In case you didn’t know, friends, our relatively new Oshi is facing a challenge. Yes, on Wednesday, she’ll find out who her opponent will be on Friday in the final match-up of Queen of the Scene, with the winner carrying the Official Oshimen of Homicidols Dot Com forward into the future. That means being the star of the Oshi Digest, which is an honor not to be discarded by anybody who likes it when literally dozens of foreign people consider that to be a big deal.
Saki’s so distraught that she’s showing off her forehead:
Man, John isn’t kidding about it being forever since there was another going on with Jekyll and Hyde, a significantly underrated and underappreciated unit out of Akiba. It’s not that they aren’t constantly performing and releasing live video and stuff — it’s that, well, it’s the same stuff on long-term repeat. Not a bad formula in the scene, but tough for filthy gaijin like us to connect with.
I guess they did something new! Take it away, John:
I have not talked about Jekyll and Hyde for quite some time, like 18 months. They are not one of the acts that folks think about when talking about non traditional idols. How about a look at these song samples mentioned in the title.
I love you guys, but when I wake up and there are multiples of you throwing the latest from Lein at me, it does not fill me with hope for a good day!
Krv and Eyex1st, bless you
Listen to this song, and watch the video with it. It’s more than a little disturbing! There’s discordant, and then there’s this song; there’s messed-up video, and then there’s this video. Krv advanced a hypothesis that there’s even darker and stranger yet to come from this girl, as she hasn’t broken yet. That’s terrifying. Continue reading →
I recently started a long leg of business travel. While it can sometimes be interesting and even a little bit exciting, business travel is, on the whole, Bad — you have to leave all of your comfortable spaces to spend way too much time with strangers doing strange things, and the outcomes are completely unpredictable. In my Day Job line of work, in fact, of the three main kinds of business travel that you usually have to do, only one of them is guaranteed to have no worse an experience than net neutral. Those aren’t great odds!
The upshot of business travel, though, is that you usually have time on your hands. This most recent trip (which was fine) was busy all over the middle, but also had long travel legs at each end, and I got to use those long travel legs to go back over music, new and old, that I both needed and wanted to listen to.
While returning home (finally) the other night, the very last thing that I put on was a recent favorite, uijin’s stay hungry, stay foolish, a really solid album with great energy that, much like the idols who made it, seemed to fly under the radar too much last year. And I thought, man, what’s uijin even doing now?
As it turns out, they’re putting together slick live videos!
Once upon a time, I told Mister Mister that I’d be happy to feature any boy bands that did the music to warrant it. It was a safe, innocuous kind of comment, less a promise than a “we’ll see” with a smirk. After all, thought I at the time and plenty of times subsequently because yes I sometimes think about you guys who comment (what of it?), when has the relentless boy band machine that is mainstream J-pop ever turned out something on par with even, say, that lone K-pop outfit that I find significantly entertaining?
I don’t mean to alarm anybody, but the patron saint of idols, the living legend named Oomori Seiko, just released a new album, Kusokawa Party, and it’s everything that I wish a lot of other things in this world could be. That’s usually about all I’d say about it and kick it into the Weekender, but we’re Seiko fans around these parts, and her influence and support for idol at times near and far demands respect all by itself. So! When Seiko does good and loud things, they get held up as an example of what the really good shit can be.
That’s like vintage Quintet BiS being reinterpreted by syva and GESSHI after a long night of No-Doz and absinthe.
Hello friends! Who’s all at Hyper Japan this weekend? Kerrie’s there, with a press pass — somehow, our application that said “to interview DEADLIFT LOLITA” was confusing to the organizers, so a press pass was granted only after all of DLL’s interview slots were taken, and we didn’t have a backup plan (though I think Kerrie may, she’s clever). If you happen to see the Weeaboo Witch herself, see if you can con her into being her official photographer or something. Press access is press access!
For the vast majority of us not at Hyper, did you all have a good week? I … did? The last several weeks, and indeed it seems like most of the year, have been busy-ass times for ol’ Maniac, times full of changes and new challenges, and the trip that I was on (first time in that area in a decade!) over the course of the week really drove that home. I’m tired! It’s fortunately a pretty nice weekend now that I’m back home, so I hope to make the most of it.
Idol had a solid week, though, huh? There were some missing pieces for me (I was waiting for another Tsurezure song!), but good tunes abounded. TIF is still a few weeks away, too, so there’s bound to be some good stuff right on the horizon. And, for what it’s worth, maybe the best thing of all from the week hasn’t had its published moment yet, so stick around for a little while before heading out for fun summertime adventures. And, of course, play the Fun, which should definitely get your brain gears turning.
I keep telling you guys, if it’s not already Wagamama Rakia’s moment, it’s happening. To celebrate their second anniversary as a group, and to show off the new-look-four-member lineup, they dropped a song that I’ve already played twice and will continue to repeat as necessary:
I love the little trip down memory lane, with the old outfits etc. They’ve come so far and now, two years on, are ready to go. Continue reading →
Psychobilly idols Melon Batake a go go don’t generally strike me as rule followers, but in the case of their new EP, they abide by an age-old rock n’ roll rule: Keep it short and sweet and make them beg for more. It’s a formula that’s brought us legends from Hasil Adkins to the Ramones to Guitar Wolf to a hundred other rock stars who put a pep in our step and tickled our hormones. You simply can’t beat a great garage stomper, and now, Melon Batake a go go have come to put the idol spin on the barn dance. Continue reading →
I kid, I kid! Full Power Girls R, who are always a good time, don’t just release stuff a month or so before the Tokyo Idol Festival; they just so happen to put out fun material about a month or so before the Tokyo Idol Festival in addition to other things that they release. In fact, this being their fifth single and the group being just a hair over two years old, should tell you all you need to know about that math.
“That they put out a single every six months?”
Now you got it! And look at that fortuitous timing, and a song with enough joy in it to rot your teeth: