You know that feeling when you just really, really want to do something, but can’t? And the constraints aren’t like “I’m chained to a wall in Evil Wizard G’gothorol’s volcanic conjuration tower because I’ll be sacrificed as part of the ritual to raise fire demons to destroy humanity,” but more “I’m stuck at work and then have a thing and there are deadlines galore,” because not only was G’gothorol defeated at the end of last season (and his soul trapped in a crystal mirror that was subsequently — and very deliberately — shattered), but that’s a completely implausible scenario and relatable to, like, three or four people reading this, tops. That was me yesterday. “Oh look, new Melon Batake a go go — hey Team Homicidols, what’s good!” and everybody was like “oh, I, urm” and I stared at Twitter for a couple of minutes, wondering whether I should give the new MV a turn, whether I should then take meaningful time away from the that-needs-to-publish-by-butt-o’clock project, whether my loyalties to self or idol run deeper … and I punted.
Fortunately, time passes, and Melon doesn’t stop being great as all heck in 16 hours’ time, so here you go!
It was only a few weeks ago that punk rock idol unit NO MARK made me yes mark the hell out. Did I do the same thing when I heard this here?
I can’t possibly make my reaction to this any clearer than to say that I had no idea that Bad Religion had gotten into the idol game. What a good-but-unconventional song! It’s also (obviously) their third digital single, which is quite a nice chunk of output for such a short lifespan so far. Good for them!
In which our hero continues to share the things despite lacking energy to share the things like usual
New BURST GIRL song! Written by Yurapiko! This makes me happy in several ways, all of which are being subsumed by the awesome wall of humanity and shared passions that is sucking up all of my time and attention and life this week. And it’s only Tuesday!
Anyway, I have to ask: #YuraSmile wrote the lyrics, but who wrote the music? I ask because I want to know exactly how indie Guso Drop BURST GIRL is these days, and to what extent they’ve embraced DIY. It’s a simple spectrum, ranging from Hatsune Miku at the one extreme and Beni making her own zines on the other. Yes, this is what keeps me up at night.
Do you guys follow the SPARK SPEAKER news account on Twitter? And if you do, do you know who’s behind it? Like, manager-san or one of the members or just some English-fluent wota with the right idea? Anyway, go follow it now if you aren’t.
This is the kind of thing that happens when you do follow SPARK SPEAKER news and go through the feed to see if you’ve missed anything because you happened to be looking for something else in your post history and see a reference to the group in question and hey, what are they up to, it’s been a few months:
Like, the song that they shared out yesterday is the reason why, which I hope you enjoy as much as I did:
Why is this such a rich year for new and newer idols, when last year was basically just one long slog of bad graduations and me wondering if this whole rock business had crested? Bury’s just doing right things, and every new song that sounds good as hell, every hi-res live photo, every accessibility-enabling development fills me with glee about their prospects. Continue reading →
Did you guys hear this yet? Or maybe the better question is, are you ready to hear this yet? There have been so many sick debuts this year that I’d all but put NO MARK out of mind (after posting about them just a month ago!), which is funny given how much I enjoyed them right out of the gate.
Well, they’re releasing their second digital single on Wednesday, and this is what it’s going to sound like, and /inserts ear plugs:
What a title
Have mercy. The reptilian part of my brain wanted me to retreat to the same spot that I did for that extremely extra YUZUKINGDOM song, but while this tune’s got 18 kinds of things going on, it’s still somehow more coherent than that thing was. My goodness. I hope there’s an MV for it.
Believe it or not, this site has a content strategy.* The original was written three years ago, give or take, and while yes it’s evolved over time, the general framework is still in place. The wild thing about strategies is that, like, they don’t work if you don’t follow them. They’re wonderful guiding documents when you need them, but remarkable pains in the butt when you’re short of time and/or capacity and everything starts to happen. Like when I commented the other day that, with TIF just a couple of weeks away, things would pick up? It’s happening!
So this is what digging out of a hole feels like. The double-edged sword is that the Panda Mic song that I’m about to show you is very fun and solid and like what might happen if you let Maison Book Girl write a punky little ditty for junior idols, so of course I’m going to want to show you that even if it weren’t necessarily tired to the content strategy, and it also is that:
In case you didn’t know, friends, our relatively new Oshi is facing a challenge. Yes, on Wednesday, she’ll find out who her opponent will be on Friday in the final match-up of Queen of the Scene, with the winner carrying the Official Oshimen of Homicidols Dot Com forward into the future. That means being the star of the Oshi Digest, which is an honor not to be discarded by anybody who likes it when literally dozens of foreign people consider that to be a big deal.
Saki’s so distraught that she’s showing off her forehead:
Psychobilly idols Melon Batake a go go don’t generally strike me as rule followers, but in the case of their new EP, they abide by an age-old rock n’ roll rule: Keep it short and sweet and make them beg for more. It’s a formula that’s brought us legends from Hasil Adkins to the Ramones to Guitar Wolf to a hundred other rock stars who put a pep in our step and tickled our hormones. You simply can’t beat a great garage stomper, and now, Melon Batake a go go have come to put the idol spin on the barn dance. Continue reading →