I just keep giggling about this. I really don’t know.
You tell me. Honestly. What the hell all is going on here? Idol Cannonball Run: The Motion Picture would create the single hottest holiday toy craze in history — vomit-inducing hot sauce! ill-fitting fitness wear! gratuitous bikini tops! — if it lived up to half of its potential. Like, AV vs. MV? More like Pour Lewd amirite?Continue reading →
“Oh cool!” I thought at first. “Another Aina collaboration with somebody that I’ve heard of!” And then came the gritting, as such a notion recalled Aina + TeddyLoid, a project toward which my first reaction was tepid enthusiasm (“Good for Aina, though!”) and has since aged like unpasteurized milk. So it followed, then, that when I finally got to press play:
Oh that’s good work! One could be forgiven for hoping that Watanabe would put that TeddyLoid pile of meh right into the memory hole and spare us another electronic collaboration for Aina (or anybody, really), but this is nice. Like, really nice. And seeing how deep have gone the disses toward Mr. Loid lately, I’m beginning to understand why. Also why I should be adding MONDO GROSSO to my personal list of things to catch up on!
But this is about BiSH collaborations, not just Aina’s, which means that there must be more, yes? Continue reading →
Hey, a couple of days late never hurt anybody. Folks have spilled a ton of tears and ink and whatnot over the WACK solo debut election results, which could not have been less surprising overall (my girl Chitti taking #1, just a tiny bit off expectation). For me, though, it was the awarding of a solo debut to the #16 finisher, Yui Ga Dokuson, that took the cake.
John with the overall details:
Well, WACK had their vote to determine who gets a solo debut release. The show was about two hours long on niconico. A couple twists and turns, pretty uneventful…… almost.
Well what the heck, you guys? Even though it was basically a given that BiSH would release another MV to promote the release of THE GUERiLLA BiSH, I don’t think anybody expected that it would appear out of nowhere on a Friday morning in Japan. Just like last time, they stayed true to the theme of the record!
So that’s a pretty solid MV; I’ve never more wanted to be a guy tied to a chair, up to and including the apparent immolation-by-Ayuni. It was a wise choice, too, for the follow-up to “My landscape”, to convince that handful of people in the world who don’t already know that the album actually has a ton of upbeat intensity that BiSH is and always will be BiSH. For what it’s worth, I thought that “SMACK baby SMACK” was the best song on the album … and in wanting to say that and this one other thing* about it, I decided to include a miniaturized version of the review that I’ll now never publish. Continue reading →
Happy Thanksgiving! In honor of the messiest, most politically charged and family-destroying major holiday in the United States, I thought I’d save a couple of key items from the week to make it all seem just a little extra-special
“Ho hum,” quoth I, “I’m going to skip right the heck over that, because I bet it’s just some other dang thing and oh yeah it’s going to happen when I’ll be blissfully asleep. There’s no way that I’ll forget about that!”
For yourselves know perfectly that the day of the Lord so cometh as a thief in the night. — Some jerk called King James
I wasn’t actually even asleep yet when the messages started coming. But did I ignore them? You bet! It was late as hell and I was trying to wind down, not get into some mess. So imagine my surprise then to wake up to a chorus of humans calling out that BiSH had just Beyonce-released a new album: