Pimm’s Intoxicates Us… With Facts!

Would you look at that, a new video from possibly the best group to share its name with an iconic English beverage!

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I Hereby Nominate GREAT MONKEYS for the Best Debut of the Year

Well, friends, it finally happened — after I excitedly pinpointed the debut of the mishmash sister group GREAT MONKEYS a little while ago, they slowly but surely leaked out little bits of content until bam! into our lives drops the rare congruence between hype (however entirely personal) and result. AND I’m pleased to say that I was totally right and my girl Juri (now rendering it Julie, which makes absolutely perfect sense) — former awesome focal point of the underappreciated JOANJOAN and then relative short-timer with No Surprises — is leading this thing just like her currently awesome energy and presence deserve.

Prepare yourself for a blast:

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Wonder Lander Keeps Rewarding Me for Liking Them

This post is all messed up. It was supposed to be a straightforward celebration of all things Wonlan and their current releases and motivating you to give them a go if you haven’t already several times, written yesterday no less, except that I drafted the whole middle bit and left off the ends and now I can’t remember which witticisms were used to do what, so how about this: You go look at this MV, which is new to the Wonder Lander corpus, and you get all “oh neat I like this” as is appropriate, and then you continue through the post because there’s more to it, and if you can figure out the context for yourself then you win a prize, which will be determined by Chris at his convenience. So go for it:

This is a journey, man

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Lots of Change Is Afoot for the Various Up Up Girls

I take no credit for this — Kerrie brought it up in chat and I just stuck it into the queue so as to have pieces in one place, to which Kerrie responded “OH GREAT YOU DO IT” and thus does one the least well-versed-when-it-comes-Up-Up-Girls-at-least people is the bearer of what is almost assuredly some degree of bad news, but these things do always depend on perspective.

So! Yesterday, Up Up Girls announced that, following a big-ass outdoor live on the 26th, the old regime will be no more and a new regime will rise.

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UNDER BEASTY Is Releasing Too Much Music and It Makes My Brain Hurt, Thank Goodness

I bet you, yes you!, have read through the Weekender while sipping your free trade organic Sumatran dark roast coffee and pondered, gee, how does this sausage get made? Well, friend, I’m here to tell you that the Weekender is painstakingly curated over the course of t– HA HA HA! I mean, yeah, it takes some work, but for the most part somebody makes a draft post for it and sticks in something, and then others on Team add around it, and then I get lazy and make an Idol in Focus, and back when we had the various other features we’d look for X, Y or Z, but then the coup de grace on Saturday morning is my personal dive through the very many hundreds of YouTube accounts that I subscribe to, hunting for new content that is both genuinely new, genuinely interesting and from diverse enough sources that you don’t always see the same things. And now that we’ve set the stage, let me say that those video dives often yield more workable content than you’d expect, and in this past weekend’s case very notable drew my eyes back toward the former indie wonders in UNDER BEASTY, and a new MV from them, and that is right below, but also let me say that no post can make any sense (even with the way I write!) without additional context, and so it was that I also looked to UB Twitter and saw that they’re releasing a new single, and so this all made sense:

However! Just a few days prior, they dropped the MV for “Trust in …”, which is an almost perfect idorock ballad:

Now, “Trust in …” is actually a completely different single release, from the first week of August, which means that it is in no way associated with “Real Blade”, which … releases next week: Continue reading

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You Review Things: RAY | “Pink”

Once again actually by Viz Major!

When ・・・・・・・・・ (vocalized as “Dots” or “Dots Tokyo”) emerged onto the idol scene in late 2016 with their shoegaze music and unorthodox presentation, it was a surprisingly much needed breath of fresh air from the saturated market of overcolored aesthetics and systematic cheerful, yet often contrived, songs predominant in idol culture. Along with this new approach to the genres of music that idols perform, the group attached an eccentric mythos to their profile, implementing things like all members are named ・(a single dot) but have nicknames that change every so often and go by themes such as vegetables or even infrastructures (one member was nicknamed “Konbini”, the Japanese word for “convenience store”). Visors were worn over the eyes of the members to conceal their identities, which established them as both an innovative and mysterious idol group. They quickly gained fans in not only the idol spectrum, but also among fans of shoegaze and indie rock outside of the J-pop music sphere, and in 2018 released their debut album『 』(a title with no words but actually 9 half-width spaces), which proved to be one of the best albums of that year. Unfortunately, the following year the inevitable fate which many idols have succumbed to was met, and the group was dissolved after performing a final one-man live at Tokyo Kinema Club on March 24, 2019. Continue reading

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Don’t Laugh; Kolokol Is the Soundtrack of the End of the World

I must be in some kind of mood this morning, gang. Maybe it’s latent guilt over being almost two weeks late to this particular party; maybe it’s because absolutely nothing is going right or well in my country and it’s all so theater of the absurd that I desperately wish I could go back in time and tell 18-year-old me just how profoundly stupid I am to believe in anything and to start revving up those cynicism burners now so as to avoid both complicity and heartache down the line. “Maybe you’ll be a fancy idol blogger one day, kid,” I’ll tell myself, who will then reply, “What’s a blogger?”

Anyway, Kolokol, who remain one of my all-time favorite idol projects that never quite sticks the landing, the little sisters of PassCode who I suppose are meant to be slightly more accessible than defunct sister unit NEVE SLIDE DOWN but still just “rock” enough to keep this particular thread of wota interested, have a new single out in what is now a few weeks as opposed to a month, and this is it:

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A K-Pop Double Bill

It’s not often we get to write about K-Pop on Homicidols, but we always have to brace ourselves when we do! And this weekend, we got not one, but two Korean acts dropping music videos that are actually worth at least a quick mention! Buckle up, weebs, we’re taking a ferry to South Korea!

First off is an act we’ve mentioned here a few times before, Dreamcatcher, with their much-teased promotional video for their newly-released Dystopia: Lose Myself EP.

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Hey! Enter This Contest for 2& Stuff

So as mentioned in the Weekender, this was a busy last few days for pretty much everybody on Team Homicidols. I espied this all the way back on Monday, in fact, when I was at Peak Busyness, and really just wanted to get it out the door, only for, well, everything else to intervene. Nonetheless! It must be done, as the subject of this post, our very own Yes She’s Still the Official Oshi She Won the Contest Saki from/who is 2& has a contest in honor of, well, just read the tweet:

Do it. And because I have nothing else worthwhile to add, enjoy this photo of Saki’s forehead:

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Sway Emotions Slightly Is My New Favorite Thing

I’m usually inclined to use a Let’s Discover Some Idols kind of title on these posts, but please, my friends, let’s dispense with formula for the sake of saying the thing that is good and true and pure, which is that there are many idols and many idol debuts, but only a handful of them truly excite. And one of them is Sway Emotions Slightly.

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