Catching up with DAIDAIDAI

I was at a party back in February, back when doing that kind of thing was normal and not a sign that you’re a degenerate who should be shot out of a cannon, and as is often typical of Fiancee when we’re gabbing with new people, she brought up this here fancy idol website and ol’ Maniac’s predilection for off-beat Japanese music. After fending off the requisite with “no, it’s nothing like BTS” and “nope, haven’t been and probably won’t” and the like, one person asked the most game question of all: What do I like best, and would I play it?

This of course was an agonizing question because, like, what do I like best, especially with a couple of quarts of beer in me, and how to choose an example? I obviously want to convert these people into fans, right? So maybe Hanako-san isn’t the best look. But what about … and I scrolled through my Spotify until I found the sublime MUDAI album and rapid-fire toured through tracks while explaining in terrible pop-culture terminology exactly what this madcap record is, and why there’s an idol group doing whatever that all is called DAIDAIDAI and that I love them so much it hurts.

Anyway! Yeah, they were on my follow list even during hiatus, so I’m not completely out to lunch with this stuff, though yes there were things I missed and if I honk a detail here or there you can call my lawyer, capisce? But this is otherwise me catching up with DAIDAIDAI the better to get them more or less updated on the site and happy in my heart again!

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The New DAIDAIDAI Sounds Like Exactly What I Want from DAIDAIDAI

That’s right, friends, I’m talking maybe my favorite idol thing from my favorite idol scene, in reverse order the very intense and/or wild collection of misfits in Osaka, and DAIDAIDAI having emerged from that mess all the way back in 2016, carrying on the very unique sonic+idol legacy of Utena Yuki and PSYBOU KANOJO. This I write in dang near ever post about DAIDAIDAI because, damn it all, the history is important and the relationship between excellent ongoing projects must be acknowledged.

Anyway, DAIDAIDAI had, as once might expect after about three years together, a chunk of the membership graduate recently, and with that a simmering down of the old system while things retooled. Or, at least, as I surmise, because if I hadn’t checked in on them this morning, I’d still be unaware of these goings on because that’s what happens when you’re still afraid of the huge info crush of turning your notifications back on! However, yes, the graduation thing, that was known, and so you connect dots when you check in and OH LOOK A NEW THING!

Promising on the art alone!

Well that’s certainly exciting, and terrifying. And we get a preview version via short lyric video! Continue reading

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I Can DieDieDie Happy

Chika idol has a lot of room for a lot of things, and it’s possible that no project has grasped that flexibility quite as well as DAIDAIDAI, the DEMON TAPES-generated Osaka (of course) underground electro-pain merchants who’ve built out, built up and built strong the sonic legacy founded by PSYBOU KANOJO. Now approaching their third anniversary, the group has been incredibly steady — more on the music front than membership, but this is idol — while reaching for all manner of sounds and influences and visuals to keep every person who’d encounter them on their toes.

Speaking of membership, there is that (future) mass departure to acknowledge, but also a new single that we are now, friends, so lucky as to have it appear in our lives. I think this is what happens when a composer and producer get together to brain up a summer single for an idolcore group. Soak it in! Continue reading

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Retweet Idols, Win Demo

I hope that I’m actually providing something of a service with this post, gang, and not just HTMLing something that’s already been done to death — judging by the original reactions, I’d say it’s somewhere in between — but if you missed it yesterday, amazing digital idolcore project of my dreams DAIDAIDAI has a demo for a new song, “PIRANHA”, available via download if you retweet the following:

There may have been some issues with the automation on this, but mostly ironed out now

Okay, go do it. Then report on your thoughts! Continue reading

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This Is All of DAIDAIDAI’s First One-man

No one single thing in the past week got me as excited to acknowledge a YouTube notification as this. I love DAIDAIDAI, have championed them from their birth (two years ago!), have eagerly waited for a chance to completely immerse myself in their soundscapes, the kind of thing that really only works when you’re seeing a live, rather than catching up on clips from fans’ cameras or the errant MV. And today, a pro-shot (of sorts). It feels like victory.

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Shut It Down, DAIDAIDAI Just Gave Me Everything I Ever Wanted

Jesus.

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DAIDAIDAI Is Getting an Overhaul

DAIDAIDAI! Everybody should have a DAIDAIDAI in their idol life — that is, not a hard oshi situation, but a project that you totally love and respect and can put some emotional investment into without going over the top, because it’s just not that kind of project. Instead, you play their music as an accompaniment to life and quietly covet their merch. I put them down as one of my sleeper candidates for a big 2018 (because see above), and here they are at the onset of April giving the world a little peek at their plans:

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More from DAIDAIDAI, Please, Forever

Well, today’s been a fairly heavy one (though I think I’m going to stay on the DEADLIFT LOLITA thing for a while yet), but some of the best and simultaneously most unsung work in idol is still happening, and now would be a great time to crank it up to 11 and rock out.

I speak, of course, of DAIDAIDAI:

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DAIDAIDAI’s New MV Is Like a Sign of the Times

I am so, so happy to get DAIDAIDAI’s first official MV from the digital gods this morning.

It’s absolutely perfect for the worst day of the week! Continue reading

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My Goodness, This New DAIDAIDAI Song

This happened the other day:

“Say,” I thought to myself, “do you think that DAIDAIDAI might have some new video tonight?”

They did! Continue reading

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