Pro tip, friends: There are lots of ways to stumble over new idol stuff, but the most reliable will always be what other idols tweet about, especially when it’s groups promoting mixed shows. In this case, it was POPPING EMO that stood out in particular, because what a name. A few clicks later, and: Continue reading →
All right, let’s not do that time-wasting thing when it comes to reviews anymore; when new stuff, especially new stuff from particular featured idols and honorary community favorites of Homicidols.com. Minna no Kodomo-chan gave us Kabe no Nai Sekai (A World Without Walls) to listen to, to embrace, to punish ourselves for sins more imagined than real by driving kawaiicore grotesqueries directly into our dreams. If all we ever had to go on was the other day’s MV, one might think that this is a one-way trip to video game hell, but we also know that Everybody’s Children can get down in lots of different, weird, wonderfully loud ways. What would their first album deliver on?
It’s bad and it sucks when idols graduate and, from that, groups disband. Yeah, sometimes it’s for a good reason; more often than not, though, it’s just a bummer for everybody involved. So it was a pretty substantial while back now when PIIIIIIIN declared that they’d be hanging ’em up — it was unexpected, nobody seemed terribly thrilled about the move but not so invested as to try to stop it, and a bright light flickered out. I even eulogized the PIIIIIIIN experience!
Good lord, what a thing to step into first thing on a Wednesday.
Minna no Kodomo-chan, winners of the Corenament, owners of some of my very favorite idol-related music to date, a teen chika power duo if there ever was one, an entity that manages to loom immensely despite the cumulative height of its members being about 8′ (it’s the backboards, I’m sure), have an album that’s out today. You have no doubt endured my barely contained hype, as I have been all kinds of excited since the day that it was announced, and I was practically giddy yesterday when they made it clear that an MV was going to happen this morning.
Friends, did it ever:
If you’re wondering why it took me well over an hour to get this out, it’s because I wasn’t in a place to heart react immediately, and I just spent most of that time struggling to get to where I needed to be to finish this post. And, sometimes, time is gift — you can think things through and mull them over and force-listen to a piece a few more times. What a gift, man. Continue reading →
Frick and frack, you guys. I’ve largely been spared the personal worst of disbandments so far, but along comes the demise of one of my favorite Osaka groups. PiGU, one of the neatest of rock idols (regardless of the flavor they embraced at any moment), are being brought to an end by POP iD:
Underdog Corenament victors Minna no Kodomo-chan seem hell-bent on becoming more than just another cool project littering the Shibuya scene. Their first full-length album, World Without Walls (Kabe no nai sekai), is coming in May. There’s nothing to hold on to just yet, but oh man, the cover art alone is filling me with dreadticipation:
It turns out that Terry was just as late-night post-making the other day as I was, and bless him because there was no way in hell I was going to follow up on anything of less than the utmost importance. Like, following idols gets to be kind of a grind sometimes — there’s only so much of what you come across that you really, truly want to keep up with, and only so much of that that you can stay invested in. Hell, I have a fancy idol website, and it’s friggin’ exhausting!
The point is: Thank you, Terry; I think I’m going to pay attention to this one:
And speaking of things that people are all HEY YOU JERK YOU NEED TO DO SOMETHING WITH THIS about, I submit to you not a new maturation of idol rock, but a new realization of kawaiicore that’s presently* giving vigorous side-eye to all who’ve come before:
That’s PINKYCASE (Twitter), and it suddenly feels like much of the loudol world is turning to peppy pop punk numbers of which I wholly approve**. Here’s a ((very)) (new) live digest: Continue reading →