Time for a palate cleanser! Oyasumi Hologram, who will never get the credit or riches or fame that they deserve because the world is a cruel and unjust place, made the excellent, serendipitous choice to follow up their “the end of the world” MV release to promote 4 with “colors” and a full-band look:

The nicest thing about OyaHolo (other than their flexibility and diversity) is how incredibly mature their sound is. In an industry lousy with youth, and a scene that’s particularly emphatic in that lousiness, they could add dimensions of twee to their alt-rock takes (or even the less opportune tracks) and take the easy way out; instead, they constantly progress and grow their sound, rooted as always in that Halfway to Dreamscape foundation that sets them apart, but trying new moves here and there. It’s really lovely. Continue reading →