Zetsu is an 18-track epic from two of the greatest warriors in chika idol. Since forming in 2014, Montero and Kai of Zekkyosuru 60 Do, aka Screaming Sixties, have driven enough miles to circumnavigate the globe twice while performing approximately 300 gigs a year. And that isn’t hyperbole.
The next time you find yourself in Japan you can be certain that, somewhere, Screaming Sixties are performing a show and you need to get to whatever city they’re playing in because that’s why they made Shinkansen.
Before I get into the review itself, I want to make sure I don’t bury the lede: This is an essential album that you need to purchase immediately!
If you have any thoughts of picking up Zetsu (and you should), you need to open the website of your Japanese music retailer of choice and order it today. Most sites are starting to flag this CD as back-ordered and, if history repeats itself, once the first pressing of this CD is sold old, the only place you will be able to find it is at a Zekkyo60 live. Also note: most retail sites won’t recognize “Screaming Sixties” as the group name so you will need to search on Zekkyosuru 60 Do or 絶叫する60度 .Continue reading →
The Cyclone is a small black box theater in a Shibuya basement which, according to the posters it uses for wallpaper, has played host to gigs by just about everyone over the past 20 years, including Cthonic, Crossfaith, Abigail Williams and every chika idol unit you’ve ever cared about. This past Saturday, it also hosted Yukueshirezutsurezure’s Emergency One Man Live, the emergency being Futamaruya Shidare’s sudden exit from the group.
The Cyclone’s capacity is 300, which seems to have been determined not by some safety conscious fire marshal, but in response to a challenge to see how many people one could stuff into the space, shoulder-to-shoulder, wall-to-wall.
SAKA-SAMA have been something of a favorite with Team Homicidols since they first formed in 2016, but at the same time, they’ve remained a perplexing enigma of an idol unit. Constantly shifting membership rosters are always part of this territory, but this group seems especially prone to changing it’s line-up with each passing season, with only Kokone and Dr. Mahiru providing consistency as it’s founding members. And the music of SAKA-SAMA, primarily billed as “Low-Fi Dream Pop”, is in truth equally unpredictable, with a wide variety of unique genres and styles that run the gamut of shoegazey indie-pop to oddball quirky country songs and spoken word pieces, making it a rather difficult task to describe what exactly the group does. Mind you, this isn’t a complaint by any means, I’m just trying to clarify why writing about TRASH-UP!!’s in-house idol group is well… quite a challenge.
So after a couple of years of compilation tracks, EPs, singles, and one live recording, SAKA-SAMA have finally released an actual, honest-to-goodness full length album, titled, appropriately enough, “It’s a SAKA-SAMA World’! I’ve been excitedly anticipating this release since the moment it was announced, and I eagerly snatched it from OTOTOY right away. I came to realize quickly that this is an album that, just like anything related to SAKA-SAMA, has certain unique traits that can’t be summed up after a breezy listening session. This is what we call a “grower”, or a “slow-burn”, wherein one must dig in deeply to truly reap the rewards of the listening experience, and develop an opinion based on multiple takes instead of relying on easy gratification.
Here at Homicidols, the only thing we love as much as idols is throwing people into an experience they’ve never had before and get their raw impressions. In this case, our reviewer dived into the freezing waters by himself and we just came by with towels and a warm drink to pick him up. Friday Fun resident contributor Salem Black has graciously accepted to write up a review of the Babymetal comic (Oh? My earpiece is saying it’s a graphic novel). Please enjoy his foray into an unfamiliar medium.
Ok, so I been asked to review the Apocrypha: The Legend of Babymetal comic, I mean graphic novel, by virtue of having ordered a copy. I must admit from the outset that I’m no reader of manga or graphic novels, so I thought I would review this coming from the perspective of a Babymetal fan who will basically buy any merch sold in the West, aside from those t-shirts they sell to coincide with the release of everything and anything, like the official t-shirt of this novel, which I didn’t buy and why I had to read it in the nude (lie).
It’s thanks to Babymetal I discovered this very website and all the wonderful groups it’s brought to my attention since. Just think, if I never spotted a 2016 article about Babymetal performing at some festival in the UK on the BBC website, I would have missed out on so much fantastic music and never got the chance to experience the spectacle of watching Babymetal in front of 50,000 fans at the Tokyo Dome and the strange anticlimactic mood that filled the dome after they failed to make their big announcement at the end of the show. Speaking of an anticlimax, lets see what this comic, I mean graphic novel, is all about! Continue reading →
The latest adventure in the USA with NECRONOMIDOL(This time accompanied by Oyasumi Hologram.) has come to a close! It’s always fun to take in the experience through the eyes of other fellow fans as these shows make their way across the tour, and get a new perspective of these events as other people see them. As circumstances would have it, Team Homicidols was unable to represent at this tour, mainly because real life is stupid and piles on it’s own commitments. Perhaps one day, idols will overthrow the wicked forces that run this world, oppressively placing demands upon us that distract from what’s really important, which is going to idol mass and paying proper respects to our deities.
Until that day happens, we thankfully have wonderful friends of Homicidols like Killer Cashew. I’ve had the pleasure of meeting the Cashew and Asto, his partner in crime, and they’re terrific people who deserve great experiences like this tour. I’m glad that they were able to enjoy the show, and I’m indebted to Mr. Cashew for taking time to contribute an account of the evening in his own words. Let’s read about the fine art and dark visions he witnessed!
Hi, Killer Cashew here. Normally I’m a quiet follower of the Homicidol community, but due to circumstances, none of the usual contributors were able to attend the Oyasumi Hologam/NECRONOMIDOL leg of the crowdfunded world tour. I was asked if I wanted to share some details of my experience and so here we are…
Life’s best pleasures are simple things: Walks in the woods, black coffee, dogs n’ cats, and 45rpm singles. And speaking of singles, Avandoned, the delightful queens of quirk, gave us their second release this year, following up the completely fabulous old-school jam “After School” with their latest offering, “Lemon Peels”.
This is their third single on the terrific Vivid Sound label (the first was the nearly perfect “Donut Friends”), which has produced some bountiful musical fruit for Beni and Kotao. The vinyl-oriented label’s been around since 1973, and with that sort of history and experience, they’ve really shown an understanding for what makes this duo unique and tapped into that by helping them align with label-mates like Magic, Drums, & Love, Monari Wakita, and SOLEIL (although SOLEIL jumped into the majors with Victor Records). With these resources, along with their friendships with great retro-rock bands like LEARNERS and The Childish Tones, Avandoned have really come into their own over the past couple of years, and I think they’ve finally arrived at what is truly their own sound, and not simply the vision of outside producers. Continue reading →
So, it has come to this. As the now-reddish maple leaves are accumulating on the ground, this maiden needs some pick-me ups. And I’ve just found one of the offerings for this fall is most interesting.
As the seasons turn, so does the TV schedule. One of my main para-Homicidols interests being manga (and anime, by extension), I dived into one of the new titles and found myself dumbfounded, as we have the closest thing to an Alt-idol anime there ever was. SO YOU GET A REVIEW.
The title is Zombieland Saga, an original anime series announced this summer as a collaboration between Avex Pictures and Cygames, which just debuted this week. Detailed (spoilerific) synopsis on the first episode under the cut: Continue reading →
One of the most refreshing musical highlights of 2018 was the debut album of the band SOLEIL, featuring vocals by the delightful neo-Ye´-Ye´singer who performs under the same stage name. Released this past Spring, “My Name is SOLEIL”is still one of my top releases of the year. It was an album that encapsulated my love for the perfect idol-pop of the 1960’s that swept across Europe and went on to take Asia by storm, quite literally setting up the basic formula for the modern jpop idols that we adore today.
When you consider how long it takes artists to record, produce, and set free a new album, it was certainly a pleasant surprise that just a few months later within the Fall of the same year, SOLEIL doubles down with an entirely new album. (It was written, recorded, produced, and released within 6 months!) Who even does that anymore? Most current artists dwell on a new recording endlessly by committee with a dozen cooks in the kitchen all eager to stamp their egos on the project, while the record label stands over it all, checking off the marketing buzzwords on their list to ensure a product that meets it’s bottom line. It often takes years to make an album these days. Releasing two albums in a year is just downright audacious…Continue reading →
I feel like a bit of a wrong has been committed in that NaNoMoRaL hasn’t gotten a proper write-up on this blog, but it’s most certainly not Maniac’s fault. They’ve been on the Homicidols radar nearly from the unit’s beginning, but I kinda-sorta called some claim on this group, and then sat on it far longer than they deserve. But the honest-to-goodness truth is that the reason for that is because I feel strongly that the group is so good, and it’s debut EP is so excellent, that I really wanted to think about this and get everything right instead of just blabbering like a giddy little fanboy.
NaNoMoRaL is a duo made up of Amamiya Miku andPaseli-chan. Amamiya is remembered by a lot of us by her stage name “Natsuki” from her time in Avandoned. Natsu left that group in late 2016 and reappeared shortly after in the far-more traditional idol unit Emoquru Scoop (currently renamed EMOP), and then later still, announced she was leaving to become a solo act. But in actuality, she was working with EMOP’s producer, who happens to be Paseli-chan, and so, NaNoMoRaL was created! (Hope you’re taking notes on this.)Continue reading →