Caleb has been so kind as to translate Shidare’s long message, as well as allowing us to post it on Homicidols. The original can be found here.
I, Futamaruya Shidare have decided to withdraw from Yukueshirezu Tsurezure. First of all, I’d like to say thank you and apologise to those of you I have upset with such a sudden announcement, to those who were looking forward to next meeting me, and those who supported the direction we were going in. The 28th November 2018 was 3 years since I had been announced as an initial member of Yukueshirezu Tsurezure. It was 3 years of thinking, worrying, trying, hesitating, fighting and pushing myself as to how we could make Tsurezure a good group, how we could make our concerts good. However, in some respects I’ve realised I found myself thinking I can no longer stand here, or keep walking on. Even so I pushed through and came to where we are now, but now that Kotetsu and Takara have been so kind as to join us, I came to the conclusion that perhaps Yukueshirezu Tsurezure has a better chance going forward without me, and decided to withdraw. It was my dream as a member to show you Yukueshirezu Tsurezure’s songs and worldview. I still believe Tsurezure’s songs have the power to save people. Our weak yet strong songs embrace a lot of people’s isolation and darkness. However, I feel it regrettable and vexing that I overwhelmingly lack the actual strength to convey our worldview, and if I think about it I might have always been stuck in the same place. And before I knew it I had trapped Tsurezure in my negative loop. I, who wanted to be part of a group, had personally confined Tsurezure. And going on, I thought of the possibility of me changing. However the more I thought about it, I decided to stop clinging on as now I have lost the confidence to dedicate everything as a member of the group; as Yukueshirezu Tsurezure. I originally also thought “what if I could change through our tour that begins this February”. Throw away every part of me, kill it, as if it were life or death and if even then I couldn’t change then I’d think again about quitting. However, as the other members are going into this tour frantically trying to climb higher, I found myself in a completely different direction. I felt that this was a betrayal to my other members and the gunjou who so kindly support us. There are many ways of grasping betrayal. To everyone who was looking forward to the tour, I’m truly sorry. Those of you who said you’d celebrate my birthday in February, those who anticipated Yukueshirezu Tsurezure as a 5 member group, and you who said you’d always support me, I’m sorry. I’ve gone so far as to do this for over 3 years, so I have no regrets. Also, I’ll be looking up from here so Yukueshirezu Tsurezure can continue to shine. I pray I can see Tsurezure and the gunjou smiling from here. Thank you for allowing Futamaruya Shidare into your lives, for letting me live. Yukueshirezu Tsurezure, thank you. Do your best, don’t be defeated, take care.
You know, the For Most People Christmas is now a couple of days in the rearview mirror, but there are lots of people who are still doing the season anyway, which is to saying nothing at all about the millions of folks who follow the orthodox tradition and still have another week-plus before the real fun begins, so I think it’s perfectly acceptable to do one final Christmas post, and what better way to wrap up this year’s festivities than by featuring none other than Pour Lui and a friend:
The things you didn’t know that you needed in life … Take a few minutes to enjoy the GOAT and her partner, Nakamae Rion, who I hadn’t heard of before but am now following and you should too, and their new holiday classic, “Christmas Song”, which is apparently a cover that I’m guessing people in Japan and people who are extremely well-versed in Japanese music could tell you all about. It’s a nice song, and a nice way to wrap things up!
True to form, You’ll Melt More! have continued their prolific effort to create an MV for every single song they record, which is a custom I totally endorse and encourage. And so here’s the third and final chapter of their “Never Give Up Drunk Monkeys” EP release, a lovely and positive set of sound vibrations and rhythmic vocalizations that they’ve provided with the translated title “Where There’s Life, There’s Hope”….
My friends, while idol is in many ways so akin to other performing arts, up to and including professional wrestling, the one thing that it so often lacks is real, true, genuine interpersonal drama between figures. Idols usually just ganbare-fist for photos and vow to do their best and applaud politely for everybody. It’s neat, and a neat feature, but also a little placid sometimes, especially for those of us who like some good ol’ fashioned beef between parties.
Who better to throw shade and get those hackles raised than OG idol shit-stirrer Pour Lui, who’s original BiS spared no sacred cows the occasional bit of grief? Yes, that’s the ticket. But at whom would she throw her shade, and in which way, and to what ends? And hell, considering how well-orchestrated things in idol tend to be, how can you tell what’s real shade from weak shade from goofy teasing of one’s friends, neighbors and senpai? Fortunately for us, and especially those of us who enjoy the munching of popcorn while pots are stirred, Lui got together with friends to do what can only be described as a BiSH diss video:
Here at Homicidols, the only thing we love as much as idols is throwing people into an experience they’ve never had before and get their raw impressions. In this case, our reviewer dived into the freezing waters by himself and we just came by with towels and a warm drink to pick him up. Friday Fun resident contributor Salem Black has graciously accepted to write up a review of the Babymetal comic (Oh? My earpiece is saying it’s a graphic novel). Please enjoy his foray into an unfamiliar medium.
