Homicidols Archives: The Idol Suicides #3

Welcome to Homicidols Archives, an attempt to capture and document the ephemeral and ever-changing entity that is Idol.

Here is the reprint of the first instalment of The Idol Suicides, a column originally written for now-defunct 20hz magazine by Sokichi Osada, the producer of legend-worthy disbanded group Girls Excellency International & currently the producer of Cinema and Boy CQ (Den’ei to Shounen CQ), movie soundtrackers extraordinaire duo.
The Idol Suicides #03 was originally published in March 2017, in the fourth issue of 20hz.

For an introduction to the series, click here. For the other installments, it’s this way.

The text of the article is untouched and as Osada-san sent it to me. However, considering the original layout of the article had images and video content to supplement documentary appartés. I was linked to all idols videos, they are presented as they were. All other hyperlinks have been added by the contributor posting this.
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Homicidols Archives: The Idol Suicides #02

Welcome to Homicidols Archives, an attempt to capture and document the ephemeral and ever-changing entity that is Idol.

Here is the reprint of the second instalment of The Idol Suicides, a column originally written for now-defunct 20hz magazine by Sokichi Osada, the producer of legend-worthy disbanded group Girls Excellency International and currently the producer of Cinema and Boy CQ (Den’ei to Shounen CQ), movie soundtrackers duo extraordinaire.
The Idol Suicides #02 was originally published in May 2016, in the third issue of 20hz.
For an introduction to the series, click here. For the other installments, it’s this way.

The text of the article is untouched and as Osada-san sent it to me. However, considering the original layout of the article had images and video content to supplement documentary appartés. I was linked to all idols videos, they are presented as they were. All other hyperlinks have been added by the contributor posting this.

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Homicidols Archives: The Idol Suicides | An Introduction

Here at Homicidols, we love to dissect Idol. No, I do not mean dissecting the girls themselves, you sicko, I meant Idol capital I, the essence, the thing, the industry. Consider the widespread misconceptions & ambiguities around mainstream idols common in English coverage. If even the big names cannot be described properly with the profusion of information already translated and shared by fans, emergent groups appeared an unsolvable mystery, unless you were on location, had good Japanese skills and got chummy enough with the manager of the idol group you wanted to know more about. Ricky Wilson, the manager of our beloved NECRONOMIDOL, has shed some light on his experience working in the idol industry, but for a rigorous investigation, you need a variety of sources.

20 Hz Magazine1 was a bilingual music monthly web magazine, backed by Powertap. They published a total of four issues. Starting with the second issue, they published a column titled “The Idol Suicides”. Written by Sokichi Osada, it describes his own experiences, starting when he skeptically followed a friend at an idol live, and against all expectations began producing an idol group himself.

The writing was pleasant to read, but also trifled with details, including the different ways idols are paid. We recommended the article back in September 2016 2, and it became a precious resource for the English-speaking international idol fan community. It became one of my favourite articles to read, the kind you favourite and re-read over and over again, and use it to prove points.

A couple of weeks ago, I settled to do just that and refresh my memory. I needed my dose of “The Idol Suicides”.

But when I loaded the link, the website was gone. Continue reading