I periodically lament the amount of change that the idol scene has undergone since I first picked up it, and certainly since I started this goofy ol’ website. So many of the groups that were effective backbones are dead and gone, and even many that have managed to keep it together are very different entities than they were in the day. What’s worse is that I outright miss some of them to the point that, during duller times of the year, I get a little too nostalgic and pull that old-man-yells-at-cloud-get-off-my-lawn thing. I miss my idols, is all!
Fortunately, HimeKyunFruitCan (which I believe is now the preferred romaji nomenclature!) may have gotten a reboot, but they’re still at it, and still repping Ehime, and still releasing new things. Just learning about this new one filled me with happiness — one of my favorite old mainstay groups, or an approximation thereof, remains to remind me of the best of it all!
All right, let’s dust ourselves off and take a gander around the idolverse now that we’ve settled on a #1 contender for Queen of the Scene. Hey, YouTube, what’s this that you’re showing me from a few days ago that I completely ignored? Why, it’s Himekyun Fruit Can, a few months into their resurrection, and a live video that’s less “live video” and more “we wanted to release an MV and this was literally the cheapest way to do it”:
It was with practically zero fanfare that Himekyun Fruit Can, part of the foundational loudol class of 2010*, was semi-permanently disbanded following a long-ass farewell tour. I say “practically zero fanfare” because, despite often being excellent as hell, we’re looking at a group that never seemed to catch on with Westerners; I say “semi-permanently” because management hadn’t even finished announcing the end of the almost-totally-original quar/quintet when they said that, yes, all existing members would graduate forever at the final performance, but the group would reboot immediately.
All right, confession time: Who out there (raise your hands) thought that the plan to have all of Himekyun Fruit Can — unofficially but kind of really the longest-running hard rock idol unit in the business — graduate following a long farewell run-down, and then replace them with totally new and fresh members, was going to be run about as well as just about everything else from that company over the past couple of years, and we’d get a reboot roughly on par with … I was going to give an example, but I have too much respect for the people in question, so let’s just say, a reboot that would not be well-executed.
My hand is up!
Well, let’s all just maybe lower those suckers and look, because Mad Magazine may have gotten this one right:
My eyebrows kind of did that high-arch thing when I first saw this in the Idolmetal group yesterday — Himekyun Fruit Can, that is, the forever queens of idol rock and I will brook no disagreement, are graduating all* of the members in October because reasons:
You can look at that story, or this one from Natalie.mu, but the facts are the facts. HKFC’s getting a reboot after a couple of concurrent tours and a festival and a best-of album and all that jazz. Continue reading →
Patrick snagged this one for the Idolmetal group, and though we have it listed on the calendar(!), it’s too good to pass up. Himekyun Fruit Can, big sisters of Fruitpochette and right at the top of the idol rock heap, have an album on the way for the day after Valentine’s. That’s, like, pretty much a year after their last (very good) album.
A Kick to the Brainpan (yes) will also feature solo tracks for Mai (who doesn’t age) and Honoka, with the songs composed by a whole slew of bands. More details here.Continue reading →
“Iyo Damashi Otome Bushi” is just another in a long train of HKFC songs that are basically head-and-shoulders above what their most similar peers generate; like sister group Fruitpochette does with metal, Himekyun’s rock music is rock music by idols rather than “idorock,” as it’s increasingly known. I feel justified in calling them the Van Halen of idol just about every time I hear them.