Hey, it’s a not-NECRONOMIDOL review! Yeah, that promise to write up some things in the queue, that didn’t pan out — I’m busy! — but, as soon as I saw that it was coming to Spotify, I knew that I wanted to hit up the latest from Codomomental’s latest. It only took six full listens to get here!
I’m going to preface this with: If you like your idol safe and predictable or on-brand, stay the heck away from Kaqriyo Terror Architect. On to the review! Continue reading →
All right. So before I do NECRONOMIDOL again, let me say that I’m also making a new year’s resolution to get more idol records and do more reviews, including some older stuff. Including something that I’m going to publish in like the next couple of days to break up this Necroma run. And then something else.
Great. I wanted to publish this look-back-then-look-ahead yesterday (the first day of the year and all), but I, uh, had some complications like a raging headache and desire for lots of naps to work through instead. I don’t think anybody missed this jazz too much, though.
Well what the heck, you guys? Even though it was basically a given that BiSH would release another MV to promote the release of THE GUERiLLA BiSH, I don’t think anybody expected that it would appear out of nowhere on a Friday morning in Japan. Just like last time, they stayed true to the theme of the record!
So that’s a pretty solid MV; I’ve never more wanted to be a guy tied to a chair, up to and including the apparent immolation-by-Ayuni. It was a wise choice, too, for the follow-up to “My landscape”, to convince that handful of people in the world who don’t already know that the album actually has a ton of upbeat intensity that BiSH is and always will be BiSH. For what it’s worth, I thought that “SMACK baby SMACK” was the best song on the album … and in wanting to say that and this one other thing* about it, I decided to include a miniaturized version of the review that I’ll now never publish. Continue reading →
It would seem rather obvious that most people working in some facet of musical expression got where they are because they love crafting music. But there is a very special type of writer/performer/contributor among the multitude that stand out because they are not just musical artists, but because they are passionate, giddy star-struck fans of music themselves. These type of creators tend to not approach music clinically or with overly practiced technical skill (although many are indeed highly skilled), but rather with a metric ton of heart and soul poured into making every moment shine in whatever they do.
I often think of people like Alex Chilton, Brian Wilson, Joan Jett, Daniel Johnston, Jad Fair, The Cramps and Shonen Knife being among these. None of these are (or were) simply musicians making great music, but they are (were) fans of great music harnessing that joyful love into amazing music. I am more than pleased to add Beni and Kotao from Avandoned to this list. Continue reading →
I love being on press lists! When the presser email came in yesterday, I did a little jig to myself and immediately downloaded the review copy of “DAWNSLAYER.” I listened to the whole thing through twice, bothered Terry about it, bothered other people I know about it, and decided that “yeah, so you don’t normally review singles but come on it’s basically an EP there are five total songs and also Necroma,” so here we are. On to the review! Continue reading →
Pukovnik Krv and Kerrie hit up the NECRONOMIDOL show in London this past week, where an interview may have been conducted(!) and many photos taken. Here’s Krv’s take on the event, plus many of said photos. If you dig it, why not give my dude’s Bandcamp a look, too?
A few days have now passed since the convening of spirits that occurred one fateful night in The Smoke, rousing rowdy rambunctious rebels ’round the Sassenach lands to descend upon The Water Rats, a watering hole for the toffs. Therefore, I must drop my pompous tone to declaim in detail the shit that went down.
As the first underground Japanese idol group, to my knowledge, to host a one-man live in the UK, I was expecting there to be a decent turnout. In actuality, a crowd bigger than I’ve ever seen them draw in Japan turned out as Japanophiles, weebs, otaku and bangya flocked to the show as well as wota, leaving the place packed with a melting pot of young and old, Northern and Southern, upper and working class, and all races coming together for … Necroma? Continue reading →
John’s in the reviews game now, and I think you owe it to yourself to check out this look at … well, the fact that mistress just straight up includes (tastefully covered!) nudity in their artwork tells you pretty much all you need to know about where they’re coming from and where this is going.
As you all know, I am like a huge fan of mistress. So when I got my hands on their demo/single, 「Succubus」, a while ago I felt like the happiest boy in the park. Played it on repeat for a bit then ripped it to my hard drive so I could put my special treasure […]
I look back on when I first heard Yanakoto Sotto Mute. It was months before Bellring Girls Heart was announcing its kind-of end, and a sister unit coming into being felt like a nice move; give Bellheart a sidecar, and oh look they do grunge and stuff, that’s appropriate and … damn, that one girl there can sing like the dickens, huh? And these songs are pretty powerful!
Two EPs and about a year later, there’s a distinct feeling of change around the whole thing. BRGH took a break and got a new name and a bunch of new members, and it may be that the student has become the master. Or is the Yanamyu thing really just a bunch of hype? On to the review! Continue reading →