Ok, so I been asked to review the Apocrypha: The Legend of Babymetal comic, I mean graphic novel, by virtue of having ordered a copy. I must admit from the outset that I’m no reader of manga or graphic novels, so I thought I would review this coming from the perspective of a Babymetal fan who will basically buy any merch sold in the West, aside from those t-shirts they sell to coincide with the release of everything and anything, like the official t-shirt of this novel, which I didn’t buy and why I had to read it in the nude (lie).
It’s thanks to Babymetal I discovered this very website and all the wonderful groups it’s brought to my attention since. Just think, if I never spotted a 2016 article about Babymetal performing at some festival in the UK on the BBC website, I would have missed out on so much fantastic music and never got the chance to experience the spectacle of watching Babymetal in front of 50,000 fans at the Tokyo Dome and the strange anticlimactic mood that filled the dome after they failed to make their big announcement at the end of the show. Speaking of an anticlimax, lets see what this comic, I mean graphic novel, is all about! Continue reading →
The latest adventure in the USA with NECRONOMIDOL(This time accompanied by Oyasumi Hologram.) has come to a close! It’s always fun to take in the experience through the eyes of other fellow fans as these shows make their way across the tour, and get a new perspective of these events as other people see them. As circumstances would have it, Team Homicidols was unable to represent at this tour, mainly because real life is stupid and piles on it’s own commitments. Perhaps one day, idols will overthrow the wicked forces that run this world, oppressively placing demands upon us that distract from what’s really important, which is going to idol mass and paying proper respects to our deities.
Until that day happens, we thankfully have wonderful friends of Homicidols like Killer Cashew. I’ve had the pleasure of meeting the Cashew and Asto, his partner in crime, and they’re terrific people who deserve great experiences like this tour. I’m glad that they were able to enjoy the show, and I’m indebted to Mr. Cashew for taking time to contribute an account of the evening in his own words. Let’s read about the fine art and dark visions he witnessed!
Hi, Killer Cashew here. Normally I’m a quiet follower of the Homicidol community, but due to circumstances, none of the usual contributors were able to attend the Oyasumi Hologam/NECRONOMIDOL leg of the crowdfunded world tour. I was asked if I wanted to share some details of my experience and so here we are…
I’m assuming that it was kind of quietly regarded because it’s a) for the graphic novel and b) was released by the publisher, not Amuse. Fine. But … hey, that’s Babymetal music, music that was theretofore unheard by we mere mortals, and there’s some heft to the whole presentation, like there’s more to it.
Par for the Babymetal course, no doubt. Par for the Babymetal fan course, though, is to relentlessly overanalyze everything within broadcast distance of potential new material, and in this case some sleuthing uncovered our likely future. Continue reading →
Have you ever felt what I’m referring to as “idol guilt”? My definition for this is when you like a particular group or idol a lot, but due to the sheer amount of competing forces vying for that idol/group’s attentions, you never really put forth the full support and backing the idol/group deserves? And then a terrible feeling sets in when this idol/group calls it quits because you feel like you failed them? Anyway, welcome to my relationship with PASSPO☆…
【✨本日✨】 9/22(土)「PASSPO☆歌って踊って奏でる対バンツアー〜Road to 中野サンプラザ〜」ファイナルフライト
While it was announced months ago, PASSPO☆ didn’t have their final concert (flight) until this weekend. Now perhaps they weren’t strictly “Homicidols” material, they were well-regarded on this site, and they most certainly literally rocked, at times performing some crunchy-good guitar driven pop tunes, often with a full band backing them, and occasionally as a band themselves. PASSPO☆ were terrific, and at times I felt like I slept on them more than I really should.I was discussing this with TEAM HOMICIDOLS and looks like we all share in this feeling a little bit, (sigh) so myself and Daemon each wanted to offer to some parting words. I’ll start…Continue reading →
I don’t mean to alarm anybody, but the patron saint of idols, the living legend named Oomori Seiko, just released a new album, Kusokawa Party, and it’s everything that I wish a lot of other things in this world could be. That’s usually about all I’d say about it and kick it into the Weekender, but we’re Seiko fans around these parts, and her influence and support for idol at times near and far demands respect all by itself. So! When Seiko does good and loud things, they get held up as an example of what the really good shit can be.
That’s like vintage Quintet BiS being reinterpreted by syva and GESSHI after a long night of No-Doz and absinthe.