One of the most intense reactions I ever feel to somebody else’s creative work is that of unrequited blown-away. Like, you know when you see that so-and-so did such-and-such, and your entire body loads your anticipated mind-blowingedness like a spring … and then it’s just fine? Or worse? I hate that feeling.
And, frankly, it happens a lot in idol. A performance medium in which so much of the performance that matters happens away from the most-held-up product, and that product’s deepest charms often relying on how imperfect it is, is going to tend to never quite reach the tippy-tops of emotional catharsis for all but the most devoted fans of each particular project. Lives are a particularly challenging environment for this, as so much can go wrong — the crowd is off, a singer can’t find her key, the acoustics are terrible, everybody had the fish for dinner — and a live band only adds more variables to what can be a volatile environment. Continue reading →
Har har! There are little flags and idols and callbacks to things that have happened! That is a thoughtful and well-constructed joke! Shame that the same idols had to come along and ruin it. Continue reading →
So I saw this new Dots video linked on Twitter and of course I eagerly clicked it. Within a few moments, the ethereal powers of the・chans took over and swept me away as I watched this clip of them performing “Soda Float Mood”, another song written by For Tracy Hyde‘s guitarist Azusa Suga, who also penned their fantastic crossover tune “Slide”. (We interviewed Azusa previously…)
And then a minute in, I’m thinking “Uhh, hey, these aren’t the・chans I know.” Equally perplexed and fascinated, I dug into the #dotstokyo twitterverse to find out what was happening here. I had previously joked about the Dots entering a state of osmosis and multiplying into two groups, could it be that this thought was prophetic?
Well, nothing quite so heavy and world-changing. Quite simply, Dots had played a show with another delightful indie-idol group called tipToe, and they decided to pull a little stage-costume switcheroo…
Our dearest Younapi of YOU’LL MELT MORE! is just a whirling dervish of activity! Aside from being a member of one of the most prolific oddball idol groups around, she’s consistently making the rounds as a soloist, DJ, artist, clothing designer, and now, because that just wasn’t enough to hold her attention, she’s got herself a new band project!
I get excited about dumb things sometimes. Take, for example, yesterday: There I was, writing a proposal for an extremely roundabout makeshift CRM kind of thing, completely ignoring Twitter and all other things idol, when one of those highlight notifications came along. I could stand a short break!, I thought, so review those highlights I did, and there was Payrin’s tweeting about something new on Soundcloud.
Why, I’d have to be completely insane to pass that up! And so it was that I felt my homicidol hearbleed gush just a little extra over the first few bars of this demo: Continue reading →
In case you couldn’t tell by now, you guys, I’m making a very deliberate effort to mix things up a certain extra amount ever since my entreaty that we all get more diverse in the idol that we follow. The next exhibit? Motherhubbard STARMARIE, that’s who. Yes, the longtime fantasy-aligned rock idols have themselves a new album coming out next month, and they teased out the first track the other day:
I swear to you, I am not deliberately holding up EEEEEEEEEEEE! to anything other than your consideration; I know that many folks were fans of Natsumi when she was with DISDOL, and retain an interest in where her career turns, so I’m inviting feedback, people. I didn’t know what to make of EEEEEEEEEEEE! when that whole business first started (and frankly still don’t know what to make of it), so let’s have ourselves a look at the band doing their live thing: