avandoned may be approaching an end to it’s illustrious career run, but by no means does this mean that Beni Usakura will be ceasing to work on terrific musical projects that are both sublime and meaningful. Once again the multi-media chanteuse has teamed-up with the amazing toy instrument garage band CHILDISH TONES to offer another great take on a classic pop tune!
This time the delightfully quirky combo is treating us to a haunting cover of a song written by the LEGENDARY master of subversive pop, the great Serge Gainsbourg himself, which was recorded by his long-running romantic and artistic muse, the fabulous and stunning Jane Birkin…
Our apologies to AKB fans, women and anybody with any kind of common sense – that man Kuro-chan is unfortunately relevant again.
Remember the hot new unit from WACK who became so popular overnight they gained upwards of 1.5 million views a day? They debuted on a segment on the most popular prime time TV show in the entire country? They had an extremely successful “vote with your wallet” sales campaign? Those MAMESHiBA NO TAiGUN girls! They’re back with not one but TWO new songs and of course, a campaign to go with it:
After a failed crowd-sourcing effort to think of a headline that wasn’t terrible, the team here at Homicidols have decided to lay it on you bare bones style, much like CARRY LOOSE do in their new video where they burn to death and become floating skulls.
That’s right! The self described “cool and emo” idols from WACK are back with the video for their first single, dropping on the 11th of February. Just in time for Valentines Day! If your lover doesn’t appreciate the vocal prowess of YUiNA EMPiRE, break up with them and spend your gift money on cheki instead.
In an effort to stop Yumeka Naukana from talking about aliens again, this song is all about the denizens of our very own planet Earth. The verses are mellow while the more upbeat chorus features a proud proclamation of the amazingness of humankind. This isn’t your typical WACK ballad, these girls are here to lift your spirits without a hint of melancholy~
If you’re itching to see how the song sounds live but have the displeasure of not being in Japan anytime soon, the annual ONAGAWACK performance is set to be livestreamed on Nicovid next Saturday. If that’s not enough to get your interest, MAMESHiBA NO TAiGUN will also be performing their one song then immediately leaving again. We stan.
I don’t want to have to watch it again! So let’s dispense with the incredible urge to pun this thing to death and instead focus on how Watanabe clearly wanted to get back to the magic of “Hoshi ga Matataku Yoru Ni” by taking a hopped-up punk number and literally turning his performers into human toilets. Even the choreography recalls “Hoshi ga”!
Good lord. BiS2’s album is out next Wednesday. May the gods have mercy on us.
Yes, friends, I can apparently keep up with new idols, as was my new year’s resolution on repeat. Such a promise was made in the hopes that 2020 will bring the same kind of greatness that 2018 did, and we’ll all forget that 2019 even happened. Fingers crossed, we’ll at worst feel good about it.
Which brings me to Lesson Number Umpteen on why you should make friends with people in idol! My pal with the old connection to Candye Syrup tipped me off a few days ago that there was a new group debuting soon, with an obvious connection to said defunct group, and then followed up this morning with the first best debut so far this year.
Meet FaM (Twitter), which yes relates to “family.” This was a relief, because upon seeing that I worried that it didn’t have any particular meaning, not even as a clever way of capitalizing a common shorthand greeting/pronoun kind of thing among the youngs in my country. What do they sound like? Continue reading →
It’s highly likely that what I’m sharing with you here is something that you already know, but for the sake of posterity and because we want her to have nice things and not at all because Derek asked nicely, I here am following up on Brian’s lovely review of YONEKO’s excellent new single with the fully fledged real-deal MV for it.
Just, like, definitely go read the review and then come back, fully prepared mentally and physically, for this assault of awesome:
Wait for it …
Why make more of it? The young woman is talented and creative as hell. We love her, you love her — now take this and go make a bunch of other people who’ve never even heard of her before love her, too.
Well, I guess the fact that YONEKO is now officially moving into the post-idol phase of her career (apparently in all projects?), so technically this is the last we’ll post about her in a dedicated way, but that’s nonsense and of course we’ll keep the updates coming, YONEKO occupies a special place for us and it doesn’t matter how or when or why she performs, we’ll be there.
Good morning! Did you all have a good week? Mine was interesting, marked largely by the fact that it started a nice, long stretch of relative freedom during which I am going to get so much stuff done, you guys, that I can barely stand it. It’s an amazing feeling to have no pressure nor expectation of the same, and to know that it’s going to last almost until you next have to hit the road. Ah, liberty.
I can understand that you may not be so enthused, though, yourself. We’re basically just moving between disasters out there in the world, and then you get to add the incredible political theater that is the impeachment trial — like, a person can be forgiven for feeling stressed and looking for diversions. I’m personally going to spend the weekend half in and out of doing stuff because stuff must as always be done, but I’m also going to be ignoring mass media for a couple of days and, well, checking out mentally.
So with that in mind, I did everything I could to pack as much as I (reasonably) could into this week’s Weekender. Between that and the Fun, which I hope you have more time to play now, there should be more than enough idol stuff to keep your brain occupied and spirit in a restful place.
The incomparable human goddesses Yanakoto Sotto Mute are going major and have their first single coming so soon that I’m afraid that I might wet myself:
So remember back in 2017 Year in Review in Review*, when I said that I was making it a new year’s resolution to do more for idol debuts in 2018? And then I did and 2018 was like the best debut year since … 2014? 2012? It was amazing. So much good stuff, though not all of it panned out. Well, I’m making something of the same commitment for this year; I have a tough time keeping up with news these days, but maybe I can keep up with cool debuts as they happen? Sure.
Which brings us to Night Owl (Twitter)! Who … did not debut anytime near now, but in fact back in August, during the period that we shall always refer to in hushed tones as “Maniac’s Interregnum.” And then I had them on my official radar since, golly, at least November if my tab history is to be believed. But more on that. This is what they got:
Why did C-Style release this MV? Because they could, apparently. Why is the video the way it is? Because that’s how C-Style likes it, and when you have more a Twizzler holding your skeleton together rather than a normal human spine, the world caters to you. It’s why you can have a song that makes no sense be completely awesome while you dance around dressed as a bee, but like how a high schooler who needs to do something for Halloween would do it.
C-Style is great and everybody who doesn’t think that can eat farts.
Aside from being one of the all-time great free agent pickups in idol blogging history, I’ve always been able to rely on one Chris Winsall, Mr. Toxic Breakfast himself, for adroit plucking of otherwise obscure excellence from the idol heap and shaking it in my face until I embrace it with all the enthusiasm required. And now that he’s on Team, it even happens quietly! The note the other day was one of the weirdest shots out of the dark that I’ve had in a while, and I’m completely here for it.