WACK never sleeps, apparently, and nor does its somewhat eponymous founder have time for your shenanigans or judgment. In fact, he stacked up extremely Watanabe moments for the week and delivered like has never seemed possible — and it’s only Wednesday, good lord.
This is a music website, so the most important news is that the latest flavor of BiS (to which I do refer derisively but actually find myself more in love with all the time) is releasing a new album, and here’s the first track, which you can download until the 10th on the link here, and also listen to in perpetuity:
Y’know, we talk about about Yufu Terashima quite often amongst ourselves on the twitters, but I did a quick check and to the best of my knowledge, we’ve never posted anything specifically about her on this blog. I mean yeah, she was a member of that iconic group that pretty much gave birth to the movement, but perhaps Yufu herself goes a little bit more into the sort of pure idol territory that this blog appreciates but doesn’t usually cover.
But when you film an MV for a song that is not gives a fun visual medium to a delightful pop gem, but eludes to the elusive answers of one of the biggest questions that the human race has been asking since it first formed an inquisitive thought, you pay attention!
Ah yes, another week is upon us, and BiS3 hasn’t formally debuted yet, nor has an official release hit record store shelves, so that can only mean one thing — probably! they’ll tease at least one more new song and give an update on when the suddenly-a-lot-more-interesting-than-most-people-I-think-expected-they’d-be group debuts.
This was a safe assumption! And between the teaser strategy and the soundscapes at play, among other things, it feels less like a BiS debut and more like, well, their original namesakes’ rise four years ago. I find this business decision smart and good because, efforts made to the contrary, the most BiS-like thing to debut from WACK since 2015 has been pre-major BiSH, so really, emulating that whole move is a-okay in my book. The evidence? As if it hasn’t been abundantly clear, this debut is coming with some really cool musical choices (ah, those liberal pinches of heaviness), including these two new ones, which include what for me is one of the most interesting tracks that any notable in idol has done this year:
BiS gave us another round of previews from their new album that frustratingly has the same name as their first. You might have already heard “BiS3” by now, but listen to it again because now there are actual member vocals and not Watanabe’s on it!
And a brand-new song, “SURRENDER”.
Dang it, BiS. So many of us were skeptical of this third generation incoming, but these are some pretty solid tracks right here! I guess we’re stuck here forever. On that note, should you want to listen to these tracks forever (or at least until they’re on an actual album) both BiS3 and SURRENDER are free to download on Dropbox. I’d suggest grab them quick before Watanabe’s account runs out of bandwidth again!
Man, you guys, after the feelings of middling disappointment spawned by hearing Watanabe-sama’s vocal fill-in on the first track from BiS3, I was not feeling good about this whole project’s yet-again comeback. Like, BiS was once upon a time one of the coolest and most important things in music, and while a lot of BiS1’s success can be tied to the personalities involved and the angle that they took to everything, at the heart of it was the fact that their music was that damn good, and that they had the right vocal mix to crush the hell out of it while telling a compelling story about their own personality blend. Even BiS2 had its moments in that regard, but it was, yeah in retrospect but also in real time if you opened yourself to the idea, kind of clearly a knock-off. It just didn’t have the same energy or spawn the same feelings of possibility.
With the latest reboot, one could be forgiven for going into it with diminished expectation. A copy of a copy is, after all, two full orders of magnitude lesser than the original*, and I’ll go ahead and out myself as one of those who felt like BiS was getting another run more to fulfill a contractual obligation to a record label and to sell out remaining IDOL merch inventory. Other people were apparently more than ready for BiS3, though, because the initial announcement of this track’s availability (yesterday) exceeded the download bandwidth and was all but inaccessible. Good thing for Soundcloud, then, and good thing for us — this is a winner:
It was inevitable following the official re-re-launch of BiS that there would be quick next steps. No, I don’t mean the greatest post in the history of idol blogging; I mean a demo of some sort, something that sticks with the WACK playbook to give a taste of what’s to come without actually revealing anything of substance — the members are all still ghosted-out, after all. And that inevitability bore fruit today! This is apparently what we can expect to hear from the re-renewed Brand-new Idol Society:
It seems like only last month that BiS split up. Again. And now they’re coming back. Again.
This time we didn’t have to wait first for Pour Lui to get bored of being in an unpopular band; no it will not be long at all until Mr. Watanabe welcomes us back to enjoy BiS and their wonderful world of marathons, audition dramas, similar-sounding songs and marathons.
But while we celebrate their return, let’s also take a chance to look back fondly at the previous incarnations of BiS. Here are 12 facts you never knew about this legendary idol group.
Welp, so BiS just disbanded for a second time.
The initial announcement of their disbandment back in March wasn’t really given much coverage on Homicidols, since it also happened to collide with a gazillion other things both in idol and our personal lives, but I think the general reaction of the announcement was certainly one of anger, confusion, and betrayal. It came straight off the heels of the annual shitstorm that is the WACK audition, in which multiple members (and Trivago, back for more) were fired on the spot for what was ultimately a frustrating sideshow. The remaining members had finally had enough and called it quits, with Watanabe immediately holding casting calls for a third incarnation of BiS mere minutes after the previous audition had even ended. Looking back, it was probably a good thing that none of us were able to write about WACK EXHiBiTiON in the end as the resulting article would probably have just been a mess of all-caps angrish and thinly-veiled threats of revenge towards Watanabe. Continue reading
The people have spoken(?) and Watanabe has reaggregated BiS as a nine-member unit. Not one to do things halfway or with subtly, the infamous adult patient neglecter has endowed the group with their own “Bohemian Rapsody”, which is a whopping 11 minutes and 47 seconds.
Grab your coffee or tea and sit comfortably to take in this grandiose venture:
Do you want to know how hard I was prepared, and like instantly, to jump into this post and start crapping all over this as soon as I saw the announcement? I didn’t have kind words for the Pour Lui-less BiS in the 2019 preview, I wasn’t really looking forward to this new single, I thought the plan to reunite the full group was the kind of good-decision-fixing-a-bad-decision move that makes a manager look bad anyway … basically, I thought that BiS, once upon a time not just the standard bearer for this whole thing that we follow, but its literal founder, was all but done.
How fitting then that the first shot across the bow for their fourth major single, titled so as to give me “Blind” flashbacks every time I see it, doesn’t just recall the last time that the group rose from the ashes, but uses the same song, the same theme, maybe even the same location for all I know. “BiS reaggregated!” is even right there on the description, just in case we missed the rest of the allusions.
So how’d they do with it? Continue reading