Idol supergroup APOKALIPPPS have been active for a while now, but unfortunately a bit out of reach for us Western fans. The group is still very much an indie thing and their previous singles haven’t been terribly assessable due to their limited distribution, so supporting the group has mostly consisted of cheering the group on from afar…
Well, cheer up peeps, because the APOKALIPPPS is finally reaching worldwide!
The wonder group has self-released an EP, “APOKALIPPPS ONGEN”, and it’s also seeing a digital release via the major streaming networks, so you have no excuse to sleep on it! I eagerly decided to give a listen…
Well, right here in this very spot today, gang, was supposed to be this big primer post for the Tokyo Idol Festival, who to see and where and when. You’ve seen them before if you’ve been around for a while. They’re usually fun to put together, doubly so because they inform how I’m going to be taking in the festival myself, via completely legal and legitimate means and don’t you dare suggest otherwise ha. But like so much else these past several months, that fell by the wayside for want of time. Boo.
Good thing for us that one of the very best things in all of idol this year (and frankly maybe last year too) hit the waves a couple of days ago, and while it took me a couple of days to catch up to it, what Maison book girl is doing here is one of their all-time best things, aurally on point and as perfect a visual accompaniment as you’re likely to get, period. I mean, just soak this in:
Just like with their new sisters in HAMIDASYSTEM the other day, HAMIDASYSTEM refugees CROSSNOESIS put out some fresh material last week, and I may be a jerk for kind of letting it molder at the back of the queue for several days, but I had my reasons*. And now I have every reason to finally post the thing and at the very least make a permanent record of it. And maybe give your Monday morning a little bit of a pick-me-up!
This playlist that they added on Soundcloud may just be all demo versions, but it’ll sound both familiar and innovative on top of that at the same time, and that’s cool:
I may not totally get the move to pull HAMIDASYSTEM into a new thing and have the old members do a new thing with a sound somewhere between old and new, but as long as the end product has me nodding with benign pleasure (like this), I’m going to be okay. Both projects feel like winners. And if they want to get back into the media-spanning cross-functional projects that made last year such a cool follow, I’m here for it.
*They are bad reasons
I haven’t been following buGG as closely as I probably should*, but I enjoyed them enough out of the gate to keep them in my regular “check up on these girls” queue, and I couldn’t have been happier with how they rewarded that yesterday, especially so in the context of the post immediately preceding this one. But for buGG: They have an EP out next week, and while they’ve been fairly tight-lipped about the contents, here’s some, and if isn’t a straight-up palate cleanser, I don’t know what is:
Cool that they filmed this at the same location as my last camping trip, apparently
The hardest part of being a fancy idol blogger is definitely dealing with the disappointments. I’ve pointed out in the past to absolutely zero objection that, if we’re all being honest, a lot of the people covered in this space aren’t terribly talented, and the music, though it undoubtedly has appeal for someone somewhere, just isn’t all that exceptional — but those aren’t the disappointing things. What’s disappointing is when a project is cool and fresh and smart, and the idols have great individual talents that align perfectly with the concept, and it all coalesces into something really great … that then, almost always for bottom-line business decisions, get reduced to a soulless husk. That is disappointment, and it kills your want-to as a blogger.
All that being said, Osaka Shunkashuto, who once upon a time did this, have a new EP coming out next week, and they released an MV, and the song is from that FAIRY TAIL anime that most notably BiSH also contributed theme music to, and stupid me got hype about the release for a minute before I hit play and: Continue reading
This will be one of the longest short posts I’ve ever done because it’s just plain chock full of things that I’m not going to try to overly contextualize, so: Hey, remember 143! The cool chika rock group whose name I have entirely too much fun with? They’re still out there not just doing their fun-and-often-good thing, but advancing the way that idols are meant to. It’s good to see!
A new track of theirs popped up in my Soundcloud feed the other day, and I want you all to get the same kick out of it that I did:
You want lyrics? Continue reading
Ah, Wonder Lander, part of Maniac’s official Seasonal Guilty Pleasures list, a group so hard to define that I often just land on “like if college radio and VH1 had a baby before VH1 got kind of cool.” This is an awkward post about them, and not because it’s not positive (it’s entirely positive!) but because, well, I hadn’t even noticed that they weren’t active, seeing as how they were posting live photos less than two weeks ago, but I caught this out of the corner of my eye last week:
What what the heck’s going on? I don’t know, not completely, but they’re clearly now a duo, and (probably for contractual reasons) they’ve made a pretty clean break from prior regimes, even though Aya’s still with the team and possibly physically incapable of ever leaving. But that sort-of purge of the group’s up-and-down history means a whole bunch of new-sounding stuff on their Soundcloud!
Few things in life as half as joyous as fun surprises from the things that aren’t your absolute favorite, but you root for anyway. So is the case with this new one from the Idols Formerly Known as Both Deathrabbits and Desu.Rabbits, DESURABBITS: My fraught history with this remarkable project needn’t be revisited except to say that I was basically not a fan but grew to be converted to an overall supporter, and so the advances that they make along the way always leave me feeling genuinely happy for them. And why not? They have a completely unique style, they’re well-regarded in the scene and they are, ultimately, clearly having a great time with what they do.
So imagine my face yesterday when this happened:
Now where have I seen that church set before?
Man, a lot of things crawled out of the idol woodwork over the past couple of days, quite a few of them fun, even. Notable among them is this clip from Marionet, in honor of their first one-man on Sunday, this energetic little romp with a neat-concepted MV that exists mostly as a tease:
Hey, that’s really cool! But do you know what would be even cooler? Hearing the rest of the dang song and seeing the rest of the dang video! I guess we have to wait until Sunday? Or is it that we won’t get it unless they win this contest thing for the main stage at TIF?
This is a little bit on the late side, you guys, but I think you can bear with me wanting to talk about the about-time first single and a few other firsts from WILL-O’ now that we’re almost three years removed from their incidental point of origin in the weirdest on-stage moment in the history of Tokyo Idol Festival and, maybe against all odds or maybe because all associated projects have always been this good or maybe because manager-san is playing the game better than you think or maybe all of it, I dunno, they’re going as strong as ever before and all signs point to an almost unconstrained future.
This is of course all predicated on the MV that they released the other day, for their new (see above) single: