You would not believe how many puns I left on the cutting-room floor
Well look what the cat kind of very slowly but eventually dragged in, you guys! After previous existence*, previous hiatus and pretty solid radio silence, Nue (who you may actually be following, who knows!) (Twitter) is not just back to being a thing, but doing it in a way that says, hey, here we are and now it’s serious business. In fact, they did it basically in one shot, and if you weren’t paying attention already, maybe now you will be:
Oh hey neat! I expected that Zenbu Kimi no Sei Da’s pre-warned announcement would be some kind of music something, what with the upcoming release of their let’s-re-release-a-ton-of-stuff-with-the-new-lineup album on the way, but did I expect that they’d come shooting out of the gates with one of the greatest, loudest, violentest, Codomomentalest idolcore songs ever put to tape? I did not. Am I absurdly pleased that they did? I am. Feast your ears on the re-recorded “WORLD END CRISIS”, only do it kind of fast because they put the ol’ two-hour limit on it and HAHAHAHAHAHAHAHAHA no, friend, just play along and then if you’re here after the link in the tweet dies, ol’ Uncle Maniac will still see you through:
We’ll do the usual shenanigans because, not because there’s gonna be a whole lot there.
Just take the jump.
Hi, this is where the track lives forever!
Where is Freud, indeed?
What is there to say, really? It’s still friggin’ “WORLD END CRISIS”, which frankly only gets better with time and always leaves me waxing what-could-have-been about Peak Codomomental. And they’re all still good! It’s just, there are apogees out there, and you begin to understand the whole thing with Sisyphus once you’ve reached the top of the hill and let that rock slip just the tiniest bit.
This is a good version, though. The shuffling of roles within the song took me a minute to adjust to, but the real highlights here are always the dual screams, and while I’ll admit that I’m waffling on whether my girl Yotsu is in the same position as before or whether she took on the Shidare role, I still think that this sounds like the gold standard for idols shredding their throats to really expose those emotions. What a song.
The remix album is out at the end of July. I hope they give us more on the long road to that point!
Hey, you know what? Let’s do a new idol thing. Haven’t done too much of that lately, but I have minutes and I am motivated!
I like when you guys ping me with idol things. One, I get to vicariously experience your excitement; two, I like learning about new idols, especially now that I don’t get to spend time on the scroll like in the good ol’ days*. So thanks Andrew! We’ve been waiting on this group to make something shareable happen for a very little while, they having very slowly come into being since, well, we’ll get to that part. But January basically. And now they have a true PV!
It was inevitable following the official re-re-launch of BiS that there would be quick next steps. No, I don’t mean the greatest post in the history of idol blogging; I mean a demo of some sort, something that sticks with the WACK playbook to give a taste of what’s to come without actually revealing anything of substance — the members are all still ghosted-out, after all. And that inevitability bore fruit today! This is apparently what we can expect to hear from the re-renewed Brand-new Idol Society:
Chika idol has a lot of room for a lot of things, and it’s possible that no project has grasped that flexibility quite as well as DAIDAIDAI, the DEMON TAPES-generated Osaka (of course) underground electro-pain merchants who’ve built out, built up and built strong the sonic legacy founded by PSYBOU KANOJO. Now approaching their third anniversary, the group has been incredibly steady — more on the music front than membership, but this is idol — while reaching for all manner of sounds and influences and visuals to keep every person who’d encounter them on their toes.
Speaking of membership, there is that (future) mass departure to acknowledge, but also a new single that we are now, friends, so lucky as to have it appear in our lives. I think this is what happens when a composer and producer get together to brain up a summer single for an idolcore group. Soak it in! Continue reading
What’s so weird isn’t that YouTube showed me this on time (but that is also weird), or that I felt like I’d not only just seen it like a month ago (referencing), but that I looked at what I had ahead of me for the day and immediately thought OMG I HAVE MINUTES! So hey, let’s blog about it!
Here is the trailer, which is also a very considerate preview for the MV that I’m sure is now going to arrive within the next five calendar days, and probably at the least opportune of moments:
Boxing! Good concept that works with the title track; kind of loses steam when it’s just a loop and the track moves on. But it sounds fun!
Also great to hear* that Yura has apparently learned how to channel Saki directly.
*There’s a really long story here, but tl;dr I suddenly hear a lot of stuff better and the extra clarity kind of blows my mind sometimes, and also everything sounds just a little bit different
It seems like only last month that BiS split up. Again. And now they’re coming back. Again.
This time we didn’t have to wait first for Pour Lui to get bored of being in an unpopular band; no it will not be long at all until Mr. Watanabe welcomes us back to enjoy BiS and their wonderful world of marathons, audition dramas, similar-sounding songs and marathons.
But while we celebrate their return, let’s also take a chance to look back fondly at the previous incarnations of BiS. Here are 12 facts you never knew about this legendary idol group.
I have entirely too much to say about the new BiSH song-and-video move while at the same time saying very little about it at all, so bear with me a minute. It’s like I saved all the words that I didn’t write over the past couple of weeks just for this one post!
Necessary intro: New BiSH MV. New album coming in under a month. Me? A mix of eager anticipation and total trepidation. Like most everything BiSH has done going back to 2017, one gets the feeling from the available evidence (or: they skipped ahead and bought the EPs) that Their latest is going to have the same uniformly good collection of music as always with one’s own levels of satisfaction thereof determined largely by whether they preferred the first or second promo single release.
Yesterday was time for the full, amalgamated album to get its turn in the marketing chute, and thus to use was born “DiSTANCE”:
Ah, a powerful ballad that doesn’t sound entirely like the other ones! Continue reading
Well well well! I was prepared for a really easy, walkaway Saturday morning, but of course the idols who invented Codomocore, who despite their second 40% membership overhaul in … good lord, a long-ass time, Zenkimi’s officially old now! Who despite having just undergone all of that have been surprisingly quiet of late. The whole company has, in fact, but this week started to open things up, from the updated name for KAQRIYOTERROR to yesterday’s announcement of the ssixth single from Yukueshirezutsurezure*. And yeah, now it’s time for Zenbu Kimi no Sei Da with the biggest announcement of all, a new single and a big-ass album’s worth of re-recordings with the updated membership:
I hope that I’m actually providing something of a service with this post, gang, and not just HTMLing something that’s already been done to death — judging by the original reactions, I’d say it’s somewhere in between — but if you missed it yesterday, amazing digital idolcore project of my dreams DAIDAIDAI has a demo for a new song, “PIRANHA”, available via download if you retweet the following:
There may have been some issues with the automation on this, but mostly ironed out now
Okay, go do it. Then report on your thoughts! Continue reading