We love cultural mixing, and not just the KAQRIYOTERROR album! Fans of Japanese music are no stranger to how different musical worlds can collide, that being the reason this blog is even here at all, and today we bring you this: “Mecha Angel Genesis♡” by Kyunchi, produced by Syva from Codomomental!
Codomomental are a talent powerhouse, you could call any handful of members their “golden child” and you’d get no disagreements even from people with differing tastes. One of those members is Nonamera who, after a short hiatus from the company, is back to reclaim her throne.
The first EP from Codomomental newbies akugi, Playplay, seems to be hitting the stores in Japan as we speak, and that means that it’s time to show us why we should buy the thing, and that means an MV, and frankly it’s been too dang long since we saw akugi do their thing, so let’s just right in:
Zenkimi guest spot!
Thought they could sneak one past me, did they? So akugi, either the latest or second-latest debutante from Codomomental (I can’t remember) and therefore loved by default around here, are officially releasing an EP next Wednesday, and to thoroughly whet our appetites the bosses have released another track, yes on a limited basis, but a limited basis that I managed to snag at the right time!
Anyway, this one guests Uine from fellow newbies TOKYO Tefutefu, and is definitely different from the norm. Set your ears to enjoy!
【 limited release 】
with u feat. セツナウイネhttps://t.co/QmX5a1tKxI
akugi 1st miniAL「Playplay」#akugi_withu
— akugi (@akugi_info) June 8, 2021
You know what to do. Continue reading
If it’s all my fault, I’ll do this more often; Zenbu Kimi no Sei Da has graced us with two new MVs in two days. While both are to promote their re-recorded albums Q.E.D and Q.E.D. Bi with the current seven members lineup, they switched things up a bit by picking songs that never got an MV before!
The lucky winners are Kimi Kimi Syndrome X and Cult Scream (and, of course, you the fan who is getting two brand new music videos).
So just the other day, back when this was happening, I thought to myself, huh, it’s actually been a minute since we last heard from akugi at all, there must be something imminent happening there. And resultingly, because it was on my mind, bringing up akugi while talking with a friend who asked the obligatory just-heard-that-Maniac-does-a-Japanese-music-blog questions of what’s good and what should they check out and what do I personally like now and so it’s basically K-pop no you fool it’s nothing like K-pop there’s less distance between K-pop and modern American R&B than there is between either of those things and just J-pop, let alone the stuff that I write about oh hell what was I talking about? Right, see there’s this one company …
On Monday of this very week, then, with no real connection to the former, my brother messages me to start a conversation about trap metal. This revealed both our mutual passive interest in the form, our general disdain for artists X and Y, and my typing with vigor “lol there really needs to be some idol group that does trapcore or something”.
Forward to today! Thank you, Codomomental, for this morning giving us a refresher on what is for my money your most interesting new project since KAQRIYOTERROR, still with Architect in their name, found their groove several years in the past now. And thank you for this instance of breaking the Codomocore mold (songwriting credits!) inadvertently leading us directly into the path of a speeding freight train that I now fear is going to somehow be normalized into idol genre mores and suddenly it’s going to be face tattoos and misappropriated street fashion and snare rolls everywhere.
Anyway, the window closed hours ago, but you know the drill:
🎧 限 定 公 開
akugi 1st miniAL「Playplay」〜「Period feat. メイユイメイ」2時間限定公開🎵
— akugi (@akugi_info) May 26, 2021
With all apologies due to the good people at Codomomental Inc., while yes it is in fact the intention of Homicidols Dot Com to render completely void their attempts to impose short two-hour caps on the preview tracks released by the company’s artists, they must know that we do it out of love and a genuine desire to expose those artists to broader audiences outside of Japan. Timing is hard for people, even for us even under the best of circumstances, and it’s not like we profit from it, you know?
One thing we haven’t done before, I don’t think? Share the track a whole-ass day later. But, uh, it would be negligent — nay, disrespectful — of us to not share this preview/debut with the world, so, uh, let’s just drop all the pretense all the way. Takari Takara is the name, and very likely a familiar one to you. This is her not-quite-long-expected solo debut with Codomomental, and one that we here at Homicidols HQ have been eagerly anticipating. Yes it dropped under normal rules (also: yesterday!), so yes let’s follow the forms. This is how you connect with her:
— codomomental/コドモメンタル (@codomomental) May 12, 2021
And as for the song: Continue reading
Whoops! We here on Team Homicidols are obviously supporters of Codomomental, including and especially the artists employed therein. It is therefore an all-time embarrassment when we, uh, kind of forget to do something with a Codomomental release because *brain fart*. It’s only been a week but what with various other goings on it does feel a little bit more. So here we go.
Hey! Remember how Codomomental debuted two projects in the past six or so months, and one of them is clearly further along than the other for they have two singles and a whole-ass album out, and that one is TOKYO TEFUTEFU? You do — cool. So yeah, that album’s out now, and therefore the boss was obliged to drop an MV to support the release, and to my complete lack of surprise it was for their best song to date, and … here you go!
It’s been four months since the dissolution of Yukueshirezutsurezure and the group’s legacy in the canon of underground idol seems to grow more legendary with each passing week. Since their genre-shaking departure, Mei Yui Mei and Kotetsu have continued their careers as members of Zenbu Kimi no Sei da while Takara’s Twitter feed went silent after farewells and hints that she would return. The blonde member’s Twitter account simply vanished altogether.*
When it was posted that Codomomental’s President Imamura would be holding an impromptu livestream on YouTube this past Saturday, speculation ran the gamut. With new COVID restrictions fomenting chaos in the live houses, there was little hope that it would be good news. Then again, in the last ad hoc livestream called by President-San, he shocked the chika idol world with the unexpected return of Nonamera. On the Richter scale of idol drama, this one proved to be even more earthshaking. Continue reading
So you may have seen and/or heard that recent Codomomental debutante akugi dropped a preview track yesterday, which wasn’t foreshadowed so much as all but outwardly promised after some heavy-handed tweets and enough of a timeline (if you pay attention to such things) since the last drop that it only made sense.
And of course we missed the boat! It happens, man. Life gets busy. But communities and Teams are nice and helpful things, and of course we didn’t miss the boat completely, we just had to chase after it in a little fishing dinghy with a vintage outboard that we commandeered at knifepoint from some poor sap who just wanted to toss his line in the water, maybe get a nice catfish for dinner. Poor guy. But not poor us, for we have the song, and you’d better believe that we’re going to share it after the jump in imitation of the usual format for these posts, and boy oh boy if syva hates that fans share his songs after the preview windows close under normal circumstances, I can only imagine how he’ll feel about this. Continue reading