLORS.
It’s that time again where the hearts of hundreds around the globe are shattered by the whims of fate – CARRY LOOSE will disband on Halloween and have stopped their livestream project effective immediately.
【重要なお知らせ】 CARRY LOOSEに関しまして 2020年10月末日をもちまして、解散するはこびとなりました。 尚、本日で『CARRY OF MAJOR』の配信も終了とさせていただきます。 詳細については、HPをご確認ください。https://t.co/QLvQrEkHGU
When you’ve become fully ingrained into idol fandom, there’s certain inveitable events that you learn to anticipate and mentally prepare for, such as when a twitter account belonging to a group you love posts an image containing a stark few blocks of text. Yeah, you know the type of post I mean…
This is idol, and this is the world we’ve put ourselves into, but it’s a little different when it’s a group that’s particularly dear to you. It’s more personal, more emotional, it’s something you feel inside your stomach. It’s understandable and okay. Continue reading →
Before dashing off this article too briskly, I took in the last evening to ponder yesterday’s announcement that the dot-chans have scheduled what will be their final live, do a little research to understand what I could, and also to reflect on where we go in a world without the beloved shoegaze idols we’ve come to know.
【ラストワンマン】 ・・・・・・・・・ 第9回ワンマンライブ 「Tokyo in Natural Machine」
This is a dumb post about mistress, you guys. It was originally going to be a review-cum-celebration of the second annual mistFES, and was in fact originally titled “How the Hell Does mistress Do It?” because I could never get my head around just how a (frankly) mid-tier idol project was able to get like half of everybody even remotely interesting to the same place/s at the same time/s, pay for all of that and make it an experience that people were into. Like, look at this lineup and tell me that you wouldn’t prefer that to TIF or @JAM:
Frick and frack, you guys. I’ve largely been spared the personal worst of disbandments so far, but along comes the demise of one of my favorite Osaka groups. PiGU, one of the neatest of rock idols (regardless of the flavor they embraced at any moment), are being brought to an end by POP iD:
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