Ladybaby’s renewed, Rei-less form didn’t, I think, need to call back too hard to the group’s point of origin — it’s written all over everything they do, ever — but given that what seems like a fairly successful first release includes a third track, and hatchets can be buried and money made, it’s clear that we could all live our best lives if the updated roster could maybe get together with ol’ pal Ladybeard for an MV.
The trailer is here. I stared at my screen and contemplated whether to post now or wait; my dedication to the gods of chaos won out.
How long ago was the Showroom or whatever live recording of the newly reformed Ladybaby’s first single hit the Idolnet? It’s been a few weeks, right? I’d nearly forgotten about it save for those wondering aloud online if the release had happened (soon!) and if there was video (also probably soon!). Me, like how I’ve been avoiding the new PassCode single like the plague until something official arrives*, I stayed away from recordings of all types because I wanted one, pure, this-is-what-we’re-doing-now full-on multimedia assault. And today, Ladybaby finally delivered:
What a weirdly put-together song! The way that thing was going, I thought it was going to crescendo toward something other than an idol death pop kind of chorus; I also expected less … pick-me-up lyrics. The overall sound (minus the harsh vocals) reminds me of something that OG Himekyun Fruit Can might have done; structurally, is anybody going to get mad if I say that I thought of Kamen Joshi? Yes? Great. “Growly days” for the win, then! Continue reading →
So, Ladybaby, as you recall, began life with the Beard himself adding growls and screams and the like to what was usually otherwise a jangly mess of sounds from a drunken night in Akihabara. Sometimes a delight! Following his departure, though, the mechanical add-on harsh vocals seemed like some kind of rude joke; they got the point across, but with none of the pizzazz unless you’re very easily impressed.
When the group underwent its complete re-tool following the falling-out etc. between Rie and Rei*, one could be forgiven for thinking that the old way of doing things was going to be politely left aside. The piped-in death growls were kind of ha-ha cheesy at first, only to become just-plain cheesy in short order, to the point of ridiculousness, so songs that just skipped that whole bit and instead tried to actually be good songs, they were way more enjoyable; I mean, I know that people loved the hell out of “Pelo”, but I’m still overly partial to “LADY BABY BLUE”, which is as far a departure from “Nippon Manju” as you’ll find this side of a Negicco ballad.
When last we saw Desu.Rabbits, they were planning a new single with some very interesting art. Yesterday, the MV landed … or should I say MVs! There are two of them! It’s … the title is really long but about the very title of this post, coming at you in two versions!
Color me somewhat surprised — after Rei unceremoniously split and Rie started up on her solo project, I was among those who thought that Ladybaby, of whatever iteration, was as good as dead. Yes, this is idol, and humans are interchangeable parts, and Ladybaby management has been pretty cutthroat about personnel in the past, but still.
So then imagine how hard the coffee shot out of my face when I read this:
I thought I’d take a look at what all Desu.Rabbits were up to after doing that other bunny thing, and wouldn’t you know it, they’ve been slowly releasing tidbits of their first one-man. It’s a live digest, but hell, it’s in four parts, that’s enough video to be many idols’ entire performance month:
This is really fun, and perfect for you Sunday start-up — Desu.Rabbits, who continue to wheedle their way into my fickle heartbleed, had themselves a fun little beach party that was just all over Twitter: