I’m Rectifying a Longstanding Omission: Wagamama Kite

Now, before I start to actually blog this post with all the decorum and professionalism of a person who goes by Maniac online, allow me to acknowledge that this is so incredibly far from being a hey-look-what-I-found moment, but a I-know-you’ve-been-bugging-me-about-this one. Who hasn’t brought up Wagamama Kiite (Twitter) at some point in the last couple of months? And I get it, they have a sound and a fun name. They should get attention!

So here’s attention. In fact, attention ever since you started to point at them and scream, you animals, because I don’t know when I started to Twitter and Soundcloud follow them, but it was definitely long enough ago to forget that it had happened, and now look, there’s a new track on Soundcloud, platform of champions, and we’re going to sit here together and enjoy it:

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Festival Collaborations Are Fun: Check out MEY

Like a realtor, I love your referrals! And like a content-hungry guy who has a website, I love when those referrals are extremely topical!

Such as:

Also!

I think we can do better than the dang Weekender! Continue reading

Oshi Digest #43: Road Trip

Our diminutive hero of a new Official Oshimen, Saki of 2&, is hitting the road. No, her first performances in the West are officially done, and she’s back in Japan (read her impressions!). Instead:

Nagoya! Whatever for? Continue reading

We Deserve Things as Nice as Yanakoto Sotto Mute’s New MV

It took a while, but the release of the just flabbergastingly excellent MIRRORS album was bound to yield another in the long line of must-watch Yanakoto Sotto Mute music videos. I was getting antsy! But they delivered today in a way that even I, a person who holds them up as actual, absolute perfection, couldn’t have anticipated. This is power-gorgeous:


Are there, like, a lot of oppressive nun-led all-girls Catholic schools in Japan?

So let’s do the math: They’re in the mix for Album of the Year, plus right here arguably Song of the Year and Video of the Year, will visit the USA in August and may yet be able to release another record? Yeah, they’re killing 2018. Continue reading

I Think This Is What the Kids Mean by ‘Extra’

One of the more interesting developments in idols who do loud music, I think probably ever, has been Q’ulle’s Yukuzi and her project with BLOOD STAIN CHILD, which has in every instance so far yielded sonic madness of a type that somehow actually projects beyond the scope of human understanding and more into a realm in which “idol” and “metal” in combination is something that takes on all aspects of both of those things in totality at exactly the same time. The first album’s release has been part of a drawn-out promotional campaign of ever-increasing musical stakes, as if everybody in the band decided to engage in a perpetual state of one-upmanship.

The latest (and last?) release is called “National Anthem”, and I want to know which country would claim this as their own song, because that country would be the other side of the wormhole from Event Horizon. I mean, listen to this thing:

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There Are More NoA Songs!

I usually don’t want you to just take my word for something. Yes, the sky is blue; yes, water is wet; yes, the first proof of Fermat’s Last Theorem was written by me while waiting for the school bus. However, I want you to take it from me right now that I am in fact as exuberant about NoA’s release of two fresh tracks as would be indicated by the title of this post, not by the two days’ delay that it took me to get there (thanks Jul!). A guy gets busy sometimes, all right?

So! Do you recall NoA? Like, owner of the single greatest group disbandment ever? That NoA? Our last look at her was a good indicator that she wasn’t exactly making chopped liver in her solo / not-idol efforts. Now that, yes, there are more NoA songs, do they stack up?

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At Last, Some Dang APOKALIPPPS!

Would anybody be mad if, say, you were at dinner with friends, and the discussion turned toward idols (as it naturally must), and people started to talk about their favorite chika supergroups (happens every day!), and that special someone turned to you and asked for your opinion on APOKALIPPPS, and, after weighing the likelihood of a call-out should you try to fake your way through this one the same way you did when appealing to the dominant in-group and its devotion to Local Sports Team #2 (we all know how that went, guy, how do you endure the humiliation), you decided that discretion would be the better part of valor and, smiling, admitted that you had never actually heard any of APOKALIPPPS’s music? Yes, Lord Stuffedshirt would no doubt pop out his monocle in feigned, overwrought shock, but that guy’s a jerk and everybody knows it, so who cares, it’s that special someone whose opinion really matters here, and look! It turns out that the question went to you because you know so much about idol and they were hoping that you knew more about APOKALIPPPS than anybody else might!

That’s some fortuitous circumstancing right there, friend.

That’s* an incredibly long way of implying that APOKALIPPPS, who were announced with a certain degree of fanfare almost a year ago, finally have dedicated own-channel material online, and I actually wrote this before listening to it, so let’s take that journey of discovery together, shall we? Continue reading

This Is a WILL-O’ Update Post

Much like that Under Beasty post from a little while back, this is one that started off as a Weekender item and then ballooned into something more. This isn’t going to be complicated, but it is a whole stack of items, and maybe I feel like being a little extra generous.

Anyway, in their post-Alloy incarnation as themselves, WILL-O’ have a (pretty cool) new look:

And a new logo to go along with it:

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Kerrie Interviews Idols: 2&

The BLACK WINDS OVER ALBION tour wasn’t all wotagei and sudden friend-betraying crown theft; it was also a chance for Homicidols.com to get a little bit closer to some of the idols we’ve been covering since the very beginning. Official WACK Meme and UK Idol Tour Interview Correspondent Kerrie was at the show in Manchester and got to connect with everybody. Here’s the first installment.

Saki’s set was the first and the shortest of the night, much like how she was also the shortest idol of the night. (I’m sorry!) But what she lacked in height she more than made up for with her intense stage presence.

This woman is a powerhouse. Even backstage, while I was in the middle of interviewing Necroma, I spotted her out of the corner of my eye jumping up and down on the spot. She is a bundle of energy, both on-stage and off.

She did seem a little nervous once it came to the actual interview part, as she read her answers for me in English from her notebook, but to be honest, I was probably even more so. I’ve strongly admired Saki ever since discovering Guso Drop (one of my top three favourite units up until they disbanded last year), and now we were stood in a hallway (the quietest place we could find) speaking in English. But like the other idols I spoke to that night, she was really sweet in person, and an incredible performer on-stage.

Her set was wild! At one point I thought my ribs would get crushed by the Japanese wota who were behind me! She knows how to fire up an audience, that’s for sure! 100 percent worth the injury scare, would highly recommend, but maybe wear armour if you’re small and easily-breakable, she’s a powerful girl. Continue reading

Hodgepodge Idols, Please

I give up! 2018 wins. I spent the better half of last year complaining the rock idol was passe and eventually going to be just some dang thing, and how does the universe respond? By laying it on thick, that’s how. Hakuchumu. Toricago. Wyenra. Just to name a few!

And now, after once again doing that ever-so-crafting trick of looking up idols who appear on other idols’ Twitter feeds, I give you the latest entry from Osaka (ofc), a polyglot rock unit that I frankly couldn’t be more excited about. Listen to this loudness:

Or, if you prefer it in video form:

Exciting!

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