Is it okay to call Zenbu Kimi no Sei Da “living legends” when the group may be closing in on a sixthiversary but there’s only one of the originals left? Yes it is because I want it to be? Fantastic.
Living legends Zenbu Kimi no Sei Da, fresh off of a year of causing their many longtime fans to soil themselves in fear that the group may be on the outs, or at least all but completely redefined, dropped their 12th single the other day. That’s a lot of singles! But it’s the first new material from the all-but-completely-redone group, and it’s a great opportunity for a “came out swinging” cliche, not least because saying it would not make me a liar, just an unimaginative nincompoop who couldn’t think of a better way to describe one of Zenkimi’s most ambitious works:
In part ignore the title on this one because I’m not actually trying to make any sense of this news for you; this is my way of working through an unhappy thing in my head and subjecting you to the process via blog post. You’re welcome.
So a couple of days ago, you likely saw the announcement from Zenkimi that, to add insult to injury following their hiatus-and-also-two-members-are-leaving announcement from, what, a month? two months go, dropped the biggest bombshell to date:
This time last week, while we were putting the final organizational touches on this year’s Best Of crop, two things occurred to me. The first was that this year, for various reasons, seemed to have the lowest high points out of the whole dang run of Homicidols Voting Things (probably because of all the soul-murdering graduations); the second was that Codomomental units were, on the whole, involved in the proceedings but without the same degree of they-could-win-so-much-hardware-you-guys as in past year. And on that second point, yeah, I get it, there’s actually been a good amount of turmoil in my favorite company for the last however long, and it’s unfortunately sort of stifled their mental and emotional presence for folks outside of Japan. I think so, anyway, but I’m also not as elbow-deep in the scene nowadays, so maybe I’m missing things.
Now, on Saturday, while I was taking a few minutes to just cruise around and check out things that I might want to pick up later in the week, I ran head-long into a preview clip for this MV. I didn’t read the tweet, and I didn’t play the clip with audio on, but I remembered that what has turned out to be one of the greatest chika loudol groups of all, Zenbu Kimi no Sei Da, did indeed have an album on the way, and that album was going to be a special one, and you know, I got excited. And I took that tweet and I slapped it into a draft post and I was going to publish for Monday a piece on how excited I was about this album and you should be too.
And then I didn’t do it because that’s reality these days. But I actually remembered to come back to it, and my girl Yotsu was doing what idols do and re-sharing the thing that had already been shared and then it all came together for me, the power and the glory amen: Continue reading →
A few weeks ago, former PSYBOU KANOJO chaotician-in-chief Utane Yuki released some tracks as what I’m going to insist on calling Nameless even if it’s just a clever thing she’s doing while working on a full-time name, and that was a lot of stupid fun and made me feel good.
Anima Animus PRDX is how Google translates the title, the Latin explaining the dual female/male aspects on the cover (and playing a little bit with “anime,” too, if I may be so bold). That’s Zenkimi, though; bright and shiny on the outside, simmering violence on the in. Their music sounds like id, you know, just unconstrained desire, emotions pouring out from the ancient, reptilian part of your brain. Continue reading →
OH MAN you guys, what feels like months of patience and endless hectoring and no shortage of questioning the very meaning of existence, the satanic circus that is Bokura no Oyugi is finally making an official release.