Zenbu Kimi no Sei Da’s latest single was pretty great, wasn’t it? Their small-but-talented creative team keeps popping out unique material, and the reward is this constant forward trajectory of growth.
So when our Anonymous Translator friend (unfortunately eliminated from the Corenament!) offered up the latest notes from GESSHI’s own brain, I would’ve been even dumber than usual to refuse. Continue reading →
I noticed something recently: I used to really dig getting into debuts, but then got away from it because I have the attention span of a flea it’s more interesting to wait until music happens (this being a music website, after all, moreso than an idol one). And I’d be right on board with that approach here, too, but please indulge me just this one little bit because this is going to be a pretty awesome debut.
Despite my reservations (and desire to do anything but idol for an evening), I let Kerrie talk me into watching the all-group WACK audition marathon that began last night, and I let Garry talk me into joining the chat, and I have no agency of my own apparently because I’m blaming others for my choices.
That being acknowledged, thanks guys. You only get so many chances in life to hear Aina the End “audition” with GANG PARADE/Pla2me’s “Plastic 2 Mercy”:
It’s a little different than how we usually think about the genesis of a lot of our music, whereupon it’s indie idols adopting moves from contemporary rock etc. We also usually think of it as a primarily underground phenomenon, but, as the article points out, there are big-ass names (including our own Babymetal) who managed to make the leap to the big-time by adopting sounds and innovations from the small-time. Continue reading →
Quick note on this post: I love when you guys tell me about stuff! Sometimes it’s a bit of news, or sometimes it’s a performance to share; whatever it is, if it’s cool and good, I’m going to want to amplify it so more people can see more idol stuff.
Take for example Hoshina Fumimi, a member of Daichi’s A-minor crew and the kind of solo idol that I can personally really get behind — she’s doing it for the love, and she’s doing it because she’s good, and people should support that.
Pukovnik Krv is probably as big a fan as anybody in the West of Daichi’s merry band of misfits, and you know that he contributes a lot of material and insights around Guso Drop and family. In this case, it’s Fumimi’s birthday live, which has some story to it.
Well, friends, despite some hiccups, we got here; the first two weeks of the Corenament are in the books, and we’re down to our Final Four. Just like in real life! And while we didn’t quite have the drama of UNC-Kentucky, we did have … well, idol-level drama. It all seems to have worked out, though, because now we’re just doing triple-digit voting for everybody. May the most dedicated bunch of bots and shut-ins win!
I kid, really. I’ve seen folks talking about X’s fans in Y country getting on board; I’ve seen the shares on Facebook and Twitter myself. The site randomly got some pings from what I think is a Chinese blog? Basically, while last year’s Corenament became the Kamen Joshi show because people like Kamiya Erina asked their followers to vote, this thing grew legs and went some places. Neato!
And now here we are, with a Final Four that I don’t think too many people would complain about. Go look at the Elite Eight results if you want; most of the surprising names therein have been purged on the strength of PURE IDOLCORE POWER. And also Babymetal.
Variously updated became I’m an idiot and can’t check info on my own stupid website
Good morning, lovely people! The Corenament rages on, now down to the Final Four (coming in a bit), and the timing has its own bittersweet element; THE SPUNKY sort of rocketed into this guy’s consciousness, and no doubt that of many others, during their surprising-but-deserved eventual third-place finish in the 2016 version.
This final live in Nagoya, their old home base, we’ve known about, but it finally came yesterday: