Yeah, I’m late to this party, so what. Hiatuses will do that to a person. But on the off chance that you weren’t yet aware that BURST GIRL — who I post in protest because what worth does this world have left in it anymore — made available a pair of previously unreleased tracks a couple of weeks ago, and I’m personally just now catching up and more than happy to drag you along with me:
【海外の皆様へ🔥】 To fans overseas Two unreleased songs which were never released on CDs are now available on iTunes, Applemusic, Spotify, etc from August 21st. You can check it out here.https://t.co/YIViJ4Kecf
I can understand why! These tracks are deliciously random by BURST standards, but also at the same time like peak BURST, a neat trick that only the truest masters of we-do-what-we-feel-like can accomplish, and so this is all okay by me. Continue reading →
What’s so weird isn’t that YouTube showed me this on time (but that is also weird), or that I felt like I’d not only just seen it like a month ago (referencing), but that I looked at what I had ahead of me for the day and immediately thought OMG I HAVE MINUTES! So hey, let’s blog about it!
Here is the trailer, which is also a very considerate preview for the MV that I’m sure is now going to arrive within the next five calendar days, and probably at the least opportune of moments:
Boxing! Good concept that works with the title track; kind of loses steam when it’s just a loop and the track moves on. But it sounds fun!
Also great to hear* that Yura has apparently learned how to channel Saki directly.
*There’s a really long story here, but tl;dr I suddenly hear a lot of stuff better and the extra clarity kind of blows my mind sometimes, and also everything sounds just a little bit different
You know you’ve been asleep at the wheel for a little while when you see something in your feed and then spend several minutes trying to figure out if it’s new, but if it’s new to you if it’s not new, period, and then if it’s not new to you but you were actually functionally aware of it. That was me as of about four minutes ago, staring at Twitter and trying like hell to remember if BURST GIRL, now into their second year as a self-managed chika idol bomb squad, had made the fact that they have a June album in the works known, and if the meme-producing website that’s endlessly supportive of them had made use of this information, and if so what next.
Well that’s certainly a fun ride! I’ll admit that, seeing the video still, I had hoped for a full digest or even just a more substantive teaser. That’s okay, though. It’s not like we aren’t all fairly familiar with the material, or one of last year’s favorites at the very least.
Everyone’s favorite throwback punk unit closed out their crowdfunded nationwide tour in Shibuya on Sunday night at the ironically and appropriately named live house, Chelsea Hotel (ofc. the Chelsea Hotel in New York City is where Nancy Spungen died of a knife wound in the room she shared with Sid Vicious). At the close of the show, Burst Girl dropped a couple of serious announcements.
You may have seen, friends, that longstanding idol of terror Rei, aka BOSS, formerly of Guso Drop and now running BURST GIRL through her iron will, has a new project of the likes that really only she would have. I thought, this is a Weekender item and didn’t want to take it too seriously, but then I remembered how I’d have felt about this a couple of years ago and realized that, heck, this is the kind of thing that I’d have had kittens over not all that long ago, so let’s make a big-ass deal out of it!
Knuckle Chihuahua! Or “Chiwawa” as they apparently would like for it to be spelled.* I don’t know what that is. Like, a fighting tiny nigh-hairless dog that fits in a purse? Sounds about right. And of Boss will be providing vocals as only a person who sounds like a chain-smoking trucker but hasn’t ever actually been a chain-smoking trucker can do. Rei is literally the best. I hope they start off doing more-or-less accessible punk songs and then devolve into some spectacular grind thing. Continue reading →
Today’s a dark-ass day, so let’s celebrate something uplifting for a hot minute. Remember when the “Nancy” MV happened and it was like, very cool, now what are you going to be doing with that? It turns out that BURST GIRL had a single release planned all along, and this one’s going to be available in stores.
Two stores, to be exact! Tower Records Umeda Nu Chaya and Tower Records Shinjuku will each be playing host to the first in-store BURST GIRL CD, each with its own respective version of the single (artwork). The songs, “Nancy” as the obvious A-side and “Liar” on the flip. The official release date is Jan. 23. There’ll be release events at each store: Continue reading →
I’m not sure that the world is ready for what it’s about to see (or still recovering from seeing) in BURST GIRL’s new, first MV. Things are … well. The ex-Guso Drop crew definitely made something noteworthy:
This has been a bad season for idol, man. Yesterday’s gawdawful news made me think that — there have been a ton of major graduations lately, and though the actual output has been of a high quality, there haven’t been that many great releases or debuts or etc. in a while. I did get a nice pick-me-up earlier in the week, and another yesterday (both of which you’ll learn all about over the next couple of days!), but man, I wouldn’t blame anybody for wanting to quit after this latest run of bad news.
So when I wake up to a message from none other than our very own Papermaiden, and it’s one of the more anticipated debuts of the last … last little while, I perk up, and optimism returns:
If you stare long enough at the Yurapiko, the Yurapiko stares back at you
That’s BURST GIRL, which you may recall is the project of 4/6 of the final Guso Drop roster, which may nor may not be better than not having Guso Drop at all (depending on one’s perspective), and that’s their debut live. Here’s a somehow-more-intimate angle: Continue reading →
The post-Guso project calling itself BURST GIRL/S (I can’t get the nomenclature right) is hurtling, dare I say barreling toward its debut, and they’ve been making details known for the last little while. Why do I bring this up now? Because I can and I’m amused, and I want to have more of their tag in my library prior to the actual debut because SEO, bitches!
Anyway! Their Jan. 7 debut show is like Guess Who’s Coming to Dinner, minus the important-but-heavy-handed racial commentary and sheer magnetism of Sidney Poitier, and in fact nothing like that classic film at all save for my desire to use the title as a device!
That’s a pretty good lineup! Also, what an honor for BBTS and Candye Syrup; it’s not quite stepping up onto a ZEPP stage, but you could ask for much worse exposure to the people who are mostly likely to be your #Fans4Evar. That’s going to be a very loud show! Continue reading